Fu Shan's World

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Associate Professor; Asian/Chinese Art. B.A., Peking University; M.A. Peking University; Rutgers University; Yale University; M. Phil. Yale University; Ph.D. Yale University.

出版者:Harvard University Asia Center
作者:Qianshen Bai
出品人:
页数:368
译者:
出版时间:2003-6-30
价格:USD 60.00
装帧:Hardcover
isbn号码:9780674010925
丛书系列:
图书标签:
  • 白谦慎 
  • 艺术史 
  • 傅山 
  • 书法 
  • ChineseArt 
  • 书画 
  • English 
  •  
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For 1,300 years, Chinese calligraphy was based on the elegant art of Wang Xizhi (AD303-361). But the 17th-century emergence of a style modelled on the rough, broken epigraphs of ancient bronzes and stone artifacts brought a revolution in calligraphic taste. By the 18th century, this led to the formation of the stele school of calligraphy, which continues to shape Chinese calligraphy today. A dominant force in this school was the eminent calligrapher and art theorist Fu Shan (1607-1685). Because his work spans the late Ming-early Qing divide, it is an ideal prism through which to view the transformation in calligraphy. Rather than seek a single explanation for the change in calligraphic taste, the author demonstrates and analyzes the heterogeneity of the cultural, social and political processes behind it. Among other subjects, the book covers late Ming interaction between high and low culture; the role of publishing, the Ming loyalist response to the Qing; and early Qing changes in intellectual discourse. In addition to the usual approach of art historians, it adopts the theoretical perspectives of such fields as material culture, print culture, and social and intellectual history.

具体描述

读后感

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很早以前就一直听人谈论这本书,因为最近自己也在做明末清初文化史的论文,所以找来看一下。 这本书的中心论点是:清代的碑学书法不仅仅是起源于当时的金石学,而有傅山所继承的晚明尚奇风气下的异体字书法这一远源。是不是很像余英时的《论戴震与章学诚》?应该如此,他们都是...  

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From Philosophy to Philology将思想史与社会史结合起来,探讨宋明理学向清初考据学变迁的过程。与此相似,《傅山的世界》也是在几重维度中考察一个学者书法家的人生:1)从书法史而言,17-18世纪自王羲之以降的帖学传统被碑学取代;2)自思想史而言,清初考据大行,金石文字...  

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《傅山的世界——十七世纪中国书法的嬗变》的我一直没有勇气读的一本书,尽管学习美术史多年,但一涉及书法我就挠头。每次在展览中看见傅山的大轴章草,我总是以不懂为由,心安理得地跑来。而年龄的增长和写论文的紧迫需要促使我下定决心在今年寒假里读了白谦慎先生的这本书...  

评分

很早以前就一直听人谈论这本书,因为最近自己也在做明末清初文化史的论文,所以找来看一下。 这本书的中心论点是:清代的碑学书法不仅仅是起源于当时的金石学,而有傅山所继承的晚明尚奇风气下的异体字书法这一远源。是不是很像余英时的《论戴震与章学诚》?应该如此,他们都是...  

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字如其人 ——读《傅山的世界》小记 “字如其人”现在并不常说,因为电脑普及,人人用标准的宋体与楷体,字必不如其人,否则将成为机器人。日常交流的写字,好看与否,也许并非重要到字须与人相配合的地步。我周围常有堂堂挺立男生,做事做人皆受人称赞,但字如蝇头乱撞;...  

用户评价

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first chapter is very smooth

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first chapter is very smooth

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Fu Shan's era was replete with devastation and reconstruction, mixed with the past, the present, the exotic and the ingenuous...His calligraphy was the most creative at his time, epitomizing the zeitgeist of tumult and hodgepodge

评分

first chapter is very smooth

评分

Fu Shan's era was replete with devastation and reconstruction, mixed with the past, the present, the exotic and the ingenuous...His calligraphy was the most creative at his time, epitomizing the zeitgeist of tumult and hodgepodge

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