the theatrical city pdf epub mobi txt 电子书 下载 2026
- 近代早期
- 英国史
- 戏剧史
- 伦敦
- 伊丽莎白
- 戏剧
- 城市
- 文化
- 历史
- 建筑
- 表演
- 社会
- 艺术
- 生活
- 叙事
具体描述
This collection of essays adopts a novel, interdisciplinary approach to a diverse group of texts composed in London during the Renaissance. Eight literary scholars and eight historians from two continents have been paired to write companion essays on each text. This original method opens up rich insights into London's social, political, and cultural life which would have eluded members of either discipline working in isolation. 'Theatrical' is taken to be a very flexible term, and is applied to the civic rituals and public spectacles of the capital (for example, the execution of King Charles I) as well as to the elite and popular theatre. The eight texts therefore include historical accounts, political documents and polemical works as well as plays.
作者简介
David Martin Bevington (born May 13, 1931) is an American literary scholar. He is Phyllis Fay Horton Distinguished Service Professor Emeritus in the Humanities and in English Language & Literature, Comparative Literature, and the College at the University of Chicago, where he has taught since 1967, as well as chair of Theatre and Performance Studies. "One of the most learned and devoted of Shakespeareans," so called by Harold Bloom, he specializes in British drama of the Renaissance, and has edited and introduced the complete works of William Shakespeare in both the 29-volume, Bantam Classics paperback editions and the single-volume Longman edition. Bevington remains the only living scholar to have personally edited Shakespeare's complete corpus.
He also edits the Norton Anthology of Renaissance Drama and an important anthology of Medieval English Drama, the latter of which was just re-released by Hackett for the first time in nearly four decades. Bevington's editorial scholarship is so extensive that Richard Strier, an early modern colleague at the University of Chicago, was moved to comment: "Every time I turn around, he has edited a new Renaissance text. Bevington has endless energy for editorial projects." In addition to his work as an editor, he has published studies of Shakespeare, Christopher Marlowe, and the Stuart Court Masque, among others, though it is for his work as an editor that he is primarily known.
Despite his formal retirement, Bevington continues to teach and publish. Most recently he authored Shakespeare and Biography, a study of the history of Shakespearean biography and of such biographers, as well as Murder Most Foul: Hamlet Through the Ages. In August, 2012, after a decade of research, he released the first complete edition of Ben Jonson published in over a half-century with Ian Donaldson and Martin Butler from the Cambridge Press. In addition to his preeminence among scholars of William Shakespeare, he is a much beloved teacher, winning a Quantrell Award in 1979.
目录信息
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"The Theatrical City" is the kind of book that completely engulfs you. From the outset, I was struck by the sheer ambition of the narrative. It’s a sweeping saga, ambitious in scope and execution, that tackles themes of ambition, illusion, and the enduring power of performance. The author has a remarkable talent for weaving together multiple storylines, each with its own distinct voice and trajectory, yet all converging towards a breathtaking crescendo. I found myself deeply invested in the fates of the characters, their triumphs and their failures feeling remarkably real. The underlying current of melancholy that runs through the narrative added a poignant depth, reminding me that even in the most dazzling of spectacles, there is often a cost. The author’s ability to shift between grand, sweeping pronouncements and intimate, character-driven moments was seamless. It felt as though I was observing the grand tapestry of human experience being unfurled before my very eyes. The descriptions of the city’s various theaters and performance spaces were not merely backdrops, but active participants in the drama, imbued with their own histories and personalities. The sheer research that must have gone into creating such a rich and detailed world is staggering. It's a novel that transports you, immersing you in a world that feels both fantastical and intensely human. I particularly enjoyed the unexpected twists and turns, the way the narrative consistently defied my expectations.
评分"The Theatrical City" is a masterclass in world-building and character development. The author has crafted a setting that is not just a backdrop, but a character in its own right, brimming with history, intrigue, and a palpable sense of atmosphere. The narrative unfolds with a compelling rhythm, drawing the reader deeper and deeper into its intricate web of relationships and events. I was particularly impressed by the author's ability to imbue even the smallest details with significance, creating a rich tapestry of interconnected elements. The exploration of themes such as identity, illusion, and the nature of reality is handled with a nuanced and insightful approach. It’s a book that doesn't shy away from complexity, but instead embraces it, inviting the reader to engage with its multifaceted themes. The characters are complex and flawed, making them all the more compelling and believable. Their journeys are fraught with both triumphs and tribulations, reflecting the unpredictable nature of life itself. The author’s prose is both elegant and accessible, ensuring that the intellectual depth of the novel never overshadows its narrative momentum. It's a truly immersive experience, one that transports you to another time and place and leaves you with a profound sense of wonder and a desire to revisit its captivating world. The sheer imagination on display is truly breathtaking.
评分Honestly, I was a bit hesitant at first with "The Theatrical City." The title suggested a very specific, perhaps niche, subject matter that I wasn't sure I'd connect with. However, the sheer audacity of the premise, as hinted at in the synopsis, drew me in. What I discovered was a work that defied easy categorization, a kaleidoscope of ideas and observations that spun and shifted with every turn of the page. The author doesn't spoon-feed the reader; instead, they invite you to actively participate in constructing meaning. It’s a book that demands your attention, rewarding it with layers of subtext and interwoven themes that reveal themselves gradually. I particularly admired the way certain motifs were introduced and then revisited in unexpected contexts, creating a sense of organic unity despite the apparent fragmentation. It felt like piecing together a complex mosaic, where each tile, seemingly disparate, contributed to a larger, more profound picture. The author's exploration of the performative nature of everyday life, the masks we wear and the roles we play, resonated deeply with me. It made me question my own perceptions and the constructed realities that often govern our interactions. The language itself was a marvel – sharp, witty, and at times, disarmingly profound. It was a joy to read sentences that were both intellectually stimulating and aesthetically pleasing. This is not a book for passive consumption; it’s an experience that will challenge your assumptions and leave you contemplating long after you’ve closed its covers.
评分The moment I picked up "The Theatrical City," I knew I was in for something special. The cover art itself, a swirling mosaic of shadowed alleyways and illuminated stage prosceniums, hinted at a world both familiar and enchantingly strange. As I delved into the opening chapters, I was immediately captivated by the author's ability to paint vivid imagery with words. The city itself felt like a living, breathing entity, its cobblestone streets whispering secrets and its grand theaters pulsing with untold stories. I found myself drawn into a narrative that felt less like reading a book and more like stepping through a portal into another dimension. The prose was rich and evocative, each sentence carefully crafted to immerse the reader in the atmosphere. I could almost smell the gaslight and hear the distant strains of music. The characters, even those who appeared only briefly, felt fully realized, their motivations and inner lives hinted at with a masterful touch. It's the kind of book that stays with you long after you've turned the final page, its characters and settings lingering in your mind like a persistent, beautiful dream. The intricate descriptions of the city's architecture, from its gilded opera houses to its grimy backstages, were particularly compelling. It felt as though the author had meticulously researched every detail, creating a world so believable that it almost hurt to leave it behind. The pacing was also excellent, building suspense and intrigue without ever feeling rushed. I found myself constantly wondering what would happen next, eager to unravel the mysteries that the city held. It’s a testament to the author's skill that they can create such a profound sense of place and character with such apparent ease.
评分There's a certain magic to "The Theatrical City" that's hard to articulate. It’s not just a story; it’s an exploration of the very essence of what it means to be human, to create, and to perform. The author possesses a unique gift for capturing the ephemeral, for giving form to fleeting emotions and intangible ideas. The prose is lyrical and evocative, painting with words in a way that conjures up vivid sensory experiences. I found myself rereading certain passages simply to savor the beauty of the language. The themes are explored with a delicate touch, never heavy-handed, but always present, prompting reflection and introspection. It’s a book that encourages you to look beyond the surface, to question the narratives we construct about ourselves and the world around us. The characters are drawn with such exquisite detail, their vulnerabilities and their strengths laid bare, making them incredibly relatable. The way the author explores the relationship between art and life, between the crafted and the authentic, is particularly thought-provoking. It’s a novel that resonates on multiple levels, offering something new with each reading. The city itself acts as a mirror, reflecting the inner lives of its inhabitants and the societal dynamics at play. It’s a profound and moving work that stays with you, its insights lingering long after the final sentence.
评分伦敦本身就是个舞台
评分伦敦本身就是个舞台
评分伦敦本身就是个舞台
评分伦敦本身就是个舞台
评分伦敦本身就是个舞台
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