"Anticipate not your usual dry tome, but a collection determined to make it easier to read English poetry of the first part of the 17th century...Enjoy a discourse on rhetoric, with numerous quotes from writers of the times; or consider an in-depth analysis of John Donne; it's easy to browse." Bookwatch "...superbly envisioned and carried out in fresh, important, useful essays...There is no bad work here: All the individual studies have value as 'companions' to new readers of the poetry, yet are sophisticated and critically shrewd inquiries...No other current volume does the work of this one." Choice "Although each of the essays is self-contained and written without reference to others in the collection, they form, when read together, a very satisfying whole. The sophisticated level of the critical discourse of the essays, as well as the authoritative scholarship that informs them, goes well beyond one's usual expectations for such collections." John R. Roberts, Seventeenth-Century News "...one of the signal virtues of this fine collection is its expert blend of traditional and novel approaches. The entire collection attests at once to the interpretive power of a currently unfashionable mode of criticism that pays attention to genre and provides cogency to the current emphasis on the material transmission of books and manuscripts. One emerges from the collection not with the sense of the enormous distance separating new and old approaches but rather with a refreshing picture of the contiguity of new and old...A fine introduction to the field for ambitious undergraduates and beginning graduate students, it contains more than enough novelty to sustain the interest of specialists." Michael Schoenfeldt, Renaissance Quarterly
"Anticipate not your usual dry tome, but a collection determined to make it easier to read English poetry of the first part of the 17th century....Enjoy a discourse on rhetoric, with numerous quotes from writers of the times; or consider an in-depth analysis of John Donne; it's easy to browse." Bookwatch
"...superbly envisioned and carried out in fresh, important, useful essays....There is no bad work here: All the individual studies have value as 'companions' to new readers of the poetry, yet are sophisticated and critically shrewd inquiries....No other current volume does the work of this one." Choice
"Although each of the essays is self-contained and written without reference to others in the collection, they form, when read together, a very satisfying whole. The sophisticated level of the critical discourse of the essays, as well as the authoritative scholarship that informs them, goes well beyond one's usual expectations for such collections." John R. Roberts, Seventeenth-Century News
"...one of the signal virtues of this fine collection is its expert blend of traditional and novel approaches. The entire collection attests at once to the interpretive power of a currently unfashionable mode of criticism that pays attention to genre and provides cogency to the current emphasis on the material transmission of books and manuscripts. One emerges from the collection not with the sense of the enormous distance separating new and old approaches but rather with a refreshing picture of the contiguity of new and old....A fine introduction to the field for ambitious undergraduates and beginning graduate students, it contains more than enough novelty to sustain the interest of specialists." Michael Schoenfeldt, Renaissance Quarterly
English poetry in the first half of the seventeenth century is an outstandingly rich and varied body of verse, which can be understood and appreciated more fully when set in its cultural and ideological context. This student Companion, consisting of fourteen new introductory essays by scholars of international standing, informs and illuminates the poetry by providing close reading of texts and an exploration of their background. There are individual studies of Donne, Jonson, Herrick, Herbert, Carew, Suckling, Lovelace, Milton, Crashaw, Vaughan and Marvell. More general essays describe the political and religious context of the poetry, explore its gender politics, explain the material circumstances of its production and circulation, trace its larger role in the development of genre and tradition, and relate it to contemporary rhetorical expectation. Overall the Companion provides an indispensable guide to the texts and contexts of early-seventeenth-century English poetry.
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这本书的结构安排,给我一种在迷宫中探索的刺激感。它没有采用完全线性的编排,而是似乎在不同诗人之间跳跃,有时候相邻的两位作者在主题上看似风马牛不相及,但通过一些微妙的韵律或意象的呼应,你忽然会意识到编辑者隐藏的匠心。这种非线性的组织方式,迫使我必须不断地在脑海中重构这些诗人的关系,去寻找他们之间那些超越时空的对话。例如,我注意到某个早期作者对“镜子”的运用,与后来的某位作品中对“倒影”的探讨,在哲学层面上形成了惊人的互文关系,这种发现的乐趣是巨大的。它训练了我的阅读的“联想肌肉”,让我不再满足于孤立地看待每一首诗,而是开始将它们视为一个庞大的、互相影响的文学生态系统的一部分。这种编排不仅是展示作品,更是在教授一种高阶的文学批评思维,即任何孤立的文本都是不完整的,它们都需要被置于更广阔的历史与艺术对话中去理解。
评分我必须提及这本书的排版和装帧,它们对于阅读体验的影响是潜移默化的,但至关重要。纸张的选择非常考究,拿在手里有一种沉甸甸的厚实感,这与诗歌本身的重量感相得益彰。字体的设计清晰、典雅,并且恰当地利用了留白,使得长篇的十四行诗读起来也不会感到拥挤或压迫。在一个充斥着电子屏幕阅读的时代,拥有这样一本可以被实体触摸、可以被标记、可以被光影变幻所影响的实体书,本身就是一种仪式感。它鼓励你慢下来,甚至建议你点上一盏灯,泡一杯茶,与这些文字进行一次郑重的约会。这种对物质形态的尊重,反过来也提升了对内容的敬意。如果内容是黄金,那么这本书的装帧就是为这黄金量身定做的保险箱,它确保了每一次开启,都能带来应有的庄重感和持久的愉悦感。
评分坦率地说,我对某些部分的处理方式感到些许困惑,主要是关于那些极度依赖特定历史背景或学院派解读才能完全理解的典故。当然,我明白文学研究的复杂性,但对于一个非专业研究者来说,阅读过程不时会被迫中断,去查阅大量的注释或者背景资料,这无疑打断了诗歌本身带来的流畅感和沉浸感。这就像欣赏一幅精美的油画,却发现画框上密密麻麻地贴满了标签,告诉你颜料的化学成分和画家的生平轶事,虽然信息量巨大,却削弱了直观的审美冲击。我期待的是一种更无缝的引导,让背景知识自然地融入文本的讲解之中,而不是像一个个突兀的知识点堆砌在旁边。也许对于那些已经对“都铎时代”的政治气候了如指掌的读者来说,这不成问题,但对于我这样的普通爱好者,阅读体验就显得有些“碎片化”。如果能有一种更具叙事性的方式来铺陈这些历史脉络,让诗歌与时代背景形成一种和谐的共振,而非生硬的并列,那效果会好上百倍。
评分这本选集,虽然名字很宏大,但读起来的感受却出乎意料地贴近心扉。我最欣赏的是它对诗歌意境的挖掘,那种将文字转化为可触碰情感的魔力。尤其是在那些描绘自然景象的篇章里,诗人仿佛是运用了我们日常生活中最熟悉的色彩和声音,却能构建出一个全然不同的、令人屏息的微观世界。比如某位作者对清晨薄雾的描绘,并非仅仅是简单的光影变化,而是渗透着一种形而上的孤独感,仿佛整个宇宙在那一刻只剩下诗人和他面对的空气。再比如那些关于爱情的咏叹,它们没有落入俗套的甜腻或激烈的控诉,而是巧妙地运用了复杂的隐喻,将人与人之间微妙的张力、未说出口的渴望,编织成一张精密的网,让人在品味字句时,不得不停下来,审视自己内心深处那些同样难以名状的情感纠葛。整体来看,这本书像是一个老友的低语,它不急于灌输知识,而是耐心地引导你进入诗歌深处,去感受那些沉淀在文字背后的、永恒的人类经验。这种体验,远比单纯欣赏诗歌技巧来得深刻和持久,它触及了存在的本质。
评分从语言风格的角度来看,这本书所收录的诗歌,其张力之大,令人惊叹。它完美地捕捉了那个时代特有的“精致的挣扎”。你可以在同一页上,读到对上帝的绝对虔诚和对尘世享乐的毫不掩饰的渴望。这种内在的矛盾性,正是那个时期英国文学最迷人的特质之一。这些诗人似乎都在试图用最古典、最工整的格律去束缚最狂野、最个人化的激情,这种“被压抑的爆发力”使得诗句充满了内在的张力。读起来,你仿佛能听到格律的约束与诗人内心的呐喊之间发出的“吱呀”声。对于我来说,这比读那些风格统一、情绪一致的作品要过瘾得多,因为它更接近真实人生的体验——我们总是在试图用理性和规范去驯服那些沸腾的欲望和怀疑。这种对人性复杂性的坦诚描摹,让这些数百年前的文字,依然拥有刺穿现代人麻木感的锋利度。
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