具体描述
读后感
In the introduction of Painting the city red : Chinese cinema and the urban contract，Yomi Braester’s standpoint is to identify the important ties between urban cinema and policy that has been disregarded. He pointed out the ungrounded equation between...
评分In the introduction of Painting the city red : Chinese cinema and the urban contract，Yomi Braester’s standpoint is to identify the important ties between urban cinema and policy that has been disregarded. He pointed out the ungrounded equation between...
评分In the introduction of Painting the city red : Chinese cinema and the urban contract，Yomi Braester’s standpoint is to identify the important ties between urban cinema and policy that has been disregarded. He pointed out the ungrounded equation between...
评分In the introduction of Painting the city red : Chinese cinema and the urban contract，Yomi Braester’s standpoint is to identify the important ties between urban cinema and policy that has been disregarded. He pointed out the ungrounded equation between...
评分In the introduction of Painting the city red : Chinese cinema and the urban contract，Yomi Braester’s standpoint is to identify the important ties between urban cinema and policy that has been disregarded. He pointed out the ungrounded equation between...
用户评价
喜欢urban contract的切入视角，可以把中国大多数城市的发展和与文艺作品的互动纳入共同的体系中。但具体分析有点心有余而力不足的感觉。China/Taiwan，Beijing/Shanghai/Taipei，spatiality/temporality不均衡。
评分全书最喜欢的部分是封面林妙可小朋友
评分这个scope和角度在中国电影的专著里应该是少见的。用urban contract提纲挈领贯穿全书。但Bakhtin的chronotopes好像没什么必要，也没有elaborate和发展。
评分讲龙须沟的不错 舞台景观与现实改造的同构性
评分essential reading on city and Chinese cinema
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