Steinberg argues in this work that the artists regarded the deliberate exposure of Christ's genitalia as an affirmation of kinship with the human condition. Christ's lifelong virginity, understood as potency under check, and the first offer of blood in the circumcision, both required acknowledgment of the genital organ. More than exercises in realism, these unabashed images underscore the crucial theological import of the Incarnation.
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有理有據,使人信服。
评分有理有據,使人信服。
评分Very well-presented argument supported strongly by visual analysis -- perhaps that's the only strong part. An art historian is not a historian after all.
评分最近係裏一位資深老教授在開Dissertation workshop的課上,第一周就布置瞭這一本書,目的是讓學生通過這一係列的論戰來學會如何make an argument。此書的第二版包括瞭1983年的原文,之後各方的批評,以及作者十多年後通過新一輪的研究做齣的迴應 (格式上有些以前Art Bulletin裏intervention的味道)。
评分有理有據,使人信服。
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