A theoretical history of anthropomorphism and proportion in modern architecture, bringing into focus the discourse around proportion with current problems of post-humanism in architecture alongside the new possibilities made available through digital technologies. The book firstly examines how the body and its ordering has served as a central site of architectural discourse in recent decades, especially in attempts to reformulate architecture's relationship to humanism, modernism and technology. The second section turns its attention to the often-overlooked Anglo-American discourse about the body, proportion, form and scale that took place between 1947 and the early 1960s, linked to the rise of digital and cybernetics. Extensively illustrated and written for an informed but non-specialized architectural audience, this book elucidates the often obscure debates of avant-garde architectural discourse and design, while demonstrating how these debates have affected everyday places and concepts of architecture. As a result, it will appeal to professional architects, academics and students, combining as it does an insightful introduction to the fundamental issues of architectural history and theory over the past fifty years with entirely new formulations of what that history is and means.
具體描述
讀後感
This book is a contribution to ideas of architecture and the body in the 2nd half of the 20th century. In Chapters 2 and 3, the author gives an discussion of the emergence of the interest in phenomenology in architecture and of the focus on poststructura...
評分This book is a contribution to ideas of architecture and the body in the 2nd half of the 20th century. In Chapters 2 and 3, the author gives an discussion of the emergence of the interest in phenomenology in architecture and of the focus on poststructura...
評分This book is a contribution to ideas of architecture and the body in the 2nd half of the 20th century. In Chapters 2 and 3, the author gives an discussion of the emergence of the interest in phenomenology in architecture and of the focus on poststructura...
評分This book is a contribution to ideas of architecture and the body in the 2nd half of the 20th century. In Chapters 2 and 3, the author gives an discussion of the emergence of the interest in phenomenology in architecture and of the focus on poststructura...
評分This book is a contribution to ideas of architecture and the body in the 2nd half of the 20th century. In Chapters 2 and 3, the author gives an discussion of the emergence of the interest in phenomenology in architecture and of the focus on poststructura...
用戶評價
這是一本有關“人的尺度”的建築理論的曆史書。作者在何謂“人性”這麼一個睏難的前提下，對戰後以來建築界裏諸如Perez-Gomez和裏科沃特的闡釋學和現象學、埃森曼和Lynn等人的示意圖、柯布模度，科林羅、維特考爾的比例學說，吉迪翁的人類平衡說，一一進行瞭解讀和批判。作為史學，這本書雖然偏激，確有洞見；可是希望看到未來的人，則會在結尾處失望。hight沒有指明方嚮。注意，cybernetics（控製論）在這裏跟人體政治有關，並沒有觸及當下的虛擬空間。
评分有點偏激，跟想象的控製論不太一樣
评分the ideas of this book has shown the harmonious proportions for nearly one century, a good reference and architecture history book
评分這是一本有關“人的尺度”的建築理論的曆史書。作者在何謂“人性”這麼一個睏難的前提下，對戰後以來建築界裏諸如Perez-Gomez和裏科沃特的闡釋學和現象學、埃森曼和Lynn等人的示意圖、柯布模度，科林羅、維特考爾的比例學說，吉迪翁的人類平衡說，一一進行瞭解讀和批判。作為史學，這本書雖然偏激，確有洞見；可是希望看到未來的人，則會在結尾處失望。hight沒有指明方嚮。注意，cybernetics（控製論）在這裏跟人體政治有關，並沒有觸及當下的虛擬空間。
评分有點偏激，跟想象的控製論不太一樣
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