Notes from Underground and The Double (Penguin Classics)

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出版者:Penguin Classics
作者:Fyodor Dostoyevsky
出品人:
页数:352
译者:Wilks, Ronald
出版时间:2009-04-28
价格:USD 14.00
装帧:Paperback
isbn号码:9780140455120
丛书系列:
图书标签:
  • 陀思妥耶夫斯基 
  • 俄罗斯 
  • 小说 
  • 外国文学 
  • 俄国文学 
  • Russia 
  • Dostoyevsky 
  • 陀总 
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Collected here in "Penguin Classics" are two of Fyodor Dostoyevsky's shorter works, "Notes from Underground and The Double", translated by Ronald Wilks with an introduction by Robert Louis Jackson. Alienated from society and paralysed by a sense of his own insignificance, the anonymous narrator of Dostoyevsky's groundbreaking "Notes from Underground" tells the story of his tortured life. With bitter irony, he describes his refusal to become a worker in the 'anthill' of society and his gradual withdrawal to an existence 'underground'. The seemingly ordinary world of St Petersburg takes on a nightmarish quality in "The Double" when a government clerk encounters a man who looks exactly like him - his double, perhaps, or possibly the darker side of his own personality. Like "Notes from Underground", this is a masterly tragicomic study of human consciousness. Ronald Wilks' extraordinary new translation is accompanied here by an introduction by Robert Louis Jackson discussing these pivotal works in the context of Dostoyevsky's life and times. This edition also contains a chronology, bibliography, table of ranks and notes on each work. Fyodor Mikhailovich Dostoyevsky (1821-1881) was born in Moscow. From 1849-54 he lived in a convict prison, and in later years his passion for gambling led him deeply into debt. His other works available in "Penguin Classics" include "Crime and Punishment", "The Brothers Karamazov", and "The Idiot and Demons". If you enjoyed "Notes from Underground and The Double", you might like Dostoyevsky's "Demons", also available in "Penguin Classics". ""Notes from Underground", with its mood of intellectual irony and alienation, can be seen as the first modern novel...That sense of meaninglessness of existence that runs through much of twentieth-century writing - from Conrad and Kafka, to Beckett and beyond - starts in Dostoyevsky's work." ("Malcolm Bradbury").

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卡夫卡说每个人都需要几本能够给自己带来极大痛苦的书,这算一本。丧失了精神的人靠意识达成与物质社会的契约,这本来就是鸡蛋碰石头的勾当,最终难逃崩溃的命运。这个年代的“怪人”,又在以何种方式崩溃?

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独自与深渊对话

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感觉所有的诗性和美好都荡然无存了。竟然也不觉得失落。

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所有的自妄、自欺、懦弱、挣扎、矛盾 vs 所有对自由意志与爱的渴望;在陀氏眼里它们可能只是看似水火不容实则不可分割的两者

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The Double, I suppose that probably Yakov Golyadkin’s erratic behaviour and confusing speech is the cause of intricate and difficult to read . Toward the end it seemed as if others saw the double and interacted with him...

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