Fu Shan's World

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Associate Professor; Asian/Chinese Art. B.A., Peking University; M.A. Peking University; Rutgers University; Yale University; M. Phil. Yale University; Ph.D. Yale University.

出版者:Harvard University Asia Center
作者:Qianshen Bai
出品人:
页数:368
译者:
出版时间:2003-6-30
价格:USD 60.00
装帧:Hardcover
isbn号码:9780674010925
丛书系列:
图书标签:
  • 白谦慎 
  • 艺术史 
  • 傅山 
  • 书法 
  • ChineseArt 
  • 书画 
  • English 
  •  
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For 1,300 years, Chinese calligraphy was based on the elegant art of Wang Xizhi (AD303-361). But the 17th-century emergence of a style modelled on the rough, broken epigraphs of ancient bronzes and stone artifacts brought a revolution in calligraphic taste. By the 18th century, this led to the formation of the stele school of calligraphy, which continues to shape Chinese calligraphy today. A dominant force in this school was the eminent calligrapher and art theorist Fu Shan (1607-1685). Because his work spans the late Ming-early Qing divide, it is an ideal prism through which to view the transformation in calligraphy. Rather than seek a single explanation for the change in calligraphic taste, the author demonstrates and analyzes the heterogeneity of the cultural, social and political processes behind it. Among other subjects, the book covers late Ming interaction between high and low culture; the role of publishing, the Ming loyalist response to the Qing; and early Qing changes in intellectual discourse. In addition to the usual approach of art historians, it adopts the theoretical perspectives of such fields as material culture, print culture, and social and intellectual history.

具体描述

读后感

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碑林公园镇楼 ——傅山碑林 《晋祠演绎(划掉)故事》里唯一活着时就封了神的男人 活着时就是个传奇 在双塔的庇护下,空前绝后 对儿子的记载真是....哎,傲娇老父啊.... 篆隶笔意还可以在傅山存世的最后一件作品中见到。这件作品是傅山为哀悼儿子傅眉所书。傅眉死于1684年二月...  

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傅山傅青主生于明末,到现在都还是个传奇。梁羽生、徐克告诉我们,傅青主是终南派的大侠,是抗清志士;在医学上,傅青主则是妇科大夫,而且是很有名气的那种。另外,他还是一位书画派,小品文也很棒。“傅山的世界”的确很复杂,也很有意思。 白谦慎教授的简历上有“1982年...  

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《傅山的世界》看完,之前被美美的封面和插图晃瞎了狗眼,细读发现还是论文。从环境去读字是个好方向,只是白谦慎究竟是念政治出身,对于当时代横向的联系研究的细而精,然而忽略纵向的思想史,好比他一再强调的晚明尚“奇”对傅山所谓宁拙毋巧,宁丑毋媚,宁支离毋轻滑的书法...  

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很早以前就一直听人谈论这本书,因为最近自己也在做明末清初文化史的论文,所以找来看一下。 这本书的中心论点是:清代的碑学书法不仅仅是起源于当时的金石学,而有傅山所继承的晚明尚奇风气下的异体字书法这一远源。是不是很像余英时的《论戴震与章学诚》?应该如此,他们都是...  

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三联新版“精装”白谦慎《傅山的世界》是一本伪精装,内中没有彩页,装订也颇不得法,一入手便有脱胶的现象,排版也欠疏朗,纸质也非常一般,和张充和那册没法比,实在有负精装的外表。 封面材质上太硬,反不如以前平装本有质感。 旧著重版,应该至少在装帧上下点功夫呀。 而注...  

用户评价

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Fu Shan's era was replete with devastation and reconstruction, mixed with the past, the present, the exotic and the ingenuous...His calligraphy was the most creative at his time, epitomizing the zeitgeist of tumult and hodgepodge

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Fu Shan's era was replete with devastation and reconstruction, mixed with the past, the present, the exotic and the ingenuous...His calligraphy was the most creative at his time, epitomizing the zeitgeist of tumult and hodgepodge

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first chapter is very smooth

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Fu Shan's era was replete with devastation and reconstruction, mixed with the past, the present, the exotic and the ingenuous...His calligraphy was the most creative at his time, epitomizing the zeitgeist of tumult and hodgepodge

评分

Fu Shan's era was replete with devastation and reconstruction, mixed with the past, the present, the exotic and the ingenuous...His calligraphy was the most creative at his time, epitomizing the zeitgeist of tumult and hodgepodge

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