In Boswell's Life of Samuel Johnson, one of the towering figures of English literature is revealed with unparalleled immediacy and originality, in a biography to which we owe much of our knowledge of the man himself. Through a series of richly detailed anecdotes, Johnson emerges as a sociable figure, vigorously engaging and fencing with great contemporaries such as Garrick, Goldsmith, Burney and Burke, and of course with Boswell himself. Yet anxieties and obsessions also darkened Johnson's private hours, and Boswell's attentiveness to every facet of Johnson's character makes this biography as moving as it is entertaining. In this entirely new and unabridged edition, David Womersley's introduction examines the motives behind Boswell's work, and the differences between the two men that drew them to each other. It also contains chronologies of Boswell and Johnson, appendices and comprehensive indexes, including biographical details.
James Boswell (1740-1795) was a lawyer, diarist, and author born in Edinburgh. He is best known as the biographer of Samuel Johnson. Boswell is known for taking voracious notes on the grand tour of Europe that he took as a young nobleman and, subsequently, of his tour to Scotland with Johnson. He also recorded meetings and conversations with eminent individuals belonging to 'The Club', including David Garrick, Edmund Burke, Joshua Reynolds and Oliver Goldsmith. Samuel Johnson was born in Lichfield in 1709 and was educated at Lichfield Grammar School and, for a short time, at Pembroke College, Oxford. In 1735 he married Elizabeth Jervis Porter and in 1737 moved to London. There, he became a regular contributor to the Gentleman's Magazine, but struggled to earn a living from writing. His London: A Poem in Imitation of the Third Satire of Juvenal was published anonymously in 1738 and attracted some attention. From 1750 to 1752 he issued the Rambler, a periodical written almost entirely by himself, and consolidated his position as a notable moral essayist with some twenty-five essays in the Adventurer. When his Dictionary of the English Language was published in 1755, Johnson took on the proportions of a literary monarch in the London of his day. In need of money to visit his sick mother, he wrote Rasselas (1759) reportedly in the evenings of one week, finishing a couple of days after his mother's death. In 1763 Boswell became his faithful follower and it is mainly due to him that we owe our intimate knowledge of Johnson. Johnson's last major work was Lives of the Poets. He died in December 1784. David Womersley is the Thomas Warton Professor of English Literature at the University of Oxford. He has published widely on English literature from the Renaissance to the early nineteenth century. For Penguin he has edited Gibbon's History of the Decline and Fall of the Roman Empire, Augustan Critical Writing, Burke's Philosophical Enquiry into the Sublime and Beautiful and Other Pre-Revolutionary Writings, and Samuel Johnson's Selected Essays.
看为他人作传,比较痛苦的一点是,看着他死去。总算快读出味道来了,他却死了。不管传记文采如何,毕竟是一个活生生的人,有音容笑貌,你好像陪他走了一生,有时嫌他,有时恨他,有时笑他,还总爱数数还有多少页就可以翻完,打算今天下午临出门前把这本书给“消灭”掉,偏偏最...
评分看为他人作传,比较痛苦的一点是,看着他死去。总算快读出味道来了,他却死了。不管传记文采如何,毕竟是一个活生生的人,有音容笑貌,你好像陪他走了一生,有时嫌他,有时恨他,有时笑他,还总爱数数还有多少页就可以翻完,打算今天下午临出门前把这本书给“消灭”掉,偏偏最...
评分Samuel Johnson (1709-1784),英国人,政治思想保守,文学崇尚古典主义,注重伦理。乍看之下,似乎是个迂腐老头的形象,可是偶然翻开这本书,就被他充满机锋、措辞优雅的语言吸引。虽然这本书是用18世纪的英语写成的,读起来有点困难,还是决定把它啃完。这里先引几段文字: "...
评分如果不是Samuel Johnson或许这个有些禽兽样子,多情,自恋还有着长舌妇属性的Boswell Esq同学不会出名。好吧,我们公正点两面来看待这本传记: 首先反面的,Boswell相对于Johnson完全是小朋友,在Boswell之前就有几个确实比Boswell更了解Johnson生平的写了传记,那几...
评分看为他人作传,比较痛苦的一点是,看着他死去。总算快读出味道来了,他却死了。不管传记文采如何,毕竟是一个活生生的人,有音容笑貌,你好像陪他走了一生,有时嫌他,有时恨他,有时笑他,还总爱数数还有多少页就可以翻完,打算今天下午临出门前把这本书给“消灭”掉,偏偏最...
这本书在人物刻画上的细腻程度,简直令人叹为观止,它远超出了传统传记的范畴,更像是一部深刻的心理分析报告。作者没有将笔下的人物塑造成一个完美的、高高在上的偶像,而是毫不留情地展现了他所有的人性弱点、矛盾和挣扎。那些关于其日常琐事、怪癖和与人交往中的细微互动,都被捕捉得一丝不苟,仿佛作者是一位常年潜伏在侧的观察者。特别是对于人物内心独白的挖掘,那种对思想波动的精准捕捉和对潜意识动机的剖析,极具说服力,让人能清晰地看到一个复杂灵魂是如何在理想与现实、荣耀与困顿之间痛苦拉扯的。读者在阅读过程中,会不自觉地产生一种强烈的代入感和共情,仿佛自己也经历了主人公所经历的那些荣耀与低谷,那种情感的跌宕起伏,让人欲罢不能。这种真实、立体、充满生命力的群像塑造,无疑是本书最核心的魅力所在,它成功地让一个逝去的历史人物重新鲜活了起来。
评分这本书的装帧设计真是让人眼前一亮,那种古典与现代交织的美感,拿在手里就感觉沉甸甸的,仿佛捧着一段厚重的历史。扉页的字体选择,遒劲有力又不失优雅,让人忍不住想立刻翻开它,一探究竟。纸张的质感也处理得恰到好处,微微泛黄的色泽,散发着一种旧书特有的、令人安心的气息,触感细腻而不失韧性,即便是长时间阅读,指尖也不会感到疲惫。装帧的细节之处,比如烫金的书名工艺,在不同的光线下会折射出不同的光泽,低调中透着奢华,显示出出版方在制作上的用心良苦。我尤其欣赏它在排版上的匠心,字里行间留有的空白恰到好处,使得整体视觉效果非常舒适,即便是面对大段的文字叙述,也不会产生压迫感。这种对物理形态的重视,让阅读不再仅仅是信息的接收,更是一种对物件本身的珍视和享受。它不仅仅是一本书,更像是一件值得收藏的艺术品,放在书架上,本身就是一种格调的体现。封面插图的风格,更是独具匠心,它没有选择过于写实的画像,而是用了一种更具象征意义的抽象或古典油画风格,引导读者去思考人物内在的精神世界,而不是仅仅停留在外在的形象。
评分读完合上书本的那一刻,脑海中并未出现如释重负的感觉,反而是一种意犹未尽的怅然若失。这本书带来的影响是深远的,它不仅填补了我知识体系中的空白,更重要的是,它激发了我对特定历史时期社会风貌、思想潮流以及个体如何在巨大时代背景下挣扎求存的浓厚兴趣。它不仅仅是关于一个“人物生平”的记录,更像是一扇通往十八世纪知识分子生活的密室之门,让人得以窥见那个时代知识精英的思维方式、社交礼仪以及他们赖以生存的精神食粮。这种启发性,使得阅读体验超越了单纯的消遣,上升到了对自我认知和世界观进行反思的层面。很多书中提及的观点和争议,至今仍有其现实意义,促使我愿意去主动查阅更多的相关资料,进行更深层次的探索。毫无疑问,这是一部可以反复咀嚼,每次重读都能发现新亮点的经典之作。
评分从学术研究的角度来看,这本书的资料搜集工作量无疑是浩瀚的,其扎实的文献基础和严谨的考据态度,令人肃然起敬。作者在引用和论证过程中表现出的审慎和客观,使得全书的论点都建立在坚实可靠的证据链之上。那些看似信手拈来的轶事,背后都隐藏着作者对大量一手资料的细致比对和批判性筛选。然而,最难能可贵的是,作者成功地避免了陷入纯粹的学术堆砌,他巧妙地将那些深奥的学术探讨,以一种引人入胜的方式呈现给普通读者。即便是涉及复杂的历史背景或哲学思辨的部分,作者也能通过精妙的类比和清晰的逻辑推导,将其阐释得通俗易懂,既满足了专业读者的求深欲,又不会让入门者感到畏惧。这种平衡古典严谨与现代可读性的能力,在同类作品中是极为罕见的,体现了作者深厚的学养和高超的表达能力。
评分初读几页,便被作者那如行云流水般的叙事笔触深深吸引住了。他似乎拥有将枯燥的史料转化为生动故事的魔力,文字的节奏感把握得炉火纯青,时而急促有力,如同激烈的争辩或重大的转折,时而又舒缓悠长,如同沉思冥想或对往昔的追忆。语言的雕琢达到了极高的水准,那些看似不经意的用词,往往蕴含着深刻的洞察力和微妙的情感色彩。最令人称道的是,作者在构建场景时展现出的那种“在场感”,仿佛你正身处于那个特定的历史时刻,耳畔能听到周围的喧嚣,甚至能嗅到空气中弥漫的气味。叙述中穿插的历史背景介绍,也处理得极其自然,绝非生硬的知识点灌输,而是有机地融入到人物的行动和对话之中,使得整个阅读过程如同观看一部制作精良的历史纪录片,信息量巨大却丝毫不觉得累赘。这种叙事技巧的成熟度,显示出作者对文学语言驾驭能力的登峰造极,让人由衷地感到,文字本身就是一种强大的力量,能够穿越时空,唤起读者最深层的情感共鸣。
评分How wonderful, how unsearchable are the ways of GOD! Johnson, who was blest with all the powers of genius and understanding in a degree far above the ordinary state of human nature, was at the same time visited with a disorder so afflictive.
评分这本一千多页的英文原版传记书可以当成sitcom来看,约翰书这个嘴炮从不放过每一个开火的机会,处处闪烁着他机智,尖锐与可爱,可以说是升级版的谢耳朵,任何生活琐事到他嘴里总能砸出毒鸡汤的快感,即讨厌又不得不佩服。把它当成一本就饭消遣之书定能让你胃口大开。
评分这本一千多页的英文原版传记书可以当成sitcom来看,约翰书这个嘴炮从不放过每一个开火的机会,处处闪烁着他机智,尖锐与可爱,可以说是升级版的谢耳朵,任何生活琐事到他嘴里总能砸出毒鸡汤的快感,即讨厌又不得不佩服。把它当成一本就饭消遣之书定能让你胃口大开。
评分这本一千多页的英文原版传记书可以当成sitcom来看,约翰书这个嘴炮从不放过每一个开火的机会,处处闪烁着他机智,尖锐与可爱,可以说是升级版的谢耳朵,任何生活琐事到他嘴里总能砸出毒鸡汤的快感,即讨厌又不得不佩服。把它当成一本就饭消遣之书定能让你胃口大开。
评分封面是的,读的我觉得下午四点真无聊
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