Janson's History of Art

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Penelope J. E. Davies is Associate Professor at the University of Texas, Austin. She is a scholar of Greek and Roman art and architecture as well as a field archaeologist. She is author of Death and the Emperor: Roman Imperial Funerary Monuments from Augustus to Marcus Aurelius, winner of the Vasari Award.

Walter B. Denny is a Professor of Art History at the University of Massachusetts at Amherst. In addition to exhibition catalogues, his publications include books on Ottoman Turkish carpets, textiles, and ceramics, and articles on miniature painting, architecture and architectural decoration.

Frima Fox Hofrichter is Professor and former Chair of the History of Art and Design department at Pratt Institute. She is author of Judith Leyster, A Dutch Artist in Holland’s Golden Age, which received CAA’s Millard Meiss Publication Fund Award.

Joseph Jacobs is an independent scholar, critic, and art historian of modern art in New York City. He was the curator of modern art at the John and Mable Ringling Museum of Art in Sarasota, Florida, director of the Oklahoma City Art Museum, and curator of American art at The Newark Museum, Newark, New Jersey.

David L. Simon is Jetté Professor of Art at Colby College, where he received the Basset Teaching Award in 2005. Among his publications is the catalogue of Spanish and southern French Romanesque sculpture in the Metropolitan Museum of Art and The Cloisters.

Ann M. Roberts, Professor of Art at Lake Forest College has published essays, articles and reviews on both Northern and Italian Renaissance topics. Her research focuses on women in the Renaissance, and her most recent publication is entitled Dominican Women and Renaissance Art:The Convent of San Domenico of Pisa.

H. W. Janson was a legendary name in art history. During his long career as a teacher and scholar, he helped define the discipline through his impressive books and other publications.

Anthony F. Janson forged a distinguished career as a professor, scholar, museum professional and writer. From the time of his father’s death in 1982 until 2004, he authored History of Art.

出版者:Prentice Hall
作者:Penelope J.E. Davies
出品人:
页数:1152
译者:
出版时间:2010-01-13
价格:USD 152.67
装帧:Hardcover
isbn号码:9780205685172
丛书系列:
图书标签:
  • 艺术史 
  • 艺术 
  • 西方艺术史 
  • Art 
  • 西方美术史 
  • H.W.Janson 
  • 艺术理论 
  • 原版 
  •  
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For courses in the History of Art.

Rewritten and reorganized, this new edition weaves together the most recent scholarship, the most current thinking in art history, and the most innovative online supplements, including digital art library. Experience the new Janson and re-experience the history of art.

Long established as the classic and seminal introduction to art of the Western world, the Eighth Edition of Janson's History of Art is groundbreaking. When Harry Abrams first published the History of Art in 1962, John F. Kennedy occupied the White House, and Andy Warhol was an emerging artist. Janson offered his readers a strong focus on Western art, an important consideration of technique and style, and a clear point of view. The History of Art, said Janson, was not just a stringing together of historically significant objects, but the writing of a story about their interconnections, a history of styles and of stylistic change. Janson’s text focused on the visual and technical characteristics of the objects he discussed, often in extraordinarily eloquent language. Janson’s History of Art helped to establish the canon of art history for many generations of scholars.

The new Eighth Edition, although revised to remain current with new discoveries and scholarship, continues to follow Janson’s lead in important ways: It is limited to the Western tradition, with a chapter on Islamic art and its relationship to Western art. It keeps the focus of the discussion on the object, its manufacture, and its visual character. It considers the contribution of the artist as an important part of the analysis. This edition maintains an organization along the lines established by Janson, with separate chapters on the Northern European Renaissance, the Italian Renaissance, the High Renaissance, and Baroque art, with stylistic divisions for key periods of the modern era. Also embedded in this edition is the narrative of how art has changed over time in the cultures that Europe has claimed as its patrimony.

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这是中国学界和读书界迫切需要的一本书。它是一部份量适中、质量可靠的西方艺术史,值得拥有在手。 译后记 朱青生 译毕,兹将诸事附记于此。 第一件事,译书经历 1983年,人民美术出版社打算出版《詹森艺术史》台湾曾堉先生译本。陈允鹤先生托我将台湾版文字校勘一遍。核对原...  

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已经不记得是花了四个多月还是五个多月的时间,以差不多每天十页的速度,终于在今天啃完了这本1110页的煌煌巨卷——《詹森艺术史》(插图第七版)。这本目测体积有两本牛津词典大小的书可能是我25年阅读经历中从头到尾看完的单卷体量最大的书。真的系统有一种修完了一门艺术通...  

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欢迎走进詹森经典教材的第七版,之前的版本曾向数代英语学子介绍了艺术史。对于众多教授艺术史入门课的教师而言,詹森这个名字与我们介绍的主题是同义的。1962年普兰蒂斯•霍尔出版公司首次出版《詹森艺术史》时,约翰•F•肯尼迪(John F. Kennedy)仍执掌白宫,而安迪...  

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一直到29章都是非常好的艺术通史著作。 无论对于艺术入门的自学者还是较为专业的人士用来参考都很有价值。 下面只讲问题: 和以前的艺术史相比较,隐约有一条政治正确的线索:即重视女性艺术家、重视非白人艺术家,重视少数民族艺术家。 从28章开始渐渐开始出现一些问题,第一...  

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一直到29章都是非常好的艺术通史著作。 无论对于艺术入门的自学者还是较为专业的人士用来参考都很有价值。 下面只讲问题: 和以前的艺术史相比较,隐约有一条政治正确的线索:即重视女性艺术家、重视非白人艺术家,重视少数民族艺术家。 从28章开始渐渐开始出现一些问题,第一...  

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本来不想标的.....但大一读完大半本也挺不容易的..目前印象最深的还是提到波提切利的那几页(真·illumination /整个西美通史里面有印象的就是这本和贵校自己的教材…《艺术的故事》过脑无痕.总之这本视野还是足够大的

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暑假课程书目。特别精彩。据说中文版历经三十年才翻译完成,精雕细琢。花了200刀买下来,要结结实实再读几遍才好。

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看得匆匆,不敢评论

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看得匆匆,不敢评论

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