These three internationally acclaimed novels have confirmed Agota Kristof's reputation as one of the most provocative exponents of new-wave European fiction. With all the stark simplicity of a fractured fairy tale, the trilogy tells the story of twin brothers, Claus and Lucas, locked in an agonizing bond that becomes a gripping allegory of the forces that have divided "brothers" in much of Europe since World War II. Kristof's postmodern saga begins with The Notebook, in which the brothers are children, lost in a country torn apart by conflict, who must learn every trick of evil and cruelty merely to survive. In The Proof, Lucas is challenging to prove his own identity and the existence of his missing brother, a defector to the "other side." The Third Lie, which closes the trilogy, is a biting parable of Eastern and Western Europe today and a deep exploration into the nature of identity, storytelling, and the truths and untruths that lie at the heart of them all. "Stark and haunting." - The San Francisco Chronicle; "A vision of considerable depth and complexity, a powerful portrait of the nobility and perversity of the human heart." - The Christian Science Monitor.
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《恶童日记》再次印证了伟大的小说根本不靠辞藻和噱头。跟米兰昆德拉一样,Agota Kristof也逃离了故土,中年开始用法语写作;从译本也可以间接看出用非母语进行文学创作的挑战性。但语言上的相对稚嫩,如果运用得当,会有意想不到的戏剧效果:《恶童日记》第一部分是双胞胎主角的日记,它给我带来的震撼第一是战争的残酷,第二是叙述者有着与年纪不符的成熟、冷漠、甚至凶残。第二部分双胞胎被边境分隔,用第三人称讲述独自留在家乡的Lucas的曲折故事。第三部分干脆彻底把前面的叙事推翻,让读者困惑,哪个叙事者说的是真话?直到最后才道出全部真相。可这时你会发现,现实的绝望已经远远超过了谎言(或者戏中戏)的残酷。
评分第一部真是好。战争背景下的生活乱象,孩子们从小孩蜕变成了大人。第二部也好,无非爱与分离。何等亲切的阅读体验。第三部没太明白为什么这样写——可是某些情节总是回到我脑子里面,应该是影响我最深
评分暗黑童话
评分《恶童日记》再次印证了伟大的小说根本不靠辞藻和噱头。跟米兰昆德拉一样,Agota Kristof也逃离了故土,中年开始用法语写作;从译本也可以间接看出用非母语进行文学创作的挑战性。但语言上的相对稚嫩,如果运用得当,会有意想不到的戏剧效果:《恶童日记》第一部分是双胞胎主角的日记,它给我带来的震撼第一是战争的残酷,第二是叙述者有着与年纪不符的成熟、冷漠、甚至凶残。第二部分双胞胎被边境分隔,用第三人称讲述独自留在家乡的Lucas的曲折故事。第三部分干脆彻底把前面的叙事推翻,让读者困惑,哪个叙事者说的是真话?直到最后才道出全部真相。可这时你会发现,现实的绝望已经远远超过了谎言(或者戏中戏)的残酷。
评分儿童读物
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