Techniques of the Observer 在線電子書 圖書標籤: 藝術史 視覺文化 Jonathan Crary 視覺 art_history 藝術理論 藝術
發表於2024-11-21
Techniques of the Observer 在線電子書 pdf 下載 txt下載 epub 下載 mobi 下載 2024
modernity and the problem of the observer,讀全書
評分modernity and the problem of the observer,讀全書
評分和吉迪恩的Mechanism takes command 有的一拼
評分19世紀視覺範式斷裂的譜係學:眼睛從如同暗房透孔這一機械地處於視覺和客觀世界之間的透明中介,逐漸轉變為同外部referentiality脫離、從根本上決定視覺的身體感官部件。本書基本是福柯論及現代人的科學和治理性誕生的視覺研究注腳,以生理學等學科的知識型轉變為基礎來理解現代藝術。
評分1990s return to the body from language and sign. 與Kwinter配閤食用更佳。Crary寫作的日常:這個這個很好,那個那個很重要,不好意思這本書並不討論以上問題:))
喬納森·剋拉裏,美國當代藝術評論傢,哥倫比亞大學當代藝術與理論邁耶·夏皮洛教席講座教授,“區域叢書”(Zone Books)主編,《十月》雜誌(October)編輯顧問,著有《觀察者的技術:論19世紀的視覺與現代性》《知覺的懸置:注意力、景觀與現代文化》《24/7:晚期資本主義與睡眠的終結》等書。
In Techniques of the Observer Jonathan Crary provides a dramatically new perspective on the visual culture of the nineteenth century, reassessing problems of both visual modernism and social modernity.Inverting conventional approaches, Crary considers the problem of visuality not through the study of art works and images, but by analyzing the historical construction of the observer. He insists that the problems of vision are inseparable from the operation of social power and examines how, beginning in the 1820s, the observer became the site of new discourses and practices that situated vision within the body as a physiological event. Alongside the sudden appearance of physiological optics, Crary points out, theories and models of "subjective vision" were developed that gave the observer a new autonomy and productivity while simultaneously allowing new forms of control and standardization of vision.Crary examines a range of diverse work in philosophy, in the empirical sciences, and in the elements of an emerging mass visual culture. He discusses at length the significance of optical apparatuses such as the stereoscope and of precinematic devices, detailing how they were the product of new physiological knowledge. He also shows how these forms of mass culture, usually labeled as "realist," were in fact based on abstract models of vision, and he suggests that mimetic or perspectival notions of vision and representation were initially abandoned in the first half of the nineteenth century within a variety of powerful institutions and discourses, well before the modernist painting of the 1870s and 1880s.Jonathan Crary is Assistant Professor of Art History at Barnard College and Columbia University. He is a founding editor of Zone and Zone Books.
在《观察者的技术》中,克拉里基本意图是选取19世纪末20世纪初的三位画家的三件作品,来探讨各件作品出场前后的“知识型”。“知识型”这个术语来自福柯,基本指一定历史阶段的各种话语实践所遵循的一般惯例与边际条件。克拉里以福柯的理论作为参照,描述了作为“切片”的古典...
評分在《观察者的技术》中,克拉里基本意图是选取19世纪末20世纪初的三位画家的三件作品,来探讨各件作品出场前后的“知识型”。“知识型”这个术语来自福柯,基本指一定历史阶段的各种话语实践所遵循的一般惯例与边际条件。克拉里以福柯的理论作为参照,描述了作为“切片”的古典...
評分一句话总结: The question of the vision in the age of modernity (the making of the modern observer) is foremost an epistemological question than an aesthetic one that is substantially grounded in the development of bio-sciences and advancement of optic tech...
評分克拉里最精彩的论述之一在于通过对暗箱(camera obscura)和摄影技术所代表的“认识型”的区分,完成了对现代性起源的重新断代。书中提到,在传统艺术史中,暗箱的操作原理常常被看作是摄影和之后的电影技术的先驱,因为它们都基于单点透视成像。摄影技术也常常因此被看做是视...
評分一句话总结: The question of the vision in the age of modernity (the making of the modern observer) is foremost an epistemological question than an aesthetic one that is substantially grounded in the development of bio-sciences and advancement of optic tech...
Techniques of the Observer 在線電子書 pdf 下載 txt下載 epub 下載 mobi 下載 2024