奧爾罕·帕慕剋(Orhan Pamuk, 1952- ),當代歐洲最傑齣的小說傢之一,享譽國際的土耳其文學巨擘。齣生於伊斯坦布爾,曾在伊斯坦布爾科技技大學主修建築。2006年獲諾貝文學奬,作品已經被譯為40多種語言齣版。
From the acclaimed author of My Name Is Red (“a sumptuous thriller”–John Updike; “chockful of sublimity and sin”– New York Times Book Review ), comes a spellbinding tale of disparate yearnings–for love, art, power, and God–set in a remote Turkish town, where stirrings of political Islamism threaten to unravel the secular order.
Following years of lonely political exile in Western Europe, Ka, a middle-aged poet, returns to Istanbul to attend his mother’s funeral. Only partly recognizing this place of his cultured, middle-class youth, he is even more disoriented by news of strange events in the wider country: a wave of suicides among girls forbidden to wear their head scarves at school. An apparent thaw of his writer’s curiosity–a frozen sea these many years–leads him to Kars, a far-off town near the Russian border and the epicenter of the suicides.
No sooner has he arrived, however, than we discover that Ka’s motivations are not purely journalistic; for in Kars, once a province of Ottoman and then Russian glory, now a cultural gray-zone of poverty and paralysis, there is also Ipek, a radiant friend of Ka’s youth, lately divorced, whom he has never forgotten. As a snowstorm, the fiercest in memory, descends on the town and seals it off from the modern, westernized world that has always been Ka’s frame of reference, he finds himself drawn in unexpected directions: not only headlong toward the unknowable Ipek and the desperate hope for love–or at least a wife–that she embodies, but also into the maelstrom of a military coup staged to restrain the local Islamist radicals, and even toward God, whose existence Ka has never before allowed himself to contemplate. In this surreal confluence of emotion and spectacle, Ka begins to tap his dormant creative powers, producing poem after poem in untimely, irresistible bursts of inspiration. But not until the snows have melted and the political violence has run its bloody course will Ka discover the fate of his bid to seize a last chance for happiness.
Blending profound sympathy and mischievous wit, Snow illuminates the contradictions gripping the individual and collective heart in many parts of the Muslim world. But even more, by its narrative brilliance and comprehension of the needs and duties
上海人民新出的《伊斯坦布尔》和《雪》最后介绍了作者奥尔罕.帕慕克的全部作品,后面日期应该是出版日期,最后一页《黑书》等几本后的“2006”应该是“2007”才对!
評分雪花的完美属性让人对生命产生敬畏,雪花藏着宇宙,完美的命运一般的对称。 连续不断的雪,将主人公KA推向一个漩涡,宗教的漩涡,政治的漩涡,爱情的漩涡,过去未来在这里交汇,一个迷惑引发了更大的迷惑, KA失去了动力,被推动,而非推动。 雪花的中央,就是命...
評分这明明是部政治小说,却为何让人感到悲伤。 花了很长时间看完帕慕克的《雪》,起初看时无何切体共鸣,久之却似中魇走入他的世界,卡尔斯永不停息的雪及其中难以勾勒的忧郁都随骨髓流动于身体的极深处。心脏表面置了片万年不化的雪花,时而不自主颤栗,也消融了那些无法抑制的...
評分雪的含义,有时,要看它落在什么地方了。 比如说,落在曹雪芹的金陵,它就是“好了歌”。“好一似食尽鸟投林,落了片白茫茫大地真干净!”落在乔伊斯的都柏林,它就是“瘫痪与死亡”。“整个爱尔兰都在落雪。它落在阴郁的中部平原的每一片地方上,落在光秃秃的小山上,轻轻地落...
評分雪中,世界合为一体 ——读帕慕克的《雪》 西门媚/文 前两天欧洲杯小组赛,正碰上捷克对阵土尔其。 西闪就问我,你支持哪个队啊?这两个国家都有你喜欢的作家。 我支持球队不大讲道理。要么是因为技术上打得流畅好看,要么是喜欢他们的气质性格。再不然,是对他们的国家有好...
Human beings are God's masterpieces, and suicide is blasphemy. I figure out that the common don't seem to be my fav anyway.
评分大傢果然是大傢。。。聽瞭rich people problem之後再聽這個纔知道什麼是語言文字帶來的質感
评分偉大。找尋自我的意義便是在找到後意識到其實所謂“自我”已經不存在,帕慕剋稱為hozon,melacholy,呼愁。
评分故事雖然不爛,但隻是個幌子。 最大的收獲還是通過Ka學到世俗以及各個宗教派係的糾葛。 飛機上飛快翻完瞭,下飛機沒多久聽說Erodogan修憲連任,真是。。。
评分讀英文原版是種自虐行為。帕默剋的文筆一流,情節引人入勝,隻是比起前四分之三的行雲流水,後四分之一不免讓人覺得略顯狗血然後些許的失望。果然小說還是要有代入感纔會産生共鳴並與主人公共呼吸。
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