The Noise of Time 在线电子书 图书标签: 小说 传记 音乐 英国 英语 没买实体 外国文学 俄国
发表于2024-07-01
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To be Russian was to be pessimistic; to be Soviet was to be optimistic. That was why the words Soviet Russia were a contradiction in terms.
评分毒 瘤
评分准备三刷。Barnes is at his best when writing about artists.
评分毒 瘤
评分Tragedies in hindsight look like farces. Sarcasm was irony which had lost its soul. A soul could be destroyed in one of three ways: by what others did to you; by what others made you do to yourself; and by what you voluntarily chose to do to yourself.
JULIAN BARNES is the author of twenty previous books including, most recently, Keeping an Eye Open: Essays on Art. He has received the Man Booker Prize, the Somerset Maugham Award, the Geoffrey Faber Memorial Prize, the David Cohen Prize for Literature, and the E. M. Forster Award from the American Academy of Arts and Letters; in France, the Prix Médicis and the Prix Femina; in Austria, the State Prize for European Literature. In 2004 he was named Commandeur de l’Ordre des Arts et des Lettres by the French Ministry of Culture. His work has been translated into more than forty languages. He lives in London.
www.julianbarnes.com
A compact masterpiece dedicated to the Russian composer Dmitri Shostakovich: Julian Barnes’s first novel since his best-selling, Man Booker Prize–winning The Sense of an Ending.
In 1936, Shostakovich, just thirty, fears for his livelihood and his life. Stalin, hitherto a distant figure, has taken a sudden interest in his work and denounced his latest opera. Now, certain he will be exiled to Siberia (or, more likely, executed on the spot), Shostakovich reflects on his predicament, his personal history, his parents, various women and wives, his children—and all who are still alive themselves hang in the balance of his fate. And though a stroke of luck prevents him from becoming yet another casualty of the Great Terror, for decades to come he will be held fast under the thumb of despotism: made to represent Soviet values at a cultural conference in New York City, forced into joining the Party and compelled, constantly, to weigh appeasing those in power against the integrity of his music. Barnes elegantly guides us through the trajectory of Shostakovich’s career, at the same time illuminating the tumultuous evolution of the Soviet Union. The result is both a stunning portrait of a relentlessly fascinating man and a brilliant exploration of the meaning of art and its place in society.
人一生的轨迹是很容易被描述的。例如,你像巴恩斯这样,找到他闰年的悲剧,简单又直接的三个场景,他在电梯旁徒增恐惧,在飞机上内在动摇,在汽车里情感消逝,这实在是高明的做法,一生绵延无限、跌宕起伏就跃然纸上。或者你像托宾的亨利詹姆斯那样,细水长流,写他失意,在书...
评分 评分世人都瞧不起懦夫,崇拜英雄。 懦夫只为了自己能够活下来,唯唯诺诺,尽所有丧尽尊严之事都可以。英雄则为了理想或者是其它崇高的事物,毅然决然的不惜以生命为代价去追求。在文学作品中,歌颂英雄和英雄主义是永恒的主题。 但在《时间的噪音》中,歌颂的却是一位懦夫。 他...
评分这是看的巴恩斯第三本书,比起福楼拜的鹦鹉和世界史,这本略微逊色,也许正如作者在后记中说的,他生活在英国自由稳定的政体中,无法感受肖氏在苏联个人独裁政治系统中的恐惧。所以有种隔离感。即使如此,对比当下的中国,读来依旧能感受到肖氏的恐惧和痛苦。我们以为我们所处...
评分为了肖斯塔科维奇读的 其实借肖氏之口表达很多自己的观点 是文学价值高于记录性质的。 “什么能对抗时间的噪音?只有我们自己内心的音乐,关于我们存在的音乐,有些人将它转化成了真正的音乐。几十年后,如果这样的音乐足够强大、真实、纯净,能淹没时间的噪音,它就能够转化为...
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