Fu Shan's World 在線電子書 pdf 下載 txt下載 epub 下載 mobi 下載 2025

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Qianshen Bai 作者

Harvard University Asia Center

譯者

2003-6-30 出版日期

368 頁數

USD 60.00 價格

Hardcover

叢書系列

9780674010925 圖書編碼

Fu Shan's World 在線電子書圖書標籤: 白謙慎藝術史傅山書法 ChineseArt 書畫 English

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發表於2025-04-27

Fu Shan's World 在線電子書 epub 下載 mobi 下載 pdf 下載 txt 下載 2025

Fu Shan's World 在線電子書 epub 下載 pdf 下載 mobi 下載 txt 下載 2025

Fu Shan's World 在線電子書 pdf 下載 txt下載 epub 下載 mobi 下載 2025

Fu Shan's World 在線電子書用戶評價

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Fu Shan's era was replete with devastation and reconstruction, mixed with the past, the present, the exotic and the ingenuous...His calligraphy was the most creative at his time, epitomizing the zeitgeist of tumult and hodgepodge

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first chapter is very smooth

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Fu Shan's World 在線電子書著者簡介

Associate Professor; Asian/Chinese Art. B.A., Peking University; M.A. Peking University; Rutgers University; Yale University; M. Phil. Yale University; Ph.D. Yale University.

Fu Shan's World 在線電子書著者簡介

Fu Shan's World 在線電子書 pdf 下載 txt下載 epub 下載 mobi 在線電子書下載

Fu Shan's World 在線電子書圖書描述

For 1,300 years, Chinese calligraphy was based on the elegant art of Wang Xizhi (AD303-361). But the 17th-century emergence of a style modelled on the rough, broken epigraphs of ancient bronzes and stone artifacts brought a revolution in calligraphic taste. By the 18th century, this led to the formation of the stele school of calligraphy, which continues to shape Chinese calligraphy today. A dominant force in this school was the eminent calligrapher and art theorist Fu Shan (1607-1685). Because his work spans the late Ming-early Qing divide, it is an ideal prism through which to view the transformation in calligraphy. Rather than seek a single explanation for the change in calligraphic taste, the author demonstrates and analyzes the heterogeneity of the cultural, social and political processes behind it. Among other subjects, the book covers late Ming interaction between high and low culture; the role of publishing, the Ming loyalist response to the Qing; and early Qing changes in intellectual discourse. In addition to the usual approach of art historians, it adopts the theoretical perspectives of such fields as material culture, print culture, and social and intellectual history.

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