A film tells its story not only through dialogue and actors' performances but also through the director's control of movement and shot design. Figures Traced in Light is a detailed consideration of how cinematic staging carries the story, expresses emotion, and beguiles the audience through pictorial composition. Ranging over the entire history of cinema, David Bordwell focuses on four filmmakers' unique contributions to the technique. In-depth chapters examine Louis Feuillade, master of the 1910s serial; Kenji Mizoguchi, the great Japanese director who worked from the 1920s to the 1950s; Theo Angelopoulos, who began his career as a political modernist in the late 1960s; and Hou Hsiao-hsien, the Taiwanese filmmaker who in the 1980s became the preeminent Asian director. For comparison, Bordwell draws on films by Howard Hawks, Michelangelo Antonioni, Yasujiro Ozu, Takeshi Kitano, and many other directors. Superbly illustrated with more than 500 frame enlargements and 16 color illustrations, Figures Traced in Light situates its close analysis of model sequences in the context of the technological, industrial, and cultural trends that shaped the directors' approaches to staging.
具體描述
讀後感
評分
評分
評分
評分
用戶評價
略”花哨”
评分4.5。容或有削足適履之處，也不可否認對我「如何看」帶來重大啟發。
评分非常細緻而準確的對於場麵調度的分析
评分on staging. great book.
评分眼界和準度都令人嘆服，鬆散的詩學結構完美地應和瞭這本書的風格分析。最有趣的是對於風格的指示性功能的強調，當然，對「透明性」的重點關注，本身就意味著一種本體論上的電影觀。在場麵調度傳統幾乎凋敝的今日，這可以說是一本非常及時、足夠全麵的調度研究。
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