This is a look at the principles of art history. Working from the thesis that modernity is the culture that invented what art is, the author by means of the pictorial essay offers a cultural critique of the contemporary circumstances that have influenced our notions of what art actually is, how we attempt to value it, how we have come to make a business of it. Like film, photography and other forms of mass culture, the author studies how popular taste influences the aesthetic criteria that determine its worth.
从图书馆拿起这本书的原因是图片够多,文字够简单。可见我不愿动脑到何等地步。 简而言之,本书的目的在于普及’艺术’知识。此’艺术’,并非我想象中的艺术,艺术作为一个现代名词,十八世纪才被发明定义:Art, an orginal creation, produced by an individual gifted with...
评分作者以后现代解构主义的的角度去解读艺术,透过探讨美术史,美术馆,艺术家,美术学院,流行文化和美学的历史和社会功能,美术作为人类文化的一部分,是一种社会构造,一直都深受时代和社会影响。例如,画家/艺术家在西方文化的社会身分随着时代而变,由中世纪的工匠逐渐变成现...
评分作者以后现代解构主义的的角度去解读艺术,透过探讨美术史,美术馆,艺术家,美术学院,流行文化和美学的历史和社会功能,美术作为人类文化的一部分,是一种社会构造,一直都深受时代和社会影响。例如,画家/艺术家在西方文化的社会身分随着时代而变,由中世纪的工匠逐渐变成现...
评分从图书馆拿起这本书的原因是图片够多,文字够简单。可见我不愿动脑到何等地步。 简而言之,本书的目的在于普及’艺术’知识。此’艺术’,并非我想象中的艺术,艺术作为一个现代名词,十八世纪才被发明定义:Art, an orginal creation, produced by an individual gifted with...
评分从图书馆拿起这本书的原因是图片够多,文字够简单。可见我不愿动脑到何等地步。 简而言之,本书的目的在于普及’艺术’知识。此’艺术’,并非我想象中的艺术,艺术作为一个现代名词,十八世纪才被发明定义:Art, an orginal creation, produced by an individual gifted with...
①适合非专业背景阅读,兼有浅白,洞见和文字的感染力(祖国这种书真的较少)②文字图片排版都在合力为中心思想服务(本来是书的应有之义,可惜能达到这个标准的较少)
评分This book overturns the common perception of art by foregrounding the modernity of the idea of art: the patriarchal stereotype and the challenge to it, the importance of originality, and the emphasis on originality – as opposed to the adherence to religion or monarchy of many distinguished figures in the history of art.
评分全书跟下来了 居然是一部浅显易懂的艺术演变过程 语言自然且流畅 不禁怀疑开篇颠覆性的言论只是噱头而已???? 读着读着竟然也会为艺术屈服于流行文化而扼腕 也会为艺术不断寻找新型方式而做出的努力而感到一丝丝欣慰 堪称神奇的阅读体验
评分textbook
评分This book overturns the common perception of art by foregrounding the modernity of the idea of art: the patriarchal stereotype and the challenge to it, the importance of originality, and the emphasis on originality – as opposed to the adherence to religion or monarchy of many distinguished figures in the history of art.
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