In the 1992 Sight and Sound poll, critics and film-makers voted Vertigo the fourth greatest film of all time. Released in 1958, Hitchcock's masterpiece is a pinnacle of the cinema. Yet in it Hitchcock abandoned his trademark suspense, allowing the central mystery to be solved halfway through. What remained was a study in sexual obsession, as James Stewart's Scottie pursues Madeleine/Judy (Kim Novak) to her death in a remote Californian mission. Novak is ice-cool but vulnerable, Stewart - in the darkest role of his career - genial on the surface but damaged within. Though it seems to many to be Hitchcock's most personal film, Charles Barr argues that, like Citizen Kane, Vertigo is a triumph not so much of individual authorship as of creative collaboration. Barr documents the crucial role of screenwriters Alec Coppel and Samuel Taylor and, by a combination of textual and contextual analysis, explores the reasons why Vertigo has come to exert such a continuing fascination both on general audiences and on a wide range of critics and theorists. Charles Barr is Professor of Film at the University of East Anglia. He is the author of "Ealing Studios" (rev. edn, 1999) and "English Hitchcock" (1999). He was researcher and co-writer of Stephen Frears's film "Typically British: A Personal History of British Cinema" (1995).
具體描述
讀後感
評分
評分
評分
評分
用戶評價
silence-talk的量化分析很贊，尤其POV鏡頭的多寡。另外這本書並沒有強調Hitcock作為auteur，而是更多介紹瞭teamwork.
评分silence-talk的量化分析很贊，尤其POV鏡頭的多寡。另外這本書並沒有強調Hitcock作為auteur，而是更多介紹瞭teamwork.
评分silence-talk的量化分析很贊，尤其POV鏡頭的多寡。另外這本書並沒有強調Hitcock作為auteur，而是更多介紹瞭teamwork.
评分silence-talk的量化分析很贊，尤其POV鏡頭的多寡。另外這本書並沒有強調Hitcock作為auteur，而是更多介紹瞭teamwork.
评分silence-talk的量化分析很贊，尤其POV鏡頭的多寡。另外這本書並沒有強調Hitcock作為auteur，而是更多介紹瞭teamwork.
相關圖書
本站所有內容均為互聯網搜索引擎提供的公開搜索信息，本站不存儲任何數據與內容，任何內容與數據均與本站無關，如有需要請聯繫相關搜索引擎包括但不限於百度，google,bing,sogou 等
© 2025 qciss.net All Rights Reserved. 小哈圖書下載中心 版权所有