The Oxford Handbook of Science Fiction 在线电子书 pdf 下载 txt下载 epub 下载 mobi 下载 2024

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Rob Latham 作者

Oxford University Press

译者

2014 出版日期

640 页数

0 价格

丛书系列

9780199838844 图书编码

The Oxford Handbook of Science Fiction 在线电子书图书标签: 科幻研究三大指南科幻理论科幻文学研究

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The Oxford Handbook of Science Fiction 在线电子书 epub 下载 mobi 下载 pdf 下载 txt 下载 2024

The Oxford Handbook of Science Fiction 在线电子书 pdf 下载 txt下载 epub 下载 mobi 下载 2024

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The Oxford Handbook of Science Fiction 在线电子书著者简介

Rob Latham is Professor of English at the University of California, Riverside, where he co-directs the Science Fiction and Technoculture Studies Program. He is the author of Consuming Youth: Vampires, Cyborgs, and the Culture of Consumption (Chicago, 2002) and co-editor of The Wesleyan Anthology of Science Fiction (Wesleyan, 2010). A senior editor of the journal Science Fiction Studies, he also serves as an editorial consultant for The Journal of the Fantastic in the Arts and Science Fiction Film and Television.

The Oxford Handbook of Science Fiction 在线电子书图书目录

The Oxford Handbook of Science Fiction 在线电子书 pdf 下载 txt下载 epub 下载 mobi 在线电子书下载

The Oxford Handbook of Science Fiction 在线电子书图书描述

The Oxford Handbook of Science Fiction attempts to descry the historical and cultural contours of SF in the wake of technoculture studies. Rather than treating the genre as an isolated aesthetic formation, it examines SF’s many lines of cross-pollination with technocultural realities since its inception in the nineteenth century, showing how SF’s unique history and subcultural identity have been constructed in ongoing dialogue with popular discourses of science and technology. The volume consists of four broadly themed parts, each divided into eleven chapters. Part I, “Science Fiction as Genre,” considers the internal history of SF literature, examining its characteristic aesthetic and ideological modalities, its animating social and commercial institutions, and its relationship to other fantastic genres. Part II, “Science Fiction as Medium,” presents a more diverse and ramified understanding of what constitutes the field as a mode of artistic and pop-cultural expression, canvassing extra-literary manifestations of SF ranging from film and television to video games and hypertext to music and theme parks. Part III, “Science Fiction as Culture,” examines the genre in relation to cultural issues and contexts that have influenced it and been influenced by it in turn, the goal being to see how SF has helped to constitute and define important (sub)cultural groupings, social movements, and historical developments during the nineteenth, twentieth, and twenty-first centuries. Finally, Part IV, “Science Fiction as Worldview,” explores SF as a mode of thought and its intersection with other philosophies and large-scale perspectives on the world, from the Enlightenment to the present day

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