Vladimir Vladimirovich Nabokov was born on April 23, 1899, in St. Petersburg, Russia. The Nabokovs were known for their high culture and commitment to public service, and the elder Nabokov was an outspoken opponent of antisemitism and one of the leaders of the opposition party, the Kadets. In 1919, following the Bolshevik revolution, he took his family into exile. Four years later he was shot and killed at a political rally in Berlin while trying to shield the speaker from right-wing assassins.
The Nabokov household was trilingual, and as a child Nabokov was already reading Wells, Poe, Browning, Keats, Flaubert, Verlaine, Rimbaud, Tolstoy, and Chekhov, alongside the popular entertainments of Sir Arthur Conan Doyle and Jules Verne. As a young man, he studied Slavic and romance languages at Trinity College, Cambridge, taking his honors degree in 1922. For the next eighteen years he lived in Berlin and Paris, writing prolifically in Russian under the pseudonym Sirin and supporting himself through translations, lessons in English and tennis, and by composing the first crossword puzzles in Russian. In 1925 he married Vera Slonim, with whom he had one child, a son, Dmitri.
Having already fled Russia and Germany, Nabokov became a refugee once more in 1940, when he was forced to leave France for the United States. There he taught at Wellesley, Harvard, and Cornell. He also gave up writing in Russian and began composing fiction in English. In his afterword to Lolita he claimed: "My private tragedy, which cannot, and indeed should not, be anybody's concern, is that I had to abandon my natural idiom, my untrammeled, rich, and infinitely docile Russian tongue for a second-rate brand of English, devoid of any of those apparatuses–the baffling mirror, the black velvet backdrop, the implied associations and traditions–which the native illusionist, frac-tails flying, can magically use to transcend the heritage in his own way." [p. 317] Yet Nabokov's American period saw the creation of what are arguably his greatest works, Bend Sinister (1947), Lolita (1955), Pnin (1957), and Pale Fire (1962), as well as the translation of his earlier Russian novels into English. He also undertook English translations of works by Lermontov and Pushkin and wrote several books of criticism. Vladimir Nabokov died in Montreux, Switzerland, in 1977.
When it was published in 1955, Lolita immediately became a cause célèbre because of the freedom and sophistication with which it handled the unusual erotic predilections of its protagonist. But Vladimir Nabokov's wise, ironic, elegant masterpiece owes its stature as one of the twentieth century's novels of record not to the controversy its material aroused but to its author's use of that material to tell a love story almost shocking in its beauty and tenderness.
Awe and exhilaration–along with heartbreak and mordant wit–abound in this account of the aging Humbert Humbert's obsessive, devouring, and doomed passion for the nymphet Dolores Haze. Lolita is also the story of a hypercivilized European colliding with the cheerful barbarism of postwar America, but most of all, it is a meditation on love–love as outrage and hallucination, madness and transformation.
With an Introduction by Martin Amis
以前虽然说起过于晓丹译的《洛丽塔》,但是我得惭愧地说当时还没看过,只是对库布力克导演的电影有深刻印象,这次终于补上了这一课,看了于晓丹的译本。 上次说起时还犯了一个错,以为于晓丹是《洛丽塔》的第一个中文译者,实际是黄建人教授,前不久在中山图书馆发现黄教授的...
評分洛丽塔:从小仙女到小女人 赵松 如果你在报纸上读到一则消息,说是一个四十几岁的男人为了接近并占有一个少女,娶了她的母亲为妻,并多少有些间接地造成了这位可怜的女人的意外车祸死亡,然后他带着这个少女四处游走,还跟她发生了关系,他深深地迷恋着她,最后又为了她杀了另...
評分“你很老了吗?” “我很老了呀。” ——但愿你能够把我想起,最好你还是将我忘记。那年六月,花开不败,云絮贻荡,而我们,正相爱。 陈文茜说如果还要嫁人,康永是个很好的选择。这位女子实在让人很困惑,讲时事政治的时候可以分析的头头是道,那么硬气,然而当你跟她坐下来...
評分 評分最近晚上抽空就读它。 很多让我喜欢的书和电影,第一眼总不会觉得特别好,甚至是讨厌。记得第一次看纳博克夫的这本久负盛名的书,是在学校图书馆借的一本旧版本。今天想起来,可能是当初太年轻浮躁,也可能是译文太差,总之我看了十页,心里想的是:这也算小说?整一个男人的意...
His language is not only complex but also oppositely native, which is hard to catch the point. However, this book shows me a sense of odd but harmonious mixture and beauty. I just find, sometimes, I am the male character to some extent.
评分Nabokov is a master of English vocab, and he is not even a native speaker.
评分以前讀的時候因為詞匯太難放棄瞭,這遍讀還好。重讀的原因大概是受納博科夫迴憶這本書的語氣所吸引,他總是那麼親切的稱呼洛麗塔為“我的小仙女”,像是對待心愛的蝴蝶標本。比小時候讀的時候懂瞭很多,亨伯特對讀者的引誘,敘述被壓抑的一麵,在同情和罪惡之間搖擺。新發現是這本書裏的環境描寫特彆好,有很濃重的拼貼感,但又籠罩在意識和無意識、辯解和天真的角力之下。但最大的樂趣大概是看見亨伯特的法語就想象他的腔調小聲把它讀齣來。
评分初中的時候以看皇叔的目的讀瞭這本,看瞭3/4也沒發現黃在哪裏。最近又讀瞭一下,纔發現那時候真是拿衣服。
评分文章之美輪美奐和黑色幽默實在很難超越,一定要讀英文原版。
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