Janson's History of Art

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Penelope J. E. Davies is Associate Professor at the University of Texas, Austin. She is a scholar of Greek and Roman art and architecture as well as a field archaeologist. She is author of Death and the Emperor: Roman Imperial Funerary Monuments from Augustus to Marcus Aurelius, winner of the Vasari Award.

Walter B. Denny is a Professor of Art History at the University of Massachusetts at Amherst. In addition to exhibition catalogues, his publications include books on Ottoman Turkish carpets, textiles, and ceramics, and articles on miniature painting, architecture and architectural decoration.

Frima Fox Hofrichter is Professor and former Chair of the History of Art and Design department at Pratt Institute. She is author of Judith Leyster, A Dutch Artist in Holland’s Golden Age, which received CAA’s Millard Meiss Publication Fund Award.

Joseph Jacobs is an independent scholar, critic, and art historian of modern art in New York City. He was the curator of modern art at the John and Mable Ringling Museum of Art in Sarasota, Florida, director of the Oklahoma City Art Museum, and curator of American art at The Newark Museum, Newark, New Jersey.

David L. Simon is Jetté Professor of Art at Colby College, where he received the Basset Teaching Award in 2005. Among his publications is the catalogue of Spanish and southern French Romanesque sculpture in the Metropolitan Museum of Art and The Cloisters.

Ann M. Roberts, Professor of Art at Lake Forest College has published essays, articles and reviews on both Northern and Italian Renaissance topics. Her research focuses on women in the Renaissance, and her most recent publication is entitled Dominican Women and Renaissance Art:The Convent of San Domenico of Pisa.

H. W. Janson was a legendary name in art history. During his long career as a teacher and scholar, he helped define the discipline through his impressive books and other publications.

Anthony F. Janson forged a distinguished career as a professor, scholar, museum professional and writer. From the time of his father’s death in 1982 until 2004, he authored History of Art.

出版者:Prentice Hall
作者:Penelope J.E. Davies
出品人:
页数:1152
译者:
出版时间:2010-01-13
价格:USD 152.67
装帧:Hardcover
isbn号码:9780205685172
丛书系列:
图书标签:
  • 艺术史 
  • 艺术 
  • 西方艺术史 
  • Art 
  • 西方美术史 
  • H.W.Janson 
  • 艺术理论 
  • 原版 
  •  
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For courses in the History of Art.

Rewritten and reorganized, this new edition weaves together the most recent scholarship, the most current thinking in art history, and the most innovative online supplements, including digital art library. Experience the new Janson and re-experience the history of art.

Long established as the classic and seminal introduction to art of the Western world, the Eighth Edition of Janson's History of Art is groundbreaking. When Harry Abrams first published the History of Art in 1962, John F. Kennedy occupied the White House, and Andy Warhol was an emerging artist. Janson offered his readers a strong focus on Western art, an important consideration of technique and style, and a clear point of view. The History of Art, said Janson, was not just a stringing together of historically significant objects, but the writing of a story about their interconnections, a history of styles and of stylistic change. Janson’s text focused on the visual and technical characteristics of the objects he discussed, often in extraordinarily eloquent language. Janson’s History of Art helped to establish the canon of art history for many generations of scholars.

The new Eighth Edition, although revised to remain current with new discoveries and scholarship, continues to follow Janson’s lead in important ways: It is limited to the Western tradition, with a chapter on Islamic art and its relationship to Western art. It keeps the focus of the discussion on the object, its manufacture, and its visual character. It considers the contribution of the artist as an important part of the analysis. This edition maintains an organization along the lines established by Janson, with separate chapters on the Northern European Renaissance, the Italian Renaissance, the High Renaissance, and Baroque art, with stylistic divisions for key periods of the modern era. Also embedded in this edition is the narrative of how art has changed over time in the cultures that Europe has claimed as its patrimony.

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欢迎走进詹森经典教材的第七版,之前的版本曾向数代英语学子介绍了艺术史。对于众多教授艺术史入门课的教师而言,詹森这个名字与我们介绍的主题是同义的。1962年普兰蒂斯•霍尔出版公司首次出版《詹森艺术史》时,约翰•F•肯尼迪(John F. Kennedy)仍执掌白宫,而安迪...  

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目前市面上流行的多种艺术史书籍,除了贡布里希的名著《艺术的故事》,实际上都是美国大学的艺术史导论教材。《艺术的故事》是一本适于入门的好书,我却更青睐那些教材。说起来,导论教材的阅读门槛其实与面向大众的普及读本相当,更具学术性又兼顾可读性,且在系统性和严谨性...  

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for/《深圳特区报》 我在研究政治符号的时候,偶然发现用政治眼光审视艺术,是件极为有趣的事情,尤其是在政治讽刺时。比如几年前中日关系紧张时,某网友把带血的卫生巾设计为日本国旗,在展现丰富联想力的同时,也起到了很好的政治宣泄与讽刺作用。不过读毕《詹森艺术史》...  

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听说《加德纳艺术通史》和这本二选一就行,我看了一下两者的目录和导论,觉得前者行文有一种形式上的简洁和理性,但内容略微空洞,容易让人走神,后者看上去比较像中规中矩的加料版历史课本,看着比较习惯,就选择后者。其实也只是西方主流艺术史而已。 古代:体现神话、人体、...  

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本来不想标的.....但大一读完大半本也挺不容易的..目前印象最深的还是提到波提切利的那几页(真·illumination /整个西美通史里面有印象的就是这本和贵校自己的教材…《艺术的故事》过脑无痕.总之这本视野还是足够大的

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本来不想标的.....但大一读完大半本也挺不容易的..目前印象最深的还是提到波提切利的那几页(真·illumination /整个西美通史里面有印象的就是这本和贵校自己的教材…《艺术的故事》过脑无痕.总之这本视野还是足够大的

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这书写得多好啊!!!作为survey非常详尽了!!要是国内能引进出版对国内西方艺术史教育会有很大帮助的

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看得匆匆,不敢评论

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本来不想标的.....但大一读完大半本也挺不容易的..目前印象最深的还是提到波提切利的那几页(真·illumination /整个西美通史里面有印象的就是这本和贵校自己的教材…《艺术的故事》过脑无痕.总之这本视野还是足够大的

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