Film Theory 在线电子书 图书标签: 电影理论 电影 Thomas_Elsaesser 电影研究 visualculture 電影 英文 英国
发表于2025-04-24
Film Theory 在线电子书 pdf 下载 txt下载 epub 下载 mobi 下载 2025
???这书简直牛逼上天了怎么会有差评
评分以前也用过Elsaesser的其他文章,不过这本读起来特别晦涩,不好理解,觉得简单易懂的童鞋可以留个联系方式,讨论下cinema as window and frame这一章
评分按照不同的理论分章,特别好读
评分不得不说有些类比还挺牵强的。
评分这可能是我翻看最多遍的电影理论导读,尤其在越来越了解整个电影学的脉络之后。从sense出发,本身就是作者对于“电影是什么”这个永恒的本体论问题的回答。缺点在于对初学者不算友好,但对电影学整体图景有一定了解后,并有志于研究电影与意识、感官,这会是非常好的入门读物。
Thomas Elsaesser is Professor of Film and Television Studies in the Department of Art and Culture at the University of Amsterdam. A renowned film scholar, he is the author and editor of many books, including Weimar Cinema and After, also published by Routledge.
Malte Hagener is Associate Professor of media studies at the Leuphana Universität Lüneburg. He has written Moving Forward, Looking Back: The European Avant-garde and the Invention of Film Culture, 1919-1939 and edited many volumes, including Cinephilia: Movies, Love, and Memory.
What is the relationship between cinema and spectator? That is the central question for film theory, and renowned film scholars Thomas Elsaesser and Malte Hagener use this question to guide students through all of the major film theories—from the classical period to today—in this insightful, engaging book. Every kind of cinema (and film theory) imagines an ideal spectator, and then imagines a certain relationship between the mind and body of that spectator and the screen. Using seven distinctive configurations of spectator and screen that move progressively from ‘exterior’ to ‘interior’ relationships, the authors retrace the most important stages of film theory from 1945 to the present, from neo-realist and modernist theories to psychoanalytic, ‘apparatus’, phenomenological and cognitivist theories.
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Film Theory 在线电子书 pdf 下载 txt下载 epub 下载 mobi 下载 2025