具体描述
For 1,300 years, Chinese calligraphy was based on the elegant art of Wang Xizhi (AD303-361). But the 17th-century emergence of a style modelled on the rough, broken epigraphs of ancient bronzes and stone artifacts brought a revolution in calligraphic taste. By the 18th century, this led to the formation of the stele school of calligraphy, which continues to shape Chinese calligraphy today. A dominant force in this school was the eminent calligrapher and art theorist Fu Shan (1607-1685). Because his work spans the late Ming-early Qing divide, it is an ideal prism through which to view the transformation in calligraphy. Rather than seek a single explanation for the change in calligraphic taste, the author demonstrates and analyzes the heterogeneity of the cultural, social and political processes behind it. Among other subjects, the book covers late Ming interaction between high and low culture; the role of publishing, the Ming loyalist response to the Qing; and early Qing changes in intellectual discourse. In addition to the usual approach of art historians, it adopts the theoretical perspectives of such fields as material culture, print culture, and social and intellectual history.
作者简介
Associate Professor; Asian/Chinese Art. B.A., Peking University; M.A. Peking University; Rutgers University; Yale University; M. Phil. Yale University; Ph.D. Yale University.
目录信息
Calligraphy Terms and Chinese Names
Introduction
1. Late Ming Culture and Fu Shan’s Early Life
2. Fu Shan’s Life and Calligraphy in the Early Years of the Manchu Conquest
3. New Intellectual Tendencies and Fu Shan’s Advocacy of Epigraphical Calligraphy
4. Calligraphy and the Changing Intellectual Landscape
Epilogue
Notes
Works Cited
Character List
Index
· · · · · · (收起)
读后感
字如其人 ——读《傅山的世界》小记 “字如其人”现在并不常说，因为电脑普及，人人用标准的宋体与楷体，字必不如其人，否则将成为机器人。日常交流的写字，好看与否，也许并非重要到字须与人相配合的地步。我周围常有堂堂挺立男生，做事做人皆受人称赞，但字如蝇头乱撞；...
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评分——复古型文化 用我的家乡话说，傅山成熟期那些杂书卷册，如《啬庐妙翰》（P162—167），就是“怪打巫式”的，属于一个衰乱时代的风骚。虽然作者借助傅山其人放大“帖学独尊向碑帖并存转变”的书史结构转型，或者“碑学成长壮大历程”这一艺术生长机制...
评分寧拙勿巧，寧丑勿媚，寧支離勿輕滑，寧直率勿安排。這是傅山的書法美學觀。這個觀點在十七世紀無疑是太超前了，即便是現在，能欣賞傅山《薔盧妙翰》中支離的楷書部份的人估計也不多。我自己也不太能欣賞傅山這類有著實驗性傾向的藝術作品，特別是他故意寫一些沒幾個人認識的異...
评分碑林公园镇楼 ——傅山碑林 《晋祠演绎（划掉）故事》里唯一活着时就封了神的男人 活着时就是个传奇 在双塔的庇护下，空前绝后 对儿子的记载真是....哎，傲娇老父啊.... 篆隶笔意还可以在傅山存世的最后一件作品中见到。这件作品是傅山为哀悼儿子傅眉所书。傅眉死于1684年二月...
用户评价
Fu Shan's era was replete with devastation and reconstruction, mixed with the past, the present, the exotic and the ingenuous...His calligraphy was the most creative at his time, epitomizing the zeitgeist of tumult and hodgepodge
评分first chapter is very smooth
评分first chapter is very smooth
评分first chapter is very smooth
评分first chapter is very smooth
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