Raymond Thornton Chandler was an American novelist and screenwriter.
In 1932, at age forty-four, Raymond Chandler decided to become a detective fiction writer after losing his job as an oil company executive during the Depression. His first short story, "Blackmailers Don't Shoot", was published in 1933 in Black Mask, a popular pulp magazine. His first novel, The Big Sleep, was published in 1939. In addition to his short stories, Chandler published just seven full novels during his lifetime (though an eighth in progress at his death was completed by Robert B. Parker). All but Playback have been realized into motion pictures, some several times. In the year before he died, he was elected president of the Mystery Writers of America. He died on March 26, 1959, in La Jolla, California.
Chandler had an immense stylistic influence on American popular literature, and is considered by many to be a founder, along with Dashiell Hammett, James M. Cain and other Black Mask writers, of the hard-boiled school of detective fiction. Chandler's Philip Marlowe, along with Hammett's Sam Spade, are considered by some to be synonymous with "private detective," both having been played on screen by Humphrey Bogart, whom many considered to be the quintessential Marlowe.
Some of Chandler's novels are considered to be important literary works, and three are often considered to be masterpieces: Farewell, My Lovely (1940), The Little Sister (1949), and The Long Goodbye (1953). The Long Goodbye is praised within an anthology of American crime stories as "arguably the first book since Hammett's The Glass Key, published more than twenty years earlier, to qualify as a serious and significant mainstream novel that just happened to possess elements of mystery"
When a dying millionaire hires Philip Marlowe to handle the blackmailer of one of his two troublesome daughters, Marlowe finds himself involved with more than extortion. Kidnapping, pornography, seduction, and murder are just a few of the complications he gets caught up in.
"Chandler [writes] like a slumming angel and invest[s] the sun-blinded streets of Los Angelos with a romantic presence."
--Ross Macdonald
我是不大看侦探书的,我怕看了会睡不着,就像不大看侦探电影。 所以在看和不看之间停停走走了一个月,想着《漫长的告别》到底是何等的好书,让我们的村上村树看了有15遍之多,终于在一个无书可看的夜晚,我打开了《漫长的告别》,继而被钱德勒深深吸引。 太好看了,不...
评分放大镜、烟斗、安乐椅,提及欧美的侦探小说,人们心中往往会浮现出这三件物品。作为古典推理派的经典装备,影响之大,以至于人们在今天的背景下对原著翻拍时,还会不自觉地把这些属于19世纪的元素添加进去。 然而,当福尔摩斯、波洛、布朗神父这一个个出身高贵的睿智头脑,在卷...
评分因为“推理小说”这一(日本)词的普及,“推理小说”基本替代了“探侦小说”一词。 尽管一般推理小说的主角仍要有个类似“侦探”的这么个人物... 但是,“硬派侦探小说”作为专有名词仍是存在的,至今未被软化。 当然这里不是想对于什么是硬派侦探小说,谈谈我的想法。 我感...
评分《长眠不醒》是我看的第三本雷蒙德·钱德勒的小说,前两本分别是短篇集《找麻烦是我的职业》和长篇《漫长的告别》。对钱德勒笔下的私家侦探马洛也是越来越熟悉了。典型的西式观点都说马洛是硬汉,以东方式的眼光来看,马洛更像是一位带着些江湖气的任性游侠。 马洛身上最大的特...
评分2010.9.2 不知道是念书的人的声音太低沉还是怎么的,故事不是特别激动人心。悬念也不算特别惊人。情节比较紧张。与其说是推理玄疑,还不如说是动作惊怵。最大的亮点是dialogue,拍电影应该帅极了。
评分真喜欢他的比喻~
评分第一次看雷蒙德·錢德勒的作品,與預期中相去甚遠,所謂「硬漢派」,大意就是摒棄精密的推理,用強硬直接的手段解決問題和揭露真相吧,蘿蔔青菜,各有所愛,這種更像東野圭吾「社會派」的風格實在不是我所喜歡的,3顆星
评分第一次看雷蒙德·錢德勒的作品,與預期中相去甚遠,所謂「硬漢派」,大意就是摒棄精密的推理,用強硬直接的手段解決問題和揭露真相吧,蘿蔔青菜,各有所愛,這種更像東野圭吾「社會派」的風格實在不是我所喜歡的,3顆星
评分真喜欢他的比喻~
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