Techniques of the Observer 在線電子書 pdf 下載 txt下載 epub 下載 mobi 下載 2024

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Jonathan Crary 作者

The MIT Press

譯者

1992-2-25 出版日期

183 頁數

USD 27.95 價格

Paperback

叢書系列

9780262531078 圖書編碼

Techniques of the Observer 在線電子書圖書標籤: 藝術史視覺文化 Jonathan Crary 視覺 art_history 藝術理論藝術

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發表於2024-06-02

Techniques of the Observer 在線電子書 epub 下載 mobi 下載 pdf 下載 txt 下載 2024

Techniques of the Observer 在線電子書 epub 下載 pdf 下載 mobi 下載 txt 下載 2024

Techniques of the Observer 在線電子書 pdf 下載 txt下載 epub 下載 mobi 下載 2024

Techniques of the Observer 在線電子書用戶評價

評分☆☆☆☆☆

1990s return to the body from language and sign. 與Kwinter配閤食用更佳。Crary寫作的日常：這個這個很好，那個那個很重要，不好意思這本書並不討論以上問題：））

評分☆☆☆☆☆

The invisible apparatus of vision to the Empiricists was turned into a site of investigation. On this new plane of homogeneity where our body is conceptualized, subjectivity was now an effect, and the rampaging of capital shattered them all. Piecing an ant colony together won’t help.

評分☆☆☆☆☆

雖然有些書的閱讀體驗不是很好，但對認真梳理曆史並在紛擾的smulacra裏試圖接近真相的那一撮都忍不住默默點贊！

評分☆☆☆☆☆

二十多年過去瞭纔有中譯版???? Crary媒體考古的精彩實踐

Techniques of the Observer 在線電子書著者簡介

喬納森·剋拉裏，美國當代藝術評論傢，哥倫比亞大學當代藝術與理論邁耶·夏皮洛教席講座教授，“區域叢書”（Zone Books）主編，《十月》雜誌（October）編輯顧問，著有《觀察者的技術：論19世紀的視覺與現代性》《知覺的懸置：注意力、景觀與現代文化》《24/7：晚期資本主義與睡眠的終結》等書。

Techniques of the Observer 在線電子書著者簡介

Techniques of the Observer 在線電子書 pdf 下載 txt下載 epub 下載 mobi 在線電子書下載

Techniques of the Observer 在線電子書圖書描述

In Techniques of the Observer Jonathan Crary provides a dramatically new perspective on the visual culture of the nineteenth century, reassessing problems of both visual modernism and social modernity.Inverting conventional approaches, Crary considers the problem of visuality not through the study of art works and images, but by analyzing the historical construction of the observer. He insists that the problems of vision are inseparable from the operation of social power and examines how, beginning in the 1820s, the observer became the site of new discourses and practices that situated vision within the body as a physiological event. Alongside the sudden appearance of physiological optics, Crary points out, theories and models of "subjective vision" were developed that gave the observer a new autonomy and productivity while simultaneously allowing new forms of control and standardization of vision.Crary examines a range of diverse work in philosophy, in the empirical sciences, and in the elements of an emerging mass visual culture. He discusses at length the significance of optical apparatuses such as the stereoscope and of precinematic devices, detailing how they were the product of new physiological knowledge. He also shows how these forms of mass culture, usually labeled as "realist," were in fact based on abstract models of vision, and he suggests that mimetic or perspectival notions of vision and representation were initially abandoned in the first half of the nineteenth century within a variety of powerful institutions and discourses, well before the modernist painting of the 1870s and 1880s.Jonathan Crary is Assistant Professor of Art History at Barnard College and Columbia University. He is a founding editor of Zone and Zone Books.

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