A Photographer's Life 在線電子書 圖書標籤: 攝影 photography AnnieLeibovitz 攝影 photographer liberal_arts autobiography
發表於2024-12-23
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Annie Leibovitz was born on October 2, 1949, in Waterbury, Connecticut. Her father was an officer in the air force and her childhood was spent on a succession of military bases. She began her career as a photojournalist for Rolling Stone in 1970, while she was still a student at the San Francisco Art Institute. Her pictures have appeared regularly on magazine covers ever since, and her large and distinguished body of work encompasses some of the most well-known portraits of our time.
Leibovitz’s first major assignment was for a cover story on John Lennon. She became Rolling Stone’s chief photographer in 1973, and by the time she left the magazine, ten years later, she had shot 142 covers and published photo-essays on scores of stories, including her memorable accounts of the resignation of Richard Nixon and of the 1975 Rolling Stones tour. In 1983, when she joined the staff of the revived Vanity Fair, she was established as the foremost rock music photographer and an astute documentarian of the social landscape. At Vanity Fair, and later at Vogue, she developed a large body of work–portraits of actors, directors, writers, musicians, athletes, and political and business figures, as well as fashion photographs–that expanded her collective portrait of contemporary life. In addition to her editorial work, she has created several influential advertising campaigns, including her award-winning portraits for American Express and the Gap. She has also collaborated with many arts organizations. Leibovitz has a special interest in dance, and in 1990 she documented the creation of the White Oak Dance Project with Mikhail Baryshnikov and Mark Morris.
Several collections of Leibovitz’s work have been published. They include Annie Leibovitz: Photographs (1983); Annie Leibovitz: Photographs 1970—1990 (1991); Olympic Portraits (1996); Women (1999), in collaboration with Susan Sontag; American Music (2003); and Annie Leibovitz at Work (2008), a first-person commentary on her career, from her coverage of the resignation of Nixon to the commissioned portraits of Queen Elizabeth II. Exhibitions of her work have appeared at museums and galleries all over the world, including the National Portrait Gallery and the Corcoran Gallery in Washington, D.C.; the International Center of Photography in New York; the Stedelijk Museum in Amsterdam; the Maison Européenne de la Photographie in Paris; and the National Portrait Gallery in London. The exhibition A Photographer’s Life, 1990—2005 opened at the Brooklyn Museum and toured internationally.
Leibovitz is the recipient of many honors. In 2006 she was decorated a Commandeur in the Ordre des Arts et des Lettres by the French government. The previous year, in a compilation of the forty top magazine covers of the past forty years by the American Society of Magazine Editors, she held the top two spots (#1 for the photograph of John Lennon and Yoko Ono taken for Rolling Stone the day Lennon was shot, and #2 for the pregnant Demi Moore in Vanity Fair). Leibovitz has been designated a Living Legend by the Library of Congress. She lives in New York with her three children, Sarah, Susan, and Samuelle.
“I don’t have two lives,” Annie Leibovitz writes in the Introduction to this collection of her work from 1990 to 2005. “This is one life, and the personal pictures and the assignment work are all part of it.” Portraits of well-known figures–Johnny Cash, Nicole Kidman, Mikhail Baryshnikov, Keith Richards, Michael Jordan, Joan Didion, R2-D2, Patti Smith, Nelson Mandela, Jack Nicholson, and William Burroughs–appear alongside pictures of Leibovitz’s family and friends, reportage from the siege of Sarajevo in the early Nineties, and landscapes. The pictures form a narrative of a life rich in contrasts and continuities. The photographer has a long relationship that ends with illness and death. She chronicles the celebrations and heartbreaks of her large and robust family. She has children of her own. All the while, she is working, and the public work resonates with the themes of the life.
Annie Leibovitz的影像于我,共鸣很少。最初只惊讶于镜头的出位,Iggy Pop的瘦骨伶仃和Demi Moore的裸孕像,与一般的明星照完全不同,有冷静而坚持的美感;慢慢看多了她镜中的名人,便觉得也不过如此,名利场封面的Scarlett Johannson和Keira Knightley的双白一黑裸照,还有T...
評分Henriett Harris(Information记者)曾经提到一个朋友对一本书愤愤不平:“我想我不会原谅安妮·莱博维茨(Annie Leibovitz),因为她在这本相册中展示的那些关于苏珊·桑塔格的照片。”我们谈到的这本书,是安妮·莱博维茨2006年出版的《一个摄影师的生活,1990-2005》(A Photogr...
評分Henriett Harris(Information记者)曾经提到一个朋友对一本书愤愤不平:“我想我不会原谅安妮·莱博维茨(Annie Leibovitz),因为她在这本相册中展示的那些关于苏珊·桑塔格的照片。”我们谈到的这本书,是安妮·莱博维茨2006年出版的《一个摄影师的生活,1990-2005》(A Photogr...
評分Henriett Harris(Information记者)曾经提到一个朋友对一本书愤愤不平:“我想我不会原谅安妮·莱博维茨(Annie Leibovitz),因为她在这本相册中展示的那些关于苏珊·桑塔格的照片。”我们谈到的这本书,是安妮·莱博维茨2006年出版的《一个摄影师的生活,1990-2005》(A Photogr...
評分Annie Leibovitz的影像于我,共鸣很少。最初只惊讶于镜头的出位,Iggy Pop的瘦骨伶仃和Demi Moore的裸孕像,与一般的明星照完全不同,有冷静而坚持的美感;慢慢看多了她镜中的名人,便觉得也不过如此,名利场封面的Scarlett Johannson和Keira Knightley的双白一黑裸照,还有T...
A Photographer's Life 在線電子書 pdf 下載 txt下載 epub 下載 mobi 下載 2024