Drama Kings 在線電子書 pdf 下載 txt下載 epub 下載 mobi 下載 2024

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Joshua Goldstein 作者

University of California Press

譯者

2007-2-13 出版日期

382 頁數

USD 85.00 價格

Hardcover

叢書系列

9780520247529 圖書編碼

Drama Kings 在線電子書圖書標籤: 京劇文化史海外中國研究 Joshua_Goldstein 近代史城市史戲麯海外中國學

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Drama Kings 在線電子書 epub 下載 mobi 下載 pdf 下載 txt 下載 2024

Drama Kings 在線電子書 epub 下載 pdf 下載 mobi 下載 txt 下載 2024

Drama Kings 在線電子書 pdf 下載 txt下載 epub 下載 mobi 下載 2024

Drama Kings 在線電子書用戶評價

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A Chinese history based on theatre history, not flawless but clever and ambitious indeed.

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Invented tradition.

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可以和郭安瑞（Andrea S. Goldman）《Opera and the City》比對閱讀——兩本作品在時間綫上的串聯幾乎可以將京劇發展在文化研究領域撐起來瞭

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關於梅蘭芳和齊如山的討論，很好。

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過於關注精英層麵，gender的問題還可以再挖掘

Drama Kings 在線電子書著者簡介

Joshua Goldstein is Assistant Professor of Chinese History at the University of Southern California.

Drama Kings 在線電子書著者簡介

Drama Kings 在線電子書 pdf 下載 txt下載 epub 下載 mobi 在線電子書下載

Drama Kings 在線電子書圖書描述

In this colorful and detailed history, Joshua Goldstein describes the formation of the Peking opera in late Qing and its subsequent rise and re-creation as the epitome of the Chinese national culture in Republican era China. Providing a fascinating look into the lives of some of the opera’s key actors, he explores their methods for earning a living; their status in an ever-changing society; the methods by which theaters functioned; the nature and content of performances; audience make-up; and the larger relationship between Peking opera and Chinese nationalism.

Propelled by a synergy of the commercial and the political patronage from the Qing court in Beijing to modern theaters in Shanghai and Tianjin, Peking opera rose to national prominence. The genre’s star actors, particularly male cross-dressing performers led by the exquisite Mei Lanfang and the “Four Great Female Impersonators” became media celebrities, models of modern fashion and world travel. Ironically, as it became increasingly entrenched in modern commercial networks, Peking opera was increasingly framed in post-May fourth discourses as profoundly traditional. Drama Kings demonstrates that the process of reforming and marketing Peking opera as a national genre was integrally involved with process of colonial modernity, shifting gender roles, the rise of capitalist visual culture, and new technologies of public discipline that became increasingly prevalent in urban China in the Republican era.

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Drama Kings 在線電子書讀後感

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A Brief history of Beijing Opera starts from Qianlong’s southern tour in 1751, which brought four Anhui troupes to Beijing. The Rise of Beijing Opera published in 1971 addresses this early period. Goldstein’s book, instead, focuses on the period of 1870-1...

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