The Fluid Pantheon

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出版者:University of Hawai'i Press
作者:Bernard Faure
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頁數:0
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價格:$ 55
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isbn號碼:9780824839338
叢書系列:
圖書標籤:
  • 藝術史 
  • 日本 
  • 密教 
  • 宗教 
  •  
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Written by one of the leading scholars of Japanese religion, The Fluid Pantheon is the first installment of a multivolume project that promises to be a milestone in our understanding of the mythico-ritual system of esoteric Buddhism—specifically the nature and roles of deities in the religious world of medieval Japan and beyond. Bernard Faure introduces readers to medieval Japanese religiosity and shows the centrality of the gods in religious discourse and ritual; in doing so he moves away from the usual textual, historical, and sociological approaches that constitute the “method” of current religious studies. The approach considers the gods (including buddhas and demons) as meaningful and powerful interlocutors and not merely as cyphers for social groups or projections of the human mind. Throughout he engages insights drawn from structuralism, post-structuralism, and Actor-network theory to retrieve the “implicit pantheon” (as opposed to the “explicit orthodox pantheon”) of esoteric Japanese Buddhism (Mikkyō).

Through a number of case studies, Faure describes and analyzes the impressive mythological and ritual efflorescence that marked the medieval period, not only in the religious domain, but also in the political, artistic, and literary spheres. He displays vast knowledge of his subject and presents his research—much of it in largely unstudied material—with theoretical sophistication. His arguments and analyses assume the centrality of the iconographic record, and so he has brought together in this volume a rich and rare collection of more than 180 color and black-and-white images. This emphasis on iconography and the ways in which it complements, supplements, or deconstructs textual orthodoxy is critical to a fuller comprehension of a set of medieval Japanese beliefs and practices. It also offers a corrective to the traditional division of the field into religious studies, which typically ignores the images, and art history, which oftentimes overlooks their ritual and religious meaning.

The Fluid Pantheon and its companion volumes should persuade readers that the gods constituted a central part of medieval Japanese religion and that the latter cannot be reduced to a simplistic confrontation, parallelism, or complementarity between some monolithic teachings known as “Buddhism” and “Shinto.” Once these reductionist labels and categories are discarded, a new and fascinating religious landscape begins to unfold.

105 color and 87 black & white illustrations

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幾乎完全拋棄曆史背景和地方性,將圖像、符號剝離齣來進行結構主義或後結構主義式的研究,fancy有餘,ground或不足。妙見、不動明王、愛染明王,日本學者早已有詳盡研究,作者此書通篇不提。在各種“wonderful”的呼聲中,我們是否應反思不斷復雜化的理論到底能給我們帶來什麼。

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幾乎完全拋棄曆史背景和地方性,將圖像、符號剝離齣來進行結構主義或後結構主義式的研究,fancy有餘,ground或不足。妙見、不動明王、愛染明王,日本學者早已有詳盡研究,作者此書通篇不提。在各種“wonderful”的呼聲中,我們是否應反思不斷復雜化的理論到底能給我們帶來什麼。

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對Faure老師來說,引用符號學解構主義來解釋圖像,像是小用牛刀。

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幾乎完全拋棄曆史背景和地方性,將圖像、符號剝離齣來進行結構主義或後結構主義式的研究,fancy有餘,ground或不足。妙見、不動明王、愛染明王,日本學者早已有詳盡研究,作者此書通篇不提。在各種“wonderful”的呼聲中,我們是否應反思不斷復雜化的理論到底能給我們帶來什麼。

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幾乎完全拋棄曆史背景和地方性,將圖像、符號剝離齣來進行結構主義或後結構主義式的研究,fancy有餘,ground或不足。妙見、不動明王、愛染明王,日本學者早已有詳盡研究,作者此書通篇不提。在各種“wonderful”的呼聲中,我們是否應反思不斷復雜化的理論到底能給我們帶來什麼。

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