Jean Rhys (originally Ella Gwendolen Rees Williams) was a Caribbean novelist who wrote in the mid 20th century. Her first four novels were published during the 1920s and 1930s, but it was not until the publication of Wide Sargasso Sea in 1966 that she emerged as a significant literary figure. A "prequel" to Charlotte Brontë's Jane Eyre, Wide Sargasso Sea won a prestigious WH Smith Literary Award in 1967.
Rhys was born in Dominica (a formerly British island in the Caribbean) to a Welsh father and Scottish mother. She moved to England at the age of sixteen, where she worked unsuccessfully as a chorus girl. In the 1920s, she relocated to Europe, travelling as a Bohemian artist and taking up residence sporadically in Paris. During this period, Rhys lived in near poverty, while familiarising herself with modern art and literature, and acquiring the alcoholism that would persist throughout the rest of her life. Her experience of a patriarchal society and feelings of displacement during this period would form some of the most important themes in her work.
Wide Sargasso Sea, a masterpiece of modern fiction, was Jean Rhys’s return to the literary center stage. She had a startling early career and was known for her extraordinary prose and haunting women characters. With Wide Sargasso Sea, her last and best-selling novel, she ingeniously brings into light one of fiction’s most fascinating characters: the madwoman in the attic from Charlotte Brontë’s Jane Eyre. This mesmerizing work introduces us to Antoinette Cosway, a sensual and protected young woman who is sold into marriage to the prideful Mr. Rochester. Rhys portrays Cosway amidst a society so driven by hatred, so skewed in its sexual relations, that it can literally drive a woman out of her mind.
A new introduction by the award-winning Edwidge Danticat, author most recently of Claire of the Sea Light, expresses the enduring importance of this work. Drawing on her own Caribbean background, she illuminates the setting’s impact on Rhys and her astonishing work.
转一篇很好的引 邊緣女性的愛生與死恨 ─Jean Rhys的「克里奧反殖」文學」 我必須保留我身上最貴重的東西:我對自由的興趣 西蒙•波娃(Simone de Beauvoir),《回憶錄》 女性必須把自己寫進本文,通過自己的奮鬥把自己嵌入世界和歷史 埃萊娜·西蘇(Hélène Cixo...
評分 評分不做标题党,因为此书本身并不吸引我,高中时的闲暇佐料,甚至不能满足我的基本温饱~ 写评语是因为发现看过这本书的人少到个位数,出于半吊子的自豪感,来抹个字~ 给的评价是在豆瓣的第一个四星,或者我们都比较苛刻,对那些不在正统路上的都不给正眼。 我不知道作者构思写作...
評分非常精妙的文本,后半部分,他和她以及他和老女佣的对话语带双关,充满了弦外之音,读者可自行解读成其它关系。 在有关男人和女人,殖民者和被殖民地,强者和弱者的故事里,there's always the other side, always。 书里对西印度群岛的风光描写充满魅力,美,孤独,灵性。故...
評分转一篇很好的引 邊緣女性的愛生與死恨 ─Jean Rhys的「克里奧反殖」文學」 我必須保留我身上最貴重的東西:我對自由的興趣 西蒙•波娃(Simone de Beauvoir),《回憶錄》 女性必須把自己寫進本文,通過自己的奮鬥把自己嵌入世界和歷史 埃萊娜·西蘇(Hélène Cixo...
i hate jane eyre now i know the reason
评分復雜
评分(1966) R4 read by Adjoa Andoh & Adam Godley. 更覺得簡愛難得瞭,自愛獨立好學,不怪男主喜歡。這本就是白富美的訴苦,一點也不動人。這性格還不遭人嫌棄//這兩個作者知不知道縱火是性犯罪呢
评分好喜歡這本書 分兩次讀完 走不齣結局帶來的悲傷
评分企鵝係列叢書 簡·愛前傳 最近在努力的讀
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