具体描述
Over the last two centuries, artists, critics, philosophers and theorists have contributed significantly to such representations of 'the economy' as sublime. It might even be said that much of the emergence of a distinctly 'modern' art in the West is inextricably linked to the perception of art's own autonomy and, therefore, its privileged, mostly critical, gaze at the terrible mixture of wonder and horror of capitalist economic practices and institutions. The premise of this collection is that despite this perceptual sharing, 'sublime economy' has yet to be investigated in a purely cross-disciplinary way. "Sublime Economy" seeks to map this critical territory by exploring the ways diverse concepts of economy and economic value have been culturally constituted and disseminated through modern art and cultural practice.Comprising of 14 individual essays along with an editors' introduction, "Sublime Economy" draws together work from some of the leading scholars in the several fields currently exploring the intersection of economic and aesthetic practices and discourses. A pressing issue of this cross-disciplinary conversation is to discern how artists', writers', and cultural scholars' constructions of distinct conceptions of economic value, as pertains to aesthetic objects as well as to more 'everyday' objects and relations of mass consumption, have contributed to the ways 'value' functions in and across disparate discourses. Thus this book looks at how cultural critics and theorists have put forward working notions of economic value that have regularities and effects similar to those of the 'expert' conceptions and discourses about value that have been the preserve of professional economists.
作者简介
目录信息
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Text: Echo He “Imginary Currencies” is the first essay in Part 3 of Sublime Economy, a book collection of essays by leading scholars in different fields who are currently exploring the intersection of economic and aesthetic practices and discourses. In...
评分Text: Echo He “Imginary Currencies” is the first essay in Part 3 of Sublime Economy, a book collection of essays by leading scholars in different fields who are currently exploring the intersection of economic and aesthetic practices and discourses. In...
评分Text: Echo He “Imginary Currencies” is the first essay in Part 3 of Sublime Economy, a book collection of essays by leading scholars in different fields who are currently exploring the intersection of economic and aesthetic practices and discourses. In...
评分Text: Echo He “Imginary Currencies” is the first essay in Part 3 of Sublime Economy, a book collection of essays by leading scholars in different fields who are currently exploring the intersection of economic and aesthetic practices and discourses. In...
评分Text: Echo He “Imginary Currencies” is the first essay in Part 3 of Sublime Economy, a book collection of essays by leading scholars in different fields who are currently exploring the intersection of economic and aesthetic practices and discourses. In...
用户评价
说实话，这本书的叙事结构挺让人费解的，前几章我完全摸不着头脑，感觉作者像是在故弄玄虚，堆砌了一堆晦涩难懂的意象。我差点就想把它扔到一边了。但是，当我坚持读到中间部分时，突然之间，所有的碎片开始拼凑起来，那种“原来如此”的豁然开朗的感觉，简直妙不可言。作者玩弄时间线的技巧堪称一绝，他让你在迷雾中摸索，却又总能在关键时刻给你一点光亮，引导你继续前行。这种挑战读者的阅读习惯的做法，虽然初看有些冒犯，但最终带来的智力上的满足感是巨大的。这就像解一道极其复杂的数理难题，每解开一个步骤，都伴随着强烈的自我肯定感。我敢说，这本书绝对不是用来“消遣”的，它要求你拿出百分之百的专注力和思考力，才能真正领略到它精妙之处。
评分这家伙的书，简直是现代人精神世界的解药。我花了整整一个周末才啃完，感觉像是经历了一场精神上的洗礼。作者的笔触细腻得令人发指，他笔下的人物不是那种脸谱化的符号，而是活生生的、有血有肉的个体。最让我震撼的是他对于人际关系复杂性的描绘，那种微妙的、难以言喻的情感纠葛，竟然被他捕捉得如此精准。读起来，我常常会产生一种强烈的代入感，仿佛自己就是故事中的某一个角色，在那个光怪陆离的世界里挣扎、探寻。尤其是在探讨社会阶层固化和个体反抗的主题时，那种深刻的洞察力，让我不得不停下来，反复咀嚼那些充满哲思的句子。这不仅仅是一部小说，更像是一面镜子，映照出我们每个人内心深处的焦虑与渴望。那种文字的张力和情感的爆发力，让人在阅读过程中，时而屏息凝神，时而潸然泪下。
评分这本书的排版和装帧设计简直是艺术品，这一点作为一名注重阅读体验的读者，我必须提及。内页的纸张选择了一种略带粗粝感的米白色，油墨的印刷质量极高，即便是大段落的文字也不会造成视觉疲劳。更绝的是，作者在关键章节的页眉处巧妙地嵌入了一些与上下文主题高度相关的、几乎不易察觉的微小插图，它们不是对文字的简单装饰，更像是一种视觉上的脚注，需要你非常细致地去观察才能发现。这种对细节的极致追求，体现了出版方对作品的尊重，也极大地提升了阅读过程中的仪式感。它让阅读行为本身从一种信息获取，变成了一种庄重的、需要全身心投入的仪式，让人忍不住想要小心翼翼地对待它，生怕弄皱了一角就会破坏了这份完整的美感。
评分这本书的语言风格极其具有辨识度，充满了古典的韵味，但又夹杂着大量现代的俚语和流行文化梗，这种混搭产生了奇妙的化学反应。读起来有一种独特的节奏感，仿佛作者是在用一种精心编排过的音乐来叙事。我特别喜欢他描绘自然景物的段落，那些关于光影、色彩和声音的描写，简直可以拿来做教科书级别的范例。他没有简单地罗列物体，而是赋予了它们生命和情感。比如，他描述一场暴雨，不是说“下雨了”，而是写“天空像一块被撕裂的绸缎，带着金属的腥味倾泻而下”，这种画面感和听觉冲击力，让人身临其境。对于我这样一个对文学修辞有较高要求的人来说，这本书简直是饕餮盛宴，光是品味这些文字本身，就已经值回票价了。
评分从主题深度上来说，这本书探讨的主题非常宏大，涵盖了存在主义、后现代社会结构以及个体在巨大历史洪流中的无力感。但最让我触动的是它对“记忆”的处理方式。作者似乎在暗示，我们所认知的现实，很大程度上是我们对自己过去记忆的不断重塑和粉饰的结果。书中关于“遗忘的必要性”和“记忆的陷阱”的讨论，让我对自己的过往产生了全新的审视。我常常在想，如果我忘记了某一件痛苦的事，那我是不是就真的“摆脱”了它？这本书没有给出简单的答案，而是将问题抛给了读者，让你在合上书本后，依然在脑海中与作者进行一场无声的辩论。这种开放式的结局和思辨性，是很多流行小说所不具备的，它真正地做到了“言有尽而意无穷”。
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