Total Modernity and the Avant-Garde in Twentieth-Century Chinese Art 在线电子书 pdf 下载 txt下载 epub 下载 mobi 下载 2024

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Minglu Gao 作者

The MIT Press

译者

2011-4-29 出版日期

424 页数

USD 39.95 价格

Hardcover

丛书系列

9780262014946 图书编码

Total Modernity and the Avant-Garde in Twentieth-Century Chinese Art 在线电子书图书标签: 高名潞艺术史当代艺术中国艺术海外中国研究 VisualCulture Chinese_studies

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Total Modernity and the Avant-Garde in Twentieth-Century Chinese Art 在线电子书 epub 下载 mobi 下载 pdf 下载 txt 下载 2024

Total Modernity and the Avant-Garde in Twentieth-Century Chinese Art 在线电子书 pdf 下载 txt下载 epub 下载 mobi 下载 2024

Total Modernity and the Avant-Garde in Twentieth-Century Chinese Art 在线电子书用户评价

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Arthistory Contemporary

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大佬的书，英文的不如中文。按效率算，要看大佬，《墙》要好些。吕澎的1979年以后的中国艺术史比大佬的书要详尽一些。大佬更注重梳理各种现象和背后的观念，而不是具体作品的欣赏。

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这学期上了作者本人教的中国当代艺术课，此书作为前半学期的教材外加《墙》。从新文化运动作为起始点逐一梳理这一百余年的艺术变革：鲁迅推动的版画运动，川派伤痕艺术，厦门达达，八五新潮和池社，公寓艺术等等。按时间顺序解读通俗易懂，从艺术史的角度过了遍中国近代史还是蛮有意思的。

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pitt prof.

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Arthistory Contemporary

Total Modernity and the Avant-Garde in Twentieth-Century Chinese Art 在线电子书著者简介

Total Modernity and the Avant-Garde in Twentieth-Century Chinese Art 在线电子书图书目录

Total Modernity and the Avant-Garde in Twentieth-Century Chinese Art 在线电子书 pdf 下载 txt下载 epub 下载 mobi 在线电子书下载

Total Modernity and the Avant-Garde in Twentieth-Century Chinese Art 在线电子书图书描述

To the extent that Chinese contemporary art has become a global phenomenon, it is largely through the groundbreaking exhibitions curated by Gao Minglu: "China/Avant-Garde" (Beijing, 1989), "InsideOut: New Chinese Art" (Asia Society, New York, 1998), and "TheWall: Reshaping Contemporary Chinese Art" (Albright-Knox Art Gallery,2005) among them. As the first Chinese writer to articulate a distinctively Chinese avant-gardism and modernity -- one notdefined by Western chronology or formalism -- Gao Minglu is largelyresponsible for the visibility of Chinese art in the global art scene today. Contemporary Chinese artists tend to navigate between extremes, either embracing or rejecting a rich classical tradition. Indeed, for Chinese artists, the term "modernity" refers not to a new epoch or aesthetic but to a new nation -- modernityinextricably connects politics to art. It is this notion of "totalmodernity" that forms the foundation of the Chinese avant-gardeaesthetic, and of this book. Gao examines the many ways Chineseartists engaged withthis intrinsic total modernity, including the '85 Movement, politicalpop, cynical realism, apartment art,maximalism, and the museum age, encompassing the emergenceof local art museums and organizations as well as such major events as theShanghai Biennial. He describes the inner logic of the Chinese context whilelocating the art within the framework of a worldwide avant-garde. He vividlydescribes the Chinese avant-garde's embrace of a modernity that unifiespolitics, aesthetics, and social life, blurring the boundaries betweenabstraction, conception, and representation. Lavishly illustrated with colorimages throughout, this book will be a touchstone for all considerations ofChinese contemporary art.

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