Fu Shan's World

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出版者:Harvard University Asia Center
作者:Qianshen Bai
出品人:
页数:368
译者:
出版时间:2003-6-30
价格:USD 60.00
装帧:Hardcover
isbn号码:9780674010925
丛书系列:
图书标签:
  • 白谦慎
  • 艺术史
  • 傅山
  • 书法
  • ChineseArt
  • 书画
  • English
  • 傅山
  • 清代文学
  • 中国古典文学
  • 诗歌
  • 散文
  • 书法
  • 绘画
  • 金石
  • 文学史
  • 文化史
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具体描述

For 1,300 years, Chinese calligraphy was based on the elegant art of Wang Xizhi (AD303-361). But the 17th-century emergence of a style modelled on the rough, broken epigraphs of ancient bronzes and stone artifacts brought a revolution in calligraphic taste. By the 18th century, this led to the formation of the stele school of calligraphy, which continues to shape Chinese calligraphy today. A dominant force in this school was the eminent calligrapher and art theorist Fu Shan (1607-1685). Because his work spans the late Ming-early Qing divide, it is an ideal prism through which to view the transformation in calligraphy. Rather than seek a single explanation for the change in calligraphic taste, the author demonstrates and analyzes the heterogeneity of the cultural, social and political processes behind it. Among other subjects, the book covers late Ming interaction between high and low culture; the role of publishing, the Ming loyalist response to the Qing; and early Qing changes in intellectual discourse. In addition to the usual approach of art historians, it adopts the theoretical perspectives of such fields as material culture, print culture, and social and intellectual history.

作者简介

Associate Professor; Asian/Chinese Art. B.A., Peking University; M.A. Peking University; Rutgers University; Yale University; M. Phil. Yale University; Ph.D. Yale University.

目录信息

Illustrations
Calligraphy Terms and Chinese Names
Introduction
1. Late Ming Culture and Fu Shan’s Early Life
2. Fu Shan’s Life and Calligraphy in the Early Years of the Manchu Conquest
3. New Intellectual Tendencies and Fu Shan’s Advocacy of Epigraphical Calligraphy
4. Calligraphy and the Changing Intellectual Landscape
Epilogue
Notes
Works Cited
Character List
Index
· · · · · · (收起)

读后感

评分

三联新版“精装”白谦慎《傅山的世界》是一本伪精装,内中没有彩页,装订也颇不得法,一入手便有脱胶的现象,排版也欠疏朗,纸质也非常一般,和张充和那册没法比,实在有负精装的外表。 封面材质上太硬,反不如以前平装本有质感。 旧著重版,应该至少在装帧上下点功夫呀。 而注...  

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白谦慎:《傅山的世界》的写作、出版机缘 《 中华读书报 》( 2013年05月01日 14 版) 艺术史在中国是一个很年轻、也颇有特殊性的学科。也因其年轻,而大有可为。《傅山的世界》的研究、写作、出版过程,多遇贵人,也抓住了一些可遇不可求的机会。 文革后期,艺术...  

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字如其人 ——读《傅山的世界》小记 “字如其人”现在并不常说,因为电脑普及,人人用标准的宋体与楷体,字必不如其人,否则将成为机器人。日常交流的写字,好看与否,也许并非重要到字须与人相配合的地步。我周围常有堂堂挺立男生,做事做人皆受人称赞,但字如蝇头乱撞;...  

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寧拙勿巧,寧丑勿媚,寧支離勿輕滑,寧直率勿安排。這是傅山的書法美學觀。這個觀點在十七世紀無疑是太超前了,即便是現在,能欣賞傅山《薔盧妙翰》中支離的楷書部份的人估計也不多。我自己也不太能欣賞傅山這類有著實驗性傾向的藝術作品,特別是他故意寫一些沒幾個人認識的異...  

用户评价

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Fu Shan's era was replete with devastation and reconstruction, mixed with the past, the present, the exotic and the ingenuous...His calligraphy was the most creative at his time, epitomizing the zeitgeist of tumult and hodgepodge

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first chapter is very smooth

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Fu Shan's era was replete with devastation and reconstruction, mixed with the past, the present, the exotic and the ingenuous...His calligraphy was the most creative at his time, epitomizing the zeitgeist of tumult and hodgepodge

评分

first chapter is very smooth

评分

Fu Shan's era was replete with devastation and reconstruction, mixed with the past, the present, the exotic and the ingenuous...His calligraphy was the most creative at his time, epitomizing the zeitgeist of tumult and hodgepodge

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