BY MARK TWAIN Dork CHARLES L. WEBSTER CG, 1892 Copyright, 1892, CHARLES JU WEBSTER CO. All rights reserved. Ws it MttMWVV, MV, vrwiv EDITORS NOTE. THE projector of this Series has had in mind the evident desire of our people, largely occupied with mate rial affairs, for reading in a shape adapted to the amount of time at their disposal. Until recently this desire has been satisfied chiefly from foreign sources. Many re prints and translations of the little classics of other literatures than our own have been made, and much good has been done in this way. On the other hand, a great deal of rubbish has been distributed in the same fashion, to the undoubted injury of our popular taste. Now that a reasonable copyright law allows the pub lication of the better class of native literature at mod erate prices, it has seemed fitting that these volumes should consist mainly of works by American writers. As its title indicates, the Fiction, Fact, and Fancy Series will include not only fiction and poetry, but such essays, monographs, and biographical sketches as may appear, from time to time, to be called for. To no writer can the term American more justly be applied than to the humorist whose Merry Tales are here presented. It was in an effort to devise some novel method of bringing these stories, new and vi EDITORS NOTE. old, before the public, that this Series had its origin. But, aside from this, those among us who can gather figs of thistles are so few in number as to make their presence eminently desirable. NEW YORK, March, 1892. Acknffivkdgment should be made to the Century Com pany, and to Messrs. Harper L Brothers, for kind per mission to reprint several of these stories from the c v turyand Harpers Magazine CONTENTS. PAGE THE PRIVATE HISTORY OF A CAMPAIGN THAT FAILED, 9 THE INVALIDS STORY, 51 LUCK 66 THE CAPTAINS STORY, 76 A CURIOUS EXPERIENCE, 85 MRS. Me WILLIAMS AND THE LIGHTNING, . . 144 MEISTERSCHAFT, 161 MERRY TALES. THE PRIVATE HISTORY OF A CAM PAIGN THAT FAILED. YOU have heard from a great many people who did something-in the war is it not fair and right that you listen a little moment to one who started out to do something in it, but didnt Thousands entered the war, got just a taste of it, and then stepped out again, permanently. These, by their very numbers, are respectable, and are therefore entitled to a sort of voice, not a loud one, but a modest one not a boastful one, but an apologetic one. They ought not to be allowed much space among better people people who did some thing I grant that but they ought at least to be allowed to state why they didnt do any thing, and also to explain the process by which they didnt do anything. Surely this kind of light must have a sort of value. 10 THE PRIVATE HISTORY OF Out West there was a good deal of confusion in mens minds during the first months of the great trouble --a good deal of unsettledness, of leaning first this way, then that, then the other way. It was hard for us to get our bearings. I call to mind an instance of this. I was piloting on the Mississippi when the news came that South Carolina had gone out of the Union on the 2Oth of December, 1860. My pilot-mate was a New Yorker. He was strong for the Union so was I. But he would not listen to me with any patience my loyalty was smirched, to his eye, because my father had owned slaves. I said, in palliation of this dark fact, that I had heard my father say, some years before he died, that slavery was a great wrong, and that he would free the solitary ne gro he then owned if he could think it ri ht to give away the property of the family when he was so straitened in moans. My mate retorted that a mere impulse was nothing anybody could pretend to a good impulse and ent on decrying my Unionism and libeling my ances try. A month later the secession atmosphere A CAMPAIGN THAT FAILED. II had considerably thickened on the Lower Mis sissippi, and I became a rebel so did he...
这本书的叙事节奏简直像夏日午后那阵突如其来的雷阵雨,让人措手不及却又无比畅快淋漓。作者对细节的捕捉能力令人称奇,哪怕是最微小的场景转换,笔触都细腻得仿佛能触摸到实物。我特别喜欢主人公那种在看似平凡的生活中,总能挖掘出不寻常的哲思的能力,那种抽丝剥茧的思考过程,不像有些作品那样故作高深,而是自然而然地流淌出来,仿佛是你自己突然顿悟了一般。书中对于人物内心矛盾的刻画更是入木三分,那种挣扎、犹豫、最终做出决定的复杂心绪,让人忍不住拍案叫绝。它不像那种一眼就能望到底的流水账,而是像一个精心编织的迷宫,你以为已经找到了出口,结果却发现进入了更深层次的意境之中。读到后半段,我甚至开始对自己的生活方式产生反思,这种文学作品带来的“副作用”——促使读者去审视自身——才是它真正的价值所在。那种阅读后的回味悠长感,让人在放下书本许久之后,依然能清晰地捕捉到书中那些鲜活的画面和掷地有声的对白。
评分这本书的文字功力,老实说,初看时有些让人望而却步,因为它采用了大量古典的、带有强烈地方色彩的词汇和句式,仿佛是直接从泛黄的旧信件中抄录下来的。起初我需要频繁地停下来查阅生僻字和不常见的俚语,这无疑打断了阅读的流畅性。然而,一旦你适应了这种独特的语境和节奏,你会发现这正是作者构建其世界观的基石。那些看似晦涩的表达,实际上蕴含着深厚的文化底蕴和地域风情,将故事背景烘托得无比真实可信。它不是那种快餐式的、追求即时满足的文学产品,它更像是一坛需要时间去慢慢品味的陈年老酒,初尝可能辛辣,但回甘却极其醇厚。特别是书中对自然环境的描写,简直达到了诗意的巅峰,那些关于风声、雨声、光影变幻的文字组合在一起,形成了一种近乎催眠的韵律感,让人仿佛真的置身于那个遥远而又充满魅力的故事发生地,呼吸着那里的空气。
评分我必须坦诚,这本书的结构安排非常大胆,甚至可以说有些反传统。它没有采用清晰的时间线索或者传统的三幕剧结构,而是像一幅被打散又重新拼凑起来的马赛克画,需要读者主动去填充空白,去梳理人物关系和事件的因果。这种阅读体验充满了挑战性,但也带来了极大的智力上的愉悦。你必须时刻保持警觉,将散落在各处的线索串联起来,当最终拼凑出完整的画面时,那种成就感是无与伦比的。书中某些角色的动机处理得极为模糊和暧昧,这使得读者无法轻易地下判断,必须从多个角度去审视他们的行为,这无疑拓宽了我们对人性复杂性的理解。它拒绝提供标准答案,而是将阐释的权利完全交给了读者,这是一种非常尊重读者的创作态度,但也意味着,如果读者期待一个平铺直叙、所有问题都有明确解答的故事,可能会感到困惑和挫败。
评分我得说,这本书的意境是极其高远的,它似乎在探讨一些形而上的问题,比如记忆的本质、时间的不可逆性,以及“真实”究竟是什么。它不像一本小说,更像是一场精心设计的哲学辩论,只不过它的论据和论证过程是通过虚构的人物和事件来展现的。全书弥漫着一种挥之不去的疏离感和宿命感,角色们似乎都在被一股无形的力量推动着,他们的每一次选择都像是在重复着古老的、无法逃脱的模式。这种深刻的悲剧感并非来自外部的灾难,而是源于人类精神内核的某种永恒困境。阅读过程中,我常常会停下来,不是因为不理解,而是因为需要时间去消化那些巨大的、关于存在的思考。它不是用来放松的读物,而更像是一次严肃的智力与精神上的远足,虽然过程艰辛,但抵达终点时,视野的开阔是无与伦比的。
评分这本书最让我感到震撼的,是它对“边缘人物”的刻画达到了前所未有的深度和同情心。它聚焦于那些在社会主流叙事中常常被忽略、被边缘化的群体,用一种近乎冷酷的客观性去记录他们的生存状态,但字里行间又流露出对他们命运无声的叹息。作者的笔触是克制的,没有滥用煽情的词句去博取廉价的同情,而是通过详实的生活细节和他们自己压抑的内心独白,让读者自己去感受那种无声的悲凉。特别是书中几段关于“等待”的场景描写,那种漫长、无望却又不得不坚持下去的状态,被刻画得入骨三分,让人在阅读时呼吸都变得沉重起来。它成功地将一个宏大的社会议题,通过一个个微小个体的破碎命运展现出来,这种由小见大的叙事手法,比任何宏大叙事都更有力量,它不动声色地刺痛了读者的良知。
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