Film Theory 在线电子书 图书标签: 电影理论 电影 Thomas_Elsaesser 电影研究 visualculture 電影 英文 英国
发表于2025-02-17
Film Theory 在线电子书 pdf 下载 txt下载 epub 下载 mobi 下载 2025
看完之后发现这本书真只是讲座合集,不是什么花大心血力气写成的著作。本来这个题目和框架都是很好的,单薄的内容却有点对不起这个框架。
评分不得不说有些类比还挺牵强的。
评分正在翻译这本。老爷爷英文文笔是很炸裂,就是不太容易翻。
评分更像是一个“漫谈”;我还是觉得这本不适合入门,更适合全面了解过电影理论史之后当一个自圆其说的approach来看待,这个approach看起来在衔接传统电影与未来的VR/AR/MR电影上更有优势。
评分根据人的感官编写的电影理论(view, hear, touch等),深入浅出,非常有启发,值得一读再读。
Thomas Elsaesser is Professor of Film and Television Studies in the Department of Art and Culture at the University of Amsterdam. A renowned film scholar, he is the author and editor of many books, including Weimar Cinema and After, also published by Routledge.
Malte Hagener is Associate Professor of media studies at the Leuphana Universität Lüneburg. He has written Moving Forward, Looking Back: The European Avant-garde and the Invention of Film Culture, 1919-1939 and edited many volumes, including Cinephilia: Movies, Love, and Memory.
What is the relationship between cinema and spectator? That is the central question for film theory, and renowned film scholars Thomas Elsaesser and Malte Hagener use this question to guide students through all of the major film theories—from the classical period to today—in this insightful, engaging book. Every kind of cinema (and film theory) imagines an ideal spectator, and then imagines a certain relationship between the mind and body of that spectator and the screen. Using seven distinctive configurations of spectator and screen that move progressively from ‘exterior’ to ‘interior’ relationships, the authors retrace the most important stages of film theory from 1945 to the present, from neo-realist and modernist theories to psychoanalytic, ‘apparatus’, phenomenological and cognitivist theories.
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Film Theory 在线电子书 pdf 下载 txt下载 epub 下载 mobi 下载 2025