The book begins by considering responses by French artists to the World War I, showing how Purism, Dada, and early Surrealism are related to the ethos of post-war reconstruction. The authors then discuss the language of construction in places as dissimilar as France, Germany and the Soviet Union; the contrasting demands of the utility and decoration of objects and paintings; and the relationship of Surrealism to questions of sexuality and gender and to Freudian theory. The book concludes by addressing the widespread debate over realism in art: whether it represents an alternative to the elitism of the avant-garde or whether avant-garde art should play a role in the development of a modern realism.
具體描述
讀後感
評分
評分
評分
評分
用戶評價
入門，比較好讀，但是沒太大趣味
评分太informative瞭。。。隻讀瞭前三章。。
评分太informative瞭。。。隻讀瞭前三章。。
评分太informative瞭。。。隻讀瞭前三章。。
评分入門，比較好讀，但是沒太大趣味
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