过得刚好

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出版者:北京联合出版公司
作者:郭德纲
出品人:
页数:274
译者:
出版时间:2013-6
价格:39.80元
装帧:平装
isbn号码:9787550214224
丛书系列:
图书标签:
  • 郭德纲
  • 随笔
  • 传记
  • 过得刚好
  • 人生
  • 认识完全不一样的郭德纲,文化底蕴太深厚了
  • 相声
  • 经历
  • 过得刚好
  • 生活哲学
  • 内心成长
  • 自我认知
  • 情绪管理
  • 简约生活
  • 幸福感
  • 平衡之道
  • 真实自我
  • 从容心态
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具体描述

郭德纲亲笔作品,讲述人生四十年的江湖过往,知无不言,言无不尽。

迄今为止,唯一人生回顾,荣辱浮沉,冷暖自知,自浊自清自安然。书中的文字记录了郭德纲这些年的心路历程以及对人生、相声艺术、生活的感悟和思考,行文冷静,不煽情,不夸张,不做作,不隐瞒,不回避。

本书有着极其鲜明的郭式风格,嬉笑怒骂皆成文章,妙语连珠,文字独特,语言幽默风趣,读之不禁令人捧腹,为我们营造了一份无与伦比的阅读快感,这份快感和他的相声作品一样过瘾。即使面对着台下无人的惨淡局面,郭德纲依然保持着他的幽默感。

过得刚好,这是郭德纲式幽默,也是郭德纲的人生态度。我争者人必争,极力争未必得。我让者人必让,极力让未必失。真放肆不在饮酒放荡,假矜持偏要慷慨激昂。万事留一线,江湖好相见。

尘埃落定,风起云涌:一个时代的肖像 《尘埃落定,风起云涌》,并非仅仅是一部小说的名字,它更像是一扇窗,让我们得以窥探一个宏大叙事背后,无数鲜活个体的悲欢离合。这是一幅徐徐展开的时代画卷,用细腻的笔触,描摹了从封建余晖向现代曙光过渡的动荡岁月里,一群人的命运浮沉,以及他们如何在这场巨大的变革洪流中,寻找属于自己的坐标。 故事的起点,是一片古老而宁静的土地,承载着千年的文化积淀,也埋藏着难以言说的压抑与矛盾。在那个“君君臣臣父父子子”的规矩森严的年代,人们的生活轨迹似乎早已被注定。然而,变革的种子早已悄然萌发,从遥远的西方吹来的新思想,如同春风掠过沉睡的大地,唤醒了无数被禁锢的灵魂。 主人公,一个出身于没落贵族家庭的年轻人,名叫林怀远。他生性敏感聪慧,对旧日的荣华富贵并无留恋,反而对那些被压抑的真理与自由充满了渴望。他的家庭,曾经辉煌一时,但在时代的浪潮中,早已风雨飘摇。父亲固守着祖训,试图维持最后的体面,却也无法阻止家族衰败的脚步。母亲则在内宅的争斗与对未来的迷茫中,显得格外脆弱。怀远的成长,伴随着家族的衰落,以及他对父辈旧思想的质疑。他渴望跳出这宿命的樊笼,去看看外面的世界,去探寻更广阔的天地。 怀远的 childhood, is filled with both the faded grandeur of his ancestral home and the subtle anxieties of a world on the brink of change. He often finds solace in the dusty libraries, poring over ancient texts, but his mind is equally drawn to the whispered rumors of new ideas circulating among the educated elite. His childhood friend, 苏婉柔, a bright and spirited girl from a merchant family, becomes his confidante. Their innocent companionship, forged in the shadows of ancient courtyards, is a beacon of hope in the darkening landscape of their lives. The arrival of a charismatic revolutionary, 陈觉民, shatters the placid surface of their lives. Chen Jue’min, with his fiery speeches and unwavering conviction, represents a radical break from the past. He speaks of equality, of democracy, of a nation free from foreign domination and internal oppression. His ideals resonate deeply with the young and restless, including Lin Huaiyuan, who finds in Chen a mentor and a guiding star. Huaiyuan, inspired by Chen’s vision, begins to actively participate in the burgeoning revolutionary movement. He navigates the treacherous waters of political intrigue, his idealism clashing with the harsh realities of power struggles and betrayals. His path is fraught with danger, as he witnesses firsthand the sacrifices demanded by the pursuit of a better future. Meanwhile, Su Wanrou, though separated from Huaiyuan by social strata and circumstance, is also undergoing her own transformation. Her father, a pragmatic and astute businessman, has amassed considerable wealth, but he harbors a deep skepticism towards the romantic idealism of the revolutionaries. Wanrou, however, possesses a keen intellect and a compassionate heart. She observes the growing unrest and the suffering of the common people, and her own sense of justice is ignited. She begins to question the established social order, and her initial admiration for the traditional roles of women gives way to a yearning for agency and self-determination. The narrative masterfully weaves together the personal journeys of its characters with the grand sweep of historical events. The reader is transported to dimly lit teahouses where hushed conversations about rebellion take place, to bustling marketplaces where the anxieties of the common folk are palpable, and to the opulent salons of the old guard, where resistance to change is still fiercely held. As the revolution gains momentum, the lives of Huaiyuan and Wanrou are irrevocably intertwined with its fate. Huaiyuan, now a dedicated revolutionary, finds himself at the forefront of the struggle. He faces moral dilemmas, makes difficult choices, and experiences the exhilaration of collective action as well as the bitter taste of loss. His youthful idealism is tempered by experience, but his commitment to his ideals remains unshakeable. Wanrou, through her unique position within the merchant class, becomes an unlikely bridge between different factions. She uses her intelligence and connections to gather information, to offer discreet support, and to advocate for a more inclusive vision of the future. Her journey is one of quiet strength and subtle influence, demonstrating that heroism can take many forms, not all of which are found on the battlefield. The novel does not shy away from the complexities and contradictions of this turbulent era. It portrays the idealistic fervor of the revolutionaries alongside the opportunistic machinations of some, the noble sacrifices of many alongside the brutal realities of violence and repression. It explores the clash between tradition and modernity, the struggle for individual identity within a collective movement, and the enduring power of human connection in the face of overwhelming odds. The relationships within the story are nuanced and deeply felt. The bond between Huaiyuan and Wanrou, though tested by distance and the demands of their respective paths, remains a central pillar. Their shared understanding and unspoken support for each other provide a grounding force amidst the chaos. Other characters, from the wise and weary elder statesman grappling with his legacy to the ambitious but flawed military leader, are drawn with equal care, each contributing to the rich tapestry of the narrative. The climax of the story is not a single, explosive event, but a series of interconnected turning points that reshape the destinies of the characters and the nation. The reader witnesses the fall of old regimes, the rise of new powers, and the arduous process of nation-building. The aftermath is not one of simple victory or defeat, but of a complex and often messy transition. In the end, 《尘埃落定,风起云涌》 offers a poignant reflection on the nature of change, the resilience of the human spirit, and the enduring quest for meaning in a world constantly in flux. It is a story that speaks to the enduring power of hope, even in the darkest of times, and the profound impact that individual lives can have on the course of history. It invites readers to consider the choices we make, the values we hold dear, and the legacy we leave behind, reminding us that while the dust of past eras may settle, the winds of change will always continue to blow, shaping the world for generations to come. The book leaves one with a profound sense of the human drama that underpins all historical movements, urging contemplation on the price of progress and the persistent echoes of the past in the shaping of the future. It is a testament to the enduring power of storytelling to illuminate the human condition, to provoke thought, and to connect us across time and experience.

作者简介

郭德纲,相声演员,德云班主。天津人,生于1973年,自幼酷爱各种民间艺术,八岁投身艺坛。1996年创办北京德云社,说相声、讲评书、唱戏、拍电影、拍电视剧、主持电视节目。

目录信息

自序:人在江湖
鱼龙夜话
男人四十
我与我师
我与张文顺
我与于谦
德云后台
江湖梦眺
高雅与低俗
论五十年相声之现状
“反三俗”
我要“反三俗”
停滞的不是相声,是演员
相声圈
天津同行
曲艺笔记
专家
艺人
大鹏
曲艺的衰落
红桥旧事
“骂人”指南
艺术家
相声世界
你是“黑社会”
角色
友人来访
聊天
师徒
旧巷斜阳
读书
江湖
人生
戏语
偶感
北京
共勉
故事
微言
是非
名利
传统
心泪
曲目
前辈
旧事
似水流年
菜园小记
鸡犬不宁
修身养性
岁月
拉黑秘语
“毁”人不倦
“骂人”指南
围了个脖
偷拍
出走
途中
出国
马过梨园
一本正经
段子
相声史话
代后记:感恩
· · · · · · (收起)

读后感

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作为郭德纲的脑残粉,我十分不愿意只给这本书评价为推荐,但是正是因为我是脑残粉,所以看完这本书后,我只能给出这个评价。 这本书的感觉是现攒出来的,段子、微博、博客加上语录整在一起的大杂烩味道不甚美味。尤其是内容的重复性,好多东西以前都看过、听过、乐过(因为我是...  

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作为郭德纲的脑残粉,我十分不愿意只给这本书评价为推荐,但是正是因为我是脑残粉,所以看完这本书后,我只能给出这个评价。 这本书的感觉是现攒出来的,段子、微博、博客加上语录整在一起的大杂烩味道不甚美味。尤其是内容的重复性,好多东西以前都看过、听过、乐过(因为我是...  

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看郭德纲的相声!看郭德纲的书!都得短寿! 为何? 会笑死!!! 抱歉,你的评论太短了——这是怎么回事,难道还要求5000字的心得日记不成??!! 第一次写评论就这样,添堵啊!!! 抱歉,你的评论太短了——这是怎么回事,难道还要求5000字的心得日记不成??!! 第一次...  

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前几天刷抖音的时候,看到这本《过得刚好》。文案中最吸引我的话就是“那一夜,我也曾梦见百万雄兵。” 一路走来,经历各种坎坷,各种不顺和阻碍,终于我也看到了花团锦簇,也看到了灯彩佳话,那一夜我也曾梦见百万雄兵。 看见这段话的时候很感慨,老郭这一生经历了各种人情冷...  

用户评价

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天呐,我简直要为这本书的语言魅力折服了!它有一种老派的优雅和现代的犀利完美融合的质感。句子结构变化多端,时而长句如涓涓细流,娓娓道来;时而短句如匕首出鞘,直击要害,阅读体验极其流畅且富有层次感。作者似乎对词汇有着一种近乎偏执的精准度,每一个形容词和动词的选择都恰到好处,绝无一处赘述或空泛。读到某些段落,我甚至能闻到字里行间散发出的那种特定的气味,感受到彼时的温度,这简直就是“文字构建的沉浸式体验”。那些对话场景尤其精彩,寥寥数语,人物性格便跃然纸上,那种心照不宣的默契或剑拔弩张的张力,全在言外之意中。这本书的文字功力,绝对是值得反复揣摩的教科书级别范例,强烈推荐给所有热爱文字艺术的同好们。

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这本书最让我感到震撼的,是它对时代背景氛围的营造能力。它不仅仅是背景,简直是第五位主角。作者对特定历史时期的社会风貌、人们的衣食住行乃至潜意识里的集体情绪,描绘得极其考究和逼真。我仿佛能听到旧时代街道上的喧嚣,感受到那种特有的压抑与希望并存的复杂情愫。这种深厚的历史底蕴,使得书中的一切冲突和情感爆发都有了坚实的根基,所有的选择都显得无比沉重且必然。它不是那种肤浅地堆砌历史名词的读物,而是真正将人放在那个特定的时空坐标中去体验生存的艰难与光荣。读完后,我不仅了解了那个时代的故事,更像是“活”在了那个时代,对人性的韧性和时代的洪流有了更深刻的敬畏。

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如果用一个词来形容这本书的阅读感受,那一定是“余韵悠长”。它没有追求大开大合的戏剧性高潮,反而是将重点放在了那些细微之处,那些被我们日常忽略的情感转折和人生抉择。作者似乎在用一种近乎悲悯的眼光审视着每一个角色,他们的成功或失败,都带着一丝宿命的无奈和人性的光辉。更难得的是,这本书在探讨严肃主题时,从未流于说教,而是通过故事本身的力量,温和而坚定地传递出一种对生命的珍视和对和解的渴望。读完后,心头会留下一片宁静的湖水,虽然平静,但水底却蕴藏着无数的波澜和反思。它像是一杯陈年的茶,初品或许平淡,但细品之下,回甘无穷,让人久久不愿放下。

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这本书的叙事节奏把握得极为精妙,仿佛一位技艺高超的乐手,时而低沉婉转,时而高亢激昂,让人在不知不觉中被牵引着深入故事情境。作者对人物内心的挖掘入木三分,那些细微的情感波动、那些难以言说的挣扎,都被笔触细腻地捕捉并呈现出来。阅读的过程中,我时常会停下来,回味那些描绘日常琐事的段落,它们看似平淡,实则蕴含着生活的真谛和哲理。那种“此时无声胜有声”的留白处理,更是高明,给读者留下了广阔的想象空间,去填充和感受角色的处境与心境。尤其欣赏其中关于人际关系的处理,没有脸谱化的好人与坏人,每个人物都有其复杂性与合理性,让人在阅读后不禁反思自身在与人交往中的得失。整体而言,这是一部需要静下心来品味的佳作,每一次重读都能发现新的光芒。

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说实话,这本书的结构设计让我感到非常新奇和惊喜。它不像传统小说那样线性推进,而是采取了一种碎片化、多视角的叙事手法,将一个个看似不相关的片段巧妙地编织成一张巨大的网。起初阅读时可能会有些许费力,需要读者主动去寻找线索、建立联系,但一旦“悟”到作者的布局,那种豁然开朗的满足感是无与伦比的。这种非传统的叙事,极大地增强了故事的悬疑感和探索性,让阅读过程充满了解谜的乐趣。更妙的是,这种结构的处理方式,完美地契合了主题的探讨——关于记忆的不可靠性、历史的重叠与交错。它迫使我们跳出单一的观察点,去拥抱一个更复杂、更真实的世界观。看完合上书本,脑海中还会持续运转,试图将那些散落的珍珠串联成完整的项链。

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特想知道每一篇里的同行都谁

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大米饭埋不住四喜丸子!!!

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就像郭德纲说的,本说仅是满足不是太过分的好奇心

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贵圈的八卦和段子也挺多嘛。读完才知老郭实是个传统的匠人,靠手艺吃饭,看德云社壮大至今,可见老郭必有其独特的人格魅力。犹记当年未红时,老郭在曾安徽卫视参与过的一档综艺节目,只无意间看过一次,说是测试人的忍耐力和抗压力云云,让老郭吃喝拉撒睡72小时不间断的待在合肥最闹市的某商场橱窗供人围观,记忆中他只待了两天不到,也算忍常人所不能忍。有了这一段,我信他当年台下仅数个观众依然不偷工减料的演足全场。说他们俗,天桥下九流哪有不俗的?昆曲倒是说起来雅,杜丽娘一个大家闺秀做个春梦就死过去了,陈妙常一个尼姑还破了色戒还了俗,说到底双下山跟冯梦龙民歌集里的小尼姑、小和尚两篇连字句都并无二致呢。

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看到一半以为是代笔......因为这本书的文采和文化底蕴简直不像一个我每天看着傻乐的说相声的写出来的。不过后来我就相同了,想当年他和宋祖德的骂战,写的那篇骂宋祖德的微博,看得我叹为观止,暗自想,下次我骂人的时候也要这么发挥。但是也就是想想,我骂人的时候还是发挥不好T T

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