Steinberg argues in this work that the artists regarded the deliberate exposure of Christ's genitalia as an affirmation of kinship with the human condition. Christ's lifelong virginity, understood as potency under check, and the first offer of blood in the circumcision, both required acknowledgment of the genital organ. More than exercises in realism, these unabashed images underscore the crucial theological import of the Incarnation.
評分
評分
評分
評分
有理有據,使人信服。
评分Very well-presented argument supported strongly by visual analysis -- perhaps that's the only strong part. An art historian is not a historian after all.
评分有理有據,使人信服。
评分有理有據,使人信服。
评分Very well-presented argument supported strongly by visual analysis -- perhaps that's the only strong part. An art historian is not a historian after all.
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