Fu Shan's World

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Associate Professor; Asian/Chinese Art. B.A., Peking University; M.A. Peking University; Rutgers University; Yale University; M. Phil. Yale University; Ph.D. Yale University.

出版者:Harvard University Asia Center
作者:Qianshen Bai
出品人:
页数:368
译者:
出版时间:2003-6-30
价格:USD 60.00
装帧:Hardcover
isbn号码:9780674010925
丛书系列:
图书标签:
  • 白谦慎 
  • 艺术史 
  • 傅山 
  • 书法 
  • ChineseArt 
  • 书画 
  • English 
  •  
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For 1,300 years, Chinese calligraphy was based on the elegant art of Wang Xizhi (AD303-361). But the 17th-century emergence of a style modelled on the rough, broken epigraphs of ancient bronzes and stone artifacts brought a revolution in calligraphic taste. By the 18th century, this led to the formation of the stele school of calligraphy, which continues to shape Chinese calligraphy today. A dominant force in this school was the eminent calligrapher and art theorist Fu Shan (1607-1685). Because his work spans the late Ming-early Qing divide, it is an ideal prism through which to view the transformation in calligraphy. Rather than seek a single explanation for the change in calligraphic taste, the author demonstrates and analyzes the heterogeneity of the cultural, social and political processes behind it. Among other subjects, the book covers late Ming interaction between high and low culture; the role of publishing, the Ming loyalist response to the Qing; and early Qing changes in intellectual discourse. In addition to the usual approach of art historians, it adopts the theoretical perspectives of such fields as material culture, print culture, and social and intellectual history.

具体描述

读后感

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傅山傅青主生于明末,到现在都还是个传奇。梁羽生、徐克告诉我们,傅青主是终南派的大侠,是抗清志士;在医学上,傅青主则是妇科大夫,而且是很有名气的那种。另外,他还是一位书画派,小品文也很棒。“傅山的世界”的确很复杂,也很有意思。 白谦慎教授的简历上有“1982年...  

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三联新版“精装”白谦慎《傅山的世界》是一本伪精装,内中没有彩页,装订也颇不得法,一入手便有脱胶的现象,排版也欠疏朗,纸质也非常一般,和张充和那册没法比,实在有负精装的外表。 封面材质上太硬,反不如以前平装本有质感。 旧著重版,应该至少在装帧上下点功夫呀。 而注...  

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晚明是一个商品经济急剧扩张(美洲白银大量流入我国以及白银的货币化)、思想与宗教生活走向开放(三教合流,王学末流走向“狂禅”以及耶稣会士来华带来的西方科技)、城市文化繁荣、社会阶层的界线浮动消融的时代。社会巨变促成了一个蓬勃多元的文化环境。伴随经济成长而来的...  

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在翻开《傅山的世界》前,我非常担心这样一本涉及书法史的书会不会过于艰涩而无法一气读完,可非常出乎意料的是,我花了两天通读了一遍,其中有几个章节我看了两三遍,如尚“奇”的明清美学、董其昌和晚明书家、颜真卿的感召力、支离和拙丑,不可否认这些章节写得非常精彩,让...  

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——复古型文化 用我的家乡话说,傅山成熟期那些杂书卷册,如《啬庐妙翰》(P162—167),就是“怪打巫式”的,属于一个衰乱时代的风骚。虽然作者借助傅山其人放大“帖学独尊向碑帖并存转变”的书史结构转型,或者“碑学成长壮大历程”这一艺术生长机制...  

用户评价

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first chapter is very smooth

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Fu Shan's era was replete with devastation and reconstruction, mixed with the past, the present, the exotic and the ingenuous...His calligraphy was the most creative at his time, epitomizing the zeitgeist of tumult and hodgepodge

评分

first chapter is very smooth

评分

first chapter is very smooth

评分

Fu Shan's era was replete with devastation and reconstruction, mixed with the past, the present, the exotic and the ingenuous...His calligraphy was the most creative at his time, epitomizing the zeitgeist of tumult and hodgepodge

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