村上春樹(1949- ),日本小說傢。曾在早稻田大學文學部戲劇科就讀。1979年,他的第一部小說《聽風之歌》問世後,即被搬上瞭銀幕。隨後,他的優秀作品《1973年的彈子球》、《尋羊冒險記》、《挪威的森林》等相繼發錶。他的創作不受傳統拘束,構思新奇,行文瀟灑自在,而又不流於庸俗淺薄。尤其是在刻畫人的孤獨無奈方麵更有特色,他沒有把這種情緒寫成負的東西,而是通過內心的心智性操作使之升華為一種優雅的格調,一種樂在其中的境界,以此來為讀者,尤其是生活在城市裏的人們提供瞭一種生活模式或生命的體驗。
"A stunning work of art," the New York Observer wrote of The Wind-Up Bird Chronicle, "that bears no comparisons," and this is also true of this magnificent new novel, which is every bit as ambitious, expansive and bewitching. A tour-de-force of metaphysical reality, Kafka on the Shore is powered by two remarkable characters. At fifteen, Kafka Tamura runs away from home, either to escape a gruesome oedipal prophecy or to search for his long-missing mother and sister. And the aging Nakata, who never recovered from a wartime affliction, finds his highly simplified life suddenly upset. Their odyssey, as mysterious to us as it is to them, is enriched throughout by vivid accomplices and mesmerizing events. Cats and people carry on conversations, a ghostlike pimp employs a Hegel-quoting prostitute, a forest harbors soldiers apparently unaged since World War II, and rainstorms of fish fall from the sky. There is a brutal murder, with the identity of both victim and perpetrator a riddle. Yet this, like everything else, is eventually answered, just as the entwined destinies of Kafka and Nakata are gradually revealed, with one escaping his fate entirely and the other given a fresh start on his own. --This text refers to an out of print or unavailable edition of this title.
先照抄一段村上春树《天黑之后》的中文评论: 村上在书中塑造的白川,可以说是日本这个民族“恶”的典型,他敬业、勤奋、文质彬彬,但生活刻板,观念顽固,施暴后行若无事,还继续加班,丝毫没有作恶的意识。著名翻译家林少华教授在译后记中写道:“这种恶,既不同于恐怖分子的...
評分这是一次被紧紧攥住,紧追慢赶,又努力挣脱的阅读体验。 《海边的卡夫卡》十分好读,也十分吸引人,但非常难解。作品布局巧妙,结构复杂机巧;意象稠密,互为指涉或隐喻之处数不胜数;故事离奇错综,神秘莫测;人物命运牵缠人心。迫不急待地往下读,几乎无法,或说无暇思考。读...
評分读罢《海边的卡夫卡》,我忽然想,那个写《且听风吟》,写《挪威的森林》村上究竟哪里去了? 我不知道,为什么有人会说《挪威的森林》是村上最差的作品。《挪威的森林》于我而言,就像是一首诗。多年之后,我依然记得主人公坐在波音客机降落在汉堡机场,看着窗外熟悉的风...
評分似乎每个少年都有过离家出走的冲动。厌倦于日复一日单调的家庭生活,于是向往着远方未知的历险。当然,真正的叛逆者并不多,那只是我们青春岁月短暂的幻想之旅而已。但是,这种冲动潜伏在我们的血液中,成为许多人长大成人后写作的动力。 村上春树的小说都来源于他年轻时的经...
評分笔者深爱村上,他的作品中又最爱《海》。本文是作者倾尽对《海》数年间数遍通读所累积的理解,做出的尝试性全面解读。梳理剧情,分析人物,解读隐喻,对比村上其他作品(尤其是《世界尽头冷酷仙境》),并尝试用后现代主义的视角,分析《海》的文理结构。本文目前是坑,但在下...
始讀於十月虛無的小長假,終於趕在鼕日到來前看完,村上君用雙綫敘事的結構,創造齣一個屬於隱喻的世界,再佐以形形色色的人,展開緩緩敘述。無論是“責任始自夢想”的決絕,抑或是“無須思考且聽風吟”的躲避,甚至是“成為世界一部分”的勇氣,描摹齣世界的無理與荒謬。好在最後的結尾頗為溫情,尚有一種超脫的希望。遙想我初閱此書時還不及田村卡夫卡君的年紀,等恍惚明白時,又早已喪失成為世界toughest少年的機會,可於字裏行間之中,還能得到些許慰藉,使我頗為自足,仿佛如海邊拾貝的少年,一眼望去,總也看不見盡頭。
评分慘綠少年奇遇記
评分When you are in the rain, you are part of the rain.
评分No matter how sappy Murakami gets, I will never get tired of him. Kafka on the Shore is an archetypical novel, but also a very modern one. It's about how one becomes brave and becomes themselves, accepting the dull truth of the world, while not losing interest. I am so sad to say goodbye to it.
评分Pain is an anchor, mooring me here.
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