Van Gogh on Demand pdf epub mobi txt 电子书下载 2025

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Winnie Wong is a junior fellow in the Society of Fellows at Harvard University. She lives in Cambridge, MA, and Shanghai.

出版者:University Of Chicago Press

作者:Winnie Won Yin Wong

出品人:

页数:384

译者:

出版时间:2014-2-3

价格:USD 35.00

装帧:Paperback

isbn号码:9780226024899

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图书标签:

人类学
艺术史
文化研究
艺术
城市
海外中国研究
山寨与复制
现代

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In the Guangdong province in southeastern China lies Dafen, a village that houses thousands of workers who paint Van Goghs, Da Vincis, Warhols, and other Western masterpieces, producing an astonishing five million paintings a year. To write about life and work in Dafen, Winnie Wong infiltrated this world, investigating the claims of conceptual artists who made projects there; working as a dealer; apprenticing as a painter; surveying merchants in Europe, Asia, and America; establishing relationships with local leaders; and organizing a conceptual art show for the Shanghai World Expo. The result is Van Gogh on Demand, a fascinating book about a little-known aspect of the global art world - one that sheds surprising light on our understandings of art, artists, and individual genius. Confronting difficult questions about the definition of art, the ownership of an image, and the meaning of imitation and appropriation, Wong shows how a plethora of artistic practices joins Chinese migrant workers, propaganda makers, and international artists together in a global supply chain of art and creativity. She examines how Berlin-based conceptual artist Christian Jankowski, who collaborated with Dafen's painters to reimagine the Dafen Art Museum, unwittingly appropriated a photojournalist's intellectual property. She explores how Zhang Huan, a radical performance artist from Beijing's East Village, prompted propaganda makers to heroize the female artists of Dafen village. Through these cases, Wong shows how Dafen's workers force us to reexamine our expectations about the cultural function of creativity and imitation, and the role of Chinese workers in redefining global art. Providing a valuable account of art practices in a period of profound global cultural shifts and an ascendant China, Van Gogh on Demand is a rich and detailed look at the implications of a world that can offer countless copies of everything that has ever been called "art."

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Wong’s Van Gogh on Demand unveils a vivid story of the art world’s supply side by probing into the urban village of Dafen, a site that is home to the most upstream however gloomy and invisible section on the distribution chain of global art business that ...

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读1回哭1回田野太深了作者竟然自己都说在地里被各种welcome(蛤？)以及理论看1次吐1次看不懂，不哭才怪，

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以小見大，包羅萬象的一個課題，果不其然出現了Benjamin和Duchamp 兩位核心人物。用人類學的民族誌和參與觀察，遠遠超越出 originality & copy的現代藝術的話語，涉及全球化，意識形態等。建議詳讀 Introduction 部份

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初读一下被本杰明和杜尚的理论给唬住了，读下去反倒觉得艺术史学家从06-10做了五年田野写出来的人情味还是太少了，于是成了野心极大、理论炫目、包罗万象、但缺乏田野厚度的著作。作者反对西方将大芬村看做艺术生产流水线和假冒伪劣侵权工厂，重新解读了画家们的艺术性和原创性，展现了画室老板的草莽创业精神、不同画家的身份教育性别（是否入读美院）对作画方式的理解、学徒们跟随师傅学画而非打工，强调个体agency。市政府试图将大芬村包装为文化创意园区，做了很多基建和意识形态包装宣传（电视节目和纪录片）。梵高画家们会创作画品，不过分看重“稿”而更迎合市场审美和需求的作画。西方艺术家同样借住大芬画家投射他们对资本主义、全球化的想象，自作多情地解读大芬。最后草草谈了在画作上签名对人们理解作品的意义和归属。Chris

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