Digital Modernism examines how and why some of the most innovative works of online electronic literature adapt and allude to literary modernism. Digital literature has been celebrated as a postmodern form that grows out of contemporary technologies, subjectivities, and aesthetics, but this book provides an alternative genealogy. Exemplary cases show electronic literature looking back to modernism for inspiration and source material (in content, form, and ideology) through which to critique contemporary culture. In so doing, this literature renews and reframes, rather than rejects, a literary tradition that it also reconfigures to center around media. To support her argument, Pressman pairs modernist works by Pound, Joyce, and Bob Brown, with major digital works like William Poundstone's "Project for the Tachistoscope: [Bottomless Pit]" (2005), Young-hae Chang Heavy Industries's Dakota, and Judd Morrissey's The Jew's Daughter. With each pairing, she demonstrates how the modernist movement of the 1920s and 1930s laid the groundwork for the innovations of electronic literature. In sum, the study situates contemporary digital literature in a literary genealogy in ways that rewrite literary history and reflect back on literature's past, modernism in particular, to illuminate the crucial role that media played in shaping the ambitions and practices of that period.
具體描述
讀後感
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用戶評價
鮑勃·布朗閱讀機器的章節可以參考，另外便是提到瞭新批評的誕生與媒體信息環境的聯係；其他部分很有問題，包括龐德和漢字的部分。
评分鮑勃·布朗閱讀機器的章節可以參考，另外便是提到瞭新批評的誕生與媒體信息環境的聯係；其他部分很有問題，包括龐德和漢字的部分。
评分鮑勃·布朗閱讀機器的章節可以參考，另外便是提到瞭新批評的誕生與媒體信息環境的聯係；其他部分很有問題，包括龐德和漢字的部分。
评分鮑勃·布朗閱讀機器的章節可以參考，另外便是提到瞭新批評的誕生與媒體信息環境的聯係；其他部分很有問題，包括龐德和漢字的部分。
评分鮑勃·布朗閱讀機器的章節可以參考，另外便是提到瞭新批評的誕生與媒體信息環境的聯係；其他部分很有問題，包括龐德和漢字的部分。
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