The Art of Cloning

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Pang Laikwan is a Professor of Cultural Studies at the Chinese University of Hong Kong, and author of Creativity and Its Discontents.

出版者:Verso
作者:Pang Laikwan
出品人:
页数:320
译者:
出版时间:2017-1-10
价格:USD 34.95
装帧:Hardcover
isbn号码:9781784785192
丛书系列:
图书标签:
  • 文化研究 
  • 海外中国研究 
  • 文革 
  • 彭丽君 
  • 历史 
  • 香港 
  • 社会学 
  • 视觉文化 
  •  
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Cultural production under Mao, and how artists and thinkers found autonomy in a culture of conformity

In the 1950s, a French journalist joked that the Chinese were “blue ants under the red flag,” dressing identically and even moving in concert like robots. When the Cultural Revolution officially began, this uniformity seemed to extend to the mind. From the outside, China had become a monotonous world, a place of endless repetition and imitation, but a closer look reveals a range of cultural experiences, which also provided individuals with an obscure sense of freedom.

In The Art of Cloning, Pang Laikwan examines this period in Chinese history when ordinary citizens read widely, traveled extensively through the country, and engaged in a range of cultural and artistic activities. The freedom they experienced, argues Pang, differs from the freedom, under Western capitalism, to express individuality through a range of consumer products. But it was far from boring and was possessed of its own kind of diversity.

Reviews

“A thoughtful contribution to the writing of a new and nuanced cultural history of the Cultural Revolution. Pang’s work brings a fresh optic to the question of how Chinese people lived, felt and made art in a fraught age of revolution.”

– Andrew Jones, author of Yellow Music: Media Culture and Colonial Modernity in the Chinese Jazz Age

“Pang Laikwan’s meticulous research draws the reader into a world in which this art of copying, of making models and of typifications framed the cultural and political realm and then spread across the social landscape to fashion life itself. Offering new and exciting insights based upon impeccable research, this is one book about the Cultural Revolution that should not be missed.”

– Michael Dutton, coauthor of Beijing Time

“A major intervention into a fraught field. Luminously opening new and old channels of inquiry, Pang forces a reconsideration of the processes and politics of cultural production in China’s Cultural Revolutionary decade.”

– Rebecca Karl, author of Mao Zedong and China in the Twentieth-Century World: A Concise History

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大叙事也难以遮蔽集体性与个人性的辩证

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中文译版不能被标签,只能借英文原版條目一用。理論性太强,倒是對粵劇和瓷器的介紹讓人頗受教益。

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佩服作者屎里拣金的能力和毅力,如果不这么干,不少学者肯定要失业——给我的启发是这种历史与现实情境下的“整齐划一”谈不上美也谈不上不美,因为它游离于美丑评价体系之外,但是光用政治化的思维去理解又太单薄,而且政治的易变性让理解与评价“复制/山寨”行为又变得相对化。比如大型歌舞史诗巨著《东方红》,你既可以理解为是CCP对艺术一次独立与在地性质的探索,也可以认为是西方文化在中国的余音回荡。而就在这种新与旧洋与中犬牙交错的撕逼中,中国艺术与中国政治蠕蠕而行。传送 https://1drv.ms/u/s!Ajo4WHjuTR-hgkpauqzYggJXV6LW

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2019025。具有一定的問題意識,可惜以檻外人立場看文革,終究不能切中要害,對孤立現象的理論分析反而造成了其與歷史的分離,同時對問題的具體分析也有些粗糙片面,難自圓其說。

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2019025。具有一定的問題意識,可惜以檻外人立場看文革,終究不能切中要害,對孤立現象的理論分析反而造成了其與歷史的分離,同時對問題的具體分析也有些粗糙片面,難自圓其說。

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