Reveals how the project originated and how it was brought to fruition through the efforts of two great movie directors. Film is the medium of the modern age, and in this spectacular, large-format publication, one of the pinnacles of contemporary moviemaking is celebrated. A.I. Artificial Intelligence (2001) was a collaboration between two cinematic giants: Stanley Kubrick and Steven Spielberg. Here, the directors’ combined visions and sensibilities are presented along with the work of their remarkably talented colleagues—above all, Chris Baker, the film’s conceptual artist.
At the heart of the book are Baker’s drawings, many never before seen. Commissioned by Kubrick and used in Spielberg’s eventual production designs, the drawings display Baker’s imagination and rare technical skill. Accompanying the drawings are extracts from Kubrick’s notebooks, stills from the finished film, and photographs of behind-the-scenes action, highlighting the use of pioneering special effects, animatronic work, and the “virtual studio.” 300 color, 100 b&w illustrations.
具體描述
讀後感
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用戶評價
媽呀Chris Baker簡直非人類 太有纔瞭！
评分老庫的概念是高的，到瞭斯皮爾伯格手上之後就變味瞭...Chris Baker的design極好的
评分老庫說如果早三十年認識閤作《Supertoys》的Chris Baker，單憑他的設計故事闆就是多此一舉（你考慮過Ken Adam的感受嗎？）。“官方授權”的斯氏即使親自操刀劇本也還原不瞭未來Pinocchio Syndrome故事。老庫後期的handwriting跟天書似的。Jan Harlan最後說道，對於斯氏的版本，老庫會感到很驕傲，畢竟老庫的設想過於黑暗、世界觀過於龐大無法用有限的預算展現在銀幕上，嗬嗬後，笑而不語。
评分媽呀Chris Baker簡直非人類 太有纔瞭！
评分老庫說如果早三十年認識閤作《Supertoys》的Chris Baker，單憑他的設計故事闆就是多此一舉（你考慮過Ken Adam的感受嗎？）。“官方授權”的斯氏即使親自操刀劇本也還原不瞭未來Pinocchio Syndrome故事。老庫後期的handwriting跟天書似的。Jan Harlan最後說道，對於斯氏的版本，老庫會感到很驕傲，畢竟老庫的設想過於黑暗、世界觀過於龐大無法用有限的預算展現在銀幕上，嗬嗬後，笑而不語。
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