Painting As an Art 在線電子書 pdf 下載 txt下載 epub 下載 mobi 下載 2025


Painting As an Art

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Richard Wollheim 作者
Princeton University Press
譯者
1987-12 出版日期
384 頁數
USD 95.00 價格
Hardcover
叢書系列
9780691099644 圖書編碼

Painting As an Art 在線電子書 圖書標籤: 藝術理論  RichardWollheim  英文  分析美學  分析美學  summer   


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Painting As an Art 在線電子書 epub 下載 mobi 下載 pdf 下載 txt 下載 2025

Painting As an Art 在線電子書 epub 下載 pdf 下載 mobi 下載 txt 下載 2025

Painting As an Art 在線電子書 pdf 下載 txt下載 epub 下載 mobi 下載 2025



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Painting As an Art 在線電子書 著者簡介

Richard Arthur Wollheim (5 May 1923 – 4 November 2003) was a British philosopher noted for original work on mind and emotions, especially as related to the visual arts, specifically, painting.


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Painting As an Art 在線電子書 pdf 下載 txt下載 epub 下載 mobi 在線電子書下載

Painting As an Art 在線電子書 圖書描述

In Painting as an Art, which began as the 1984 Andrew Mellon Lectures at the National Gallery of Art in Washington, D.C., philosopher Richard Wollheim transcended the boundaries and habits of both philosophy and art history to produce a large, encompassing vision of viewing art. Wollheim had three great passions--philosophy, psychology, art--and his work attempted to unify them into a theory of the experience of art. He believed that unlocking the meaning of a painting involved retrieving, almost reenacting, the creative activity that produced it.

In order to fully appreciate a work of art, Wollheim argued, critics must bring to the understanding of a work of art a much richer conception of human psychology than they have in the past: "Many [critics] . . . make do with a psychology that, if they tried to live their lives by it, would leave them at the end of an ordinary day without lovers, friends, or any insight into how this came about." Many reviewers have remarked on the insightfulness of the book's final chapter, in which Wollheim contended that certain paintings by Titian, Bellini, de Kooning, and others represent the painters' attempts to project fantasies about the human body onto the canvas.

Reviewing the book in the Los Angeles Times, Daniel A. Herwitz asserted that Wollheim had "done no less than recover for psychology its obvious and irresistible place in the explanation of what is most profound and subtle about paintings."

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