Thomas Elsaesser is Professor of Film and Television Studies in the Department of Art and Culture at the University of Amsterdam. A renowned film scholar, he is the author and editor of many books, including Weimar Cinema and After, also published by Routledge.
Malte Hagener is Associate Professor of media studies at the Leuphana Universität Lüneburg. He has written Moving Forward, Looking Back: The European Avant-garde and the Invention of Film Culture, 1919-1939 and edited many volumes, including Cinephilia: Movies, Love, and Memory.
What is the relationship between cinema and spectator? That is the central question for film theory, and renowned film scholars Thomas Elsaesser and Malte Hagener use this question to guide students through all of the major film theories—from the classical period to today—in this insightful, engaging book. Every kind of cinema (and film theory) imagines an ideal spectator, and then imagines a certain relationship between the mind and body of that spectator and the screen. Using seven distinctive configurations of spectator and screen that move progressively from ‘exterior’ to ‘interior’ relationships, the authors retrace the most important stages of film theory from 1945 to the present, from neo-realist and modernist theories to psychoanalytic, ‘apparatus’, phenomenological and cognitivist theories.
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3.5
评分不大可信 只有参考文献有用 1电影例子似乎只是呈现每一章的隐喻而无助于理解理论2将特定理论硬塞到某种对电影的隐喻里给人一种好像大家各自都分好了工的错觉 非常容易让人误解这些理论的缘起与其问题意识 让人以为这些理论都是重视一点忽视其他(事实根本不是)作者的分类学取代了具体的理论问题
评分不得不说有些类比还挺牵强的。
评分concise and informative
评分concise and informative
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