作者簡介
劉靖之,畢業於英國倫敦大學,後獲香港大學哲學碩士和博士學位。早年赴英國皇家音樂學院及聖三一音樂學院攻讀,獲理論作曲文憑。曾任英國廣播公司高級翻譯、香港嶺南大學翻譯系教授;現為香港大學亞洲研究中心名譽研究員、上海音樂學院音樂教育系客座教授。研究範圍涵蓋音樂、文學和翻譯,著作包括《關漢卿三國故事雜劇研究》、《元人水滸雜劇研究》、《神似與形似–劉靖之論翻譯》等。
though I have not read this book ,i think it must be very good aaaaa my critic is too short? why this is my first time
评分though I have not read this book ,i think it must be very good aaaaa my critic is too short? why this is my first time
评分though I have not read this book ,i think it must be very good aaaaa my critic is too short? why this is my first time
评分though I have not read this book ,i think it must be very good aaaaa my critic is too short? why this is my first time
评分though I have not read this book ,i think it must be very good aaaaa my critic is too short? why this is my first time
http://t.cn/zj7j1Iv
评分比大陆学者写的音乐史专著好太多了。
评分最好的中国新音乐史。大陆为什么一个也没有像样的音乐史学者呢。2019.5学年论文。
评分可以搞一个“德彪西批判”的佩利亚斯和梅丽桑德的制作
评分难得看见写的那么好的音乐史,不过曲例分析上略薄弱一点。