James Clifford is Professor, Board of Studies in the History of Consciousness, University of California, Santa Cruz.
"The Predicament of Culture" is a critical ethnography of the West in its changing relations with other societies. Analyzing cultural practices such as anthropology, travel writing, collecting, and museum displays of tribal art, Clifford shows authoritative accounts of other ways of life to be contingent fictions, now actively contested in postcolonial contexts. His critique raises questions of global significance: Who has the authority to speak for any group's identity and authenticity? What are the essential elements and boundaries of a culture? How do self and "the other" clash in the encounters of ethnography, travel, and modern interethnic relations? In discussions of ethnography, surrealism, museums, and emergent tribal arts, Clifford probes the late-twentieth century predicament of living simultaneously within, between, and after culture.
“Art-Culture System: a Machine for Making Authenticity” 继续看到哪儿写到哪儿。 possessive individualism: 占有型个人主义 “the individual surrounded by accumulated property and goods. The same ideal can hold true for collectivities making and remaking th...
評分“Art-Culture System: a Machine for Making Authenticity” 继续看到哪儿写到哪儿。 possessive individualism: 占有型个人主义 “the individual surrounded by accumulated property and goods. The same ideal can hold true for collectivities making and remaking th...
評分“Art-Culture System: a Machine for Making Authenticity” 继续看到哪儿写到哪儿。 possessive individualism: 占有型个人主义 “the individual surrounded by accumulated property and goods. The same ideal can hold true for collectivities making and remaking th...
評分“Art-Culture System: a Machine for Making Authenticity” 继续看到哪儿写到哪儿。 possessive individualism: 占有型个人主义 “the individual surrounded by accumulated property and goods. The same ideal can hold true for collectivities making and remaking th...
評分“Art-Culture System: a Machine for Making Authenticity” 继续看到哪儿写到哪儿。 possessive individualism: 占有型个人主义 “the individual surrounded by accumulated property and goods. The same ideal can hold true for collectivities making and remaking th...
讀到講ethnographic surrealism或surrealist ethnography那一章很受啓發。
评分1988年的舊作,而且是“後學”隆重時代的作品,內容可想而知。不過,對於古建保護以及博物館下的藝術品狀態感興趣的讀者,可以專看其中的一篇文章,就是“關於藝術與文化的收藏”。
评分讀到講ethnographic surrealism或surrealist ethnography那一章很受啓發。
评分On Collecting Art and Culture
评分‘On ethnographic authority’. from paradigms of experience and interpretation to discursive paradigms of dialogue (research context) and polyphony (situations of interlocution). a clear history of the sophistication and refinement of ethnographic methodology
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