Total Modernity and the Avant-Garde in Twentieth-Century Chinese Art 在線電子書 pdf 下載 txt下載 epub 下載 mobi 下載 2024

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Minglu Gao 作者

The MIT Press

譯者

2011-4-29 出版日期

424 頁數

USD 39.95 價格

Hardcover

叢書系列

9780262014946 圖書編碼

Total Modernity and the Avant-Garde in Twentieth-Century Chinese Art 在線電子書圖書標籤: 高名潞藝術史當代藝術中國藝術海外中國研究 VisualCulture Chinese_studies

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發表於2024-11-25

Total Modernity and the Avant-Garde in Twentieth-Century Chinese Art 在線電子書 epub 下載 mobi 下載 pdf 下載 txt 下載 2024

Total Modernity and the Avant-Garde in Twentieth-Century Chinese Art 在線電子書 epub 下載 pdf 下載 mobi 下載 txt 下載 2024

Total Modernity and the Avant-Garde in Twentieth-Century Chinese Art 在線電子書 pdf 下載 txt下載 epub 下載 mobi 下載 2024

Total Modernity and the Avant-Garde in Twentieth-Century Chinese Art 在線電子書用戶評價

評分☆☆☆☆☆

大佬的書，英文的不如中文。按效率算，要看大佬，《牆》要好些。呂澎的1979年以後的中國藝術史比大佬的書要詳盡一些。大佬更注重梳理各種現象和背後的觀念，而不是具體作品的欣賞。

評分☆☆☆☆☆

這學期上瞭作者本人教的中國當代藝術課，此書作為前半學期的教材外加《牆》。從新文化運動作為起始點逐一梳理這一百餘年的藝術變革：魯迅推動的版畫運動，川派傷痕藝術，廈門達達，八五新潮和池社，公寓藝術等等。按時間順序解讀通俗易懂，從藝術史的角度過瞭遍中國近代史還是蠻有意思的。

評分☆☆☆☆☆

前先鋒藝術與革命藝術；傷痕到學院審美派、業餘先鋒藝術傢；八五新潮的區域梳理；禪宗與觀念藝術、達達主義的結閤；後八五時代，政治波普主義、玩世現實主義；理性主義到極多主義的轉變。

評分☆☆☆☆☆

Total Modernity and the Avant-Garde in Twentieth-Century Chinese Art 在線電子書著者簡介

Total Modernity and the Avant-Garde in Twentieth-Century Chinese Art 在線電子書 pdf 下載 txt下載 epub 下載 mobi 在線電子書下載

Total Modernity and the Avant-Garde in Twentieth-Century Chinese Art 在線電子書圖書描述

To the extent that Chinese contemporary art has become a global phenomenon, it is largely through the groundbreaking exhibitions curated by Gao Minglu: "China/Avant-Garde" (Beijing, 1989), "InsideOut: New Chinese Art" (Asia Society, New York, 1998), and "TheWall: Reshaping Contemporary Chinese Art" (Albright-Knox Art Gallery,2005) among them. As the first Chinese writer to articulate a distinctively Chinese avant-gardism and modernity -- one notdefined by Western chronology or formalism -- Gao Minglu is largelyresponsible for the visibility of Chinese art in the global art scene today. Contemporary Chinese artists tend to navigate between extremes, either embracing or rejecting a rich classical tradition. Indeed, for Chinese artists, the term "modernity" refers not to a new epoch or aesthetic but to a new nation -- modernityinextricably connects politics to art. It is this notion of "totalmodernity" that forms the foundation of the Chinese avant-gardeaesthetic, and of this book. Gao examines the many ways Chineseartists engaged withthis intrinsic total modernity, including the '85 Movement, politicalpop, cynical realism, apartment art,maximalism, and the museum age, encompassing the emergenceof local art museums and organizations as well as such major events as theShanghai Biennial. He describes the inner logic of the Chinese context whilelocating the art within the framework of a worldwide avant-garde. He vividlydescribes the Chinese avant-garde's embrace of a modernity that unifiespolitics, aesthetics, and social life, blurring the boundaries betweenabstraction, conception, and representation. Lavishly illustrated with colorimages throughout, this book will be a touchstone for all considerations ofChinese contemporary art.

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