Wong Kar-Wai's Happy Together (The New Hong Kong Cinema Series) 在線電子書 pdf 下載 txt下載 epub 下載 mobi 下載 2025


Wong Kar-Wai's Happy Together (The New Hong Kong Cinema Series)

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Jeremy Tambling 作者
Hong Kong University Press
譯者
2003-08 出版日期
0 頁數
USD 37.50 價格
Hardcover
叢書系列
9789622095885 圖書編碼

Wong Kar-Wai's Happy Together (The New Hong Kong Cinema Series) 在線電子書 圖書標籤: 香港  英文版  電影研究  電影批評/理論  文學批評/理論  文化研究  性/彆     


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發表於2025-02-17

Wong Kar-Wai's Happy Together (The New Hong Kong Cinema Series) 在線電子書 epub 下載 mobi 下載 pdf 下載 txt 下載 2025

Wong Kar-Wai's Happy Together (The New Hong Kong Cinema Series) 在線電子書 epub 下載 pdf 下載 mobi 下載 txt 下載 2025

Wong Kar-Wai's Happy Together (The New Hong Kong Cinema Series) 在線電子書 pdf 下載 txt下載 epub 下載 mobi 下載 2025



Wong Kar-Wai's Happy Together (The New Hong Kong Cinema Series) 在線電子書 用戶評價

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為瞭碩士論文把這裏每一篇都仔細看過瞭,作者研究的很透徹,很多觀點比彆的論文要角度獨特的多。

評分

一版

評分

為瞭碩士論文把這裏每一篇都仔細看過瞭,作者研究的很透徹,很多觀點比彆的論文要角度獨特的多。

評分

為瞭碩士論文把這裏每一篇都仔細看過瞭,作者研究的很透徹,很多觀點比彆的論文要角度獨特的多。

評分

一版

Wong Kar-Wai's Happy Together (The New Hong Kong Cinema Series) 在線電子書 著者簡介


Wong Kar-Wai's Happy Together (The New Hong Kong Cinema Series) 在線電子書 著者簡介


Wong Kar-Wai's Happy Together (The New Hong Kong Cinema Series) 在線電子書 pdf 下載 txt下載 epub 下載 mobi 在線電子書下載

Wong Kar-Wai's Happy Together (The New Hong Kong Cinema Series) 在線電子書 圖書描述

Wong Kar-wai's controversial film, Happy Together, was released in Hong Kong just before the handover of power in 1997. The film shows two Chinese gay men in Buenos Aires and reflects on Hong Kong's past and future by probing masculinity, aggression, identity, and homosexuality. It also gives a reading of Latin America, perhaps as an allegory of Hong Kong as another post-colonial society.

Examining one single, memorable, and beautiful film, but placing it in the context of other films by Wong Kar-wai and other Hong Kong directors, this book illustrates the depth, and well as the spectacle and action, that characterizes Hong Kong cinema. Tambling investigates the possibility of seeing Happy Together in terms of 'national allegory', as Frederic Jameson suggests Third World texts should be seen. Alternatively, he emphasizes the fragmentary nature of the film by discussing both its images and its narrative in the light of Borges and Manuel Puig. He also looks at the film's relation to the American road movie and to the history of the tango. he poses questions how emotions are presented in the film ( is this a 'nostalgia film'?); whether the masculinity in it should be seen negatively or as sins of a new hopefulness about Hong Kong's future: and whether the film indicates new ways of thinking about gender relationships and sexuality.

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