Bad New Days 在线电子书 pdf 下载 txt下载 epub 下载 mobi 下载 2025

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Hal Foster 作者

Verso

译者

2015-9-8 出版日期

208 页数

USD 26.95 价格

Hardcover

丛书系列

9781784781453 图书编码

Bad New Days 在线电子书图书标签: 艺术理论艺术 HalFoster 艺术史英文版英文艺术批评好东西

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发表于2025-04-17

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Bad New Days 在线电子书 epub 下载 mobi 下载 pdf 下载 txt 下载 2025

Bad New Days 在线电子书 pdf 下载 txt下载 epub 下载 mobi 下载 2025

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The art world today is institutionalised; formulas are set at the control panel (the curation), different symbols give a different statement. Hal shows the relationship btw the audience, the artist and the critics, how they preoccupied. I like how he mentioned about undone artworks, how they prompt the audience the participation of ppl.????????Foster

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it is written in very fluent writing style. The first chapter follows Hal Foster's theory in The Return of the Real.

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Bad New Days 在线电子书著者简介

Hal Foster is Townsend Martin Professor of Art and Archaeology at Princeton University and a 2014–15 fellow at the Cullman Center for S cholars and Writers at the New York Public Library. A co-editor of October magazine and books, he is the editor of The Anti-Aesthetic and the author of Design and Crime, Recording, The Return of the Real, Compulsive Beauty and The Art-Architecture Complex.

Bad New Days 在线电子书图书目录

Bad New Days 在线电子书 pdf 下载 txt下载 epub 下载 mobi 在线电子书下载

Bad New Days 在线电子书图书描述

Bad New Days examines the evolution of art and criticism in Western Europe and North America over the last twenty-five years, exploring their dynamic relation to the general condition of emergency instilled by neoliberalism and the war on terror.

Considering the work of artists such as Thomas Hirschhorn, Tacita Dean, and Isa Genzken, and the writing of thinkers like Jacques Rancière, Bruno Latour, and Giorgio Agamben, Hal Foster shows the ways in which art has anticipated this condition, at times resisting the collapse of the social contract or gesturing toward its repair; at other times burlesquing it.

Against the claim that art making has become so heterogeneous as to defy historical analysis, Foster argues that the critic must still articulate a clear account of the contemporary in all its complexity. To that end, he offers several paradigms for the art of recent years, which he terms “abject,” “archival,” “mimetic,” and “precarious.”

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