Drama Kings 在线电子书 pdf 下载 txt下载 epub 下载 mobi 下载 2024

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Joshua Goldstein 作者

University of California Press

译者

2007-2-13 出版日期

382 页数

USD 85.00 价格

Hardcover

丛书系列

9780520247529 图书编码

Drama Kings 在线电子书图书标签: 京剧文化史海外中国研究 Joshua_Goldstein 近代史城市史戏曲海外中国学

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发表于2024-05-13

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Drama Kings 在线电子书 epub 下载 mobi 下载 pdf 下载 txt 下载 2024

Drama Kings 在线电子书 pdf 下载 txt下载 epub 下载 mobi 下载 2024

Drama Kings 在线电子书用户评价

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关于梅兰芳和齐如山的讨论，很好。

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A Chinese history based on theatre history, not flawless but clever and ambitious indeed.

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刷《全职高手》期间啃完这本，(￣▽￣")……语言对我这种渣来说算比较难了，尤其是分析美学争论时。第二章在董玥主编的《走出区域研究》有中文版。是我最想读到的那种分析京剧的文化史作品。作者去年在Modern China发的文章是关于文安县废弃塑料回收的……这研究领域换的也太大了。感谢学妹的“馆际互借”。

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Invented tradition.

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insightful but the argument is too neat

Drama Kings 在线电子书著者简介

Joshua Goldstein is Assistant Professor of Chinese History at the University of Southern California.

Drama Kings 在线电子书图书目录

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Drama Kings 在线电子书图书描述

In this colorful and detailed history, Joshua Goldstein describes the formation of the Peking opera in late Qing and its subsequent rise and re-creation as the epitome of the Chinese national culture in Republican era China. Providing a fascinating look into the lives of some of the opera’s key actors, he explores their methods for earning a living; their status in an ever-changing society; the methods by which theaters functioned; the nature and content of performances; audience make-up; and the larger relationship between Peking opera and Chinese nationalism.

Propelled by a synergy of the commercial and the political patronage from the Qing court in Beijing to modern theaters in Shanghai and Tianjin, Peking opera rose to national prominence. The genre’s star actors, particularly male cross-dressing performers led by the exquisite Mei Lanfang and the “Four Great Female Impersonators” became media celebrities, models of modern fashion and world travel. Ironically, as it became increasingly entrenched in modern commercial networks, Peking opera was increasingly framed in post-May fourth discourses as profoundly traditional. Drama Kings demonstrates that the process of reforming and marketing Peking opera as a national genre was integrally involved with process of colonial modernity, shifting gender roles, the rise of capitalist visual culture, and new technologies of public discipline that became increasingly prevalent in urban China in the Republican era.

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A Brief history of Beijing Opera starts from Qianlong’s southern tour in 1751, which brought four Anhui troupes to Beijing. The Rise of Beijing Opera published in 1971 addresses this early period. Goldstein’s book, instead, focuses on the period of 1870-1...

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