The Brothers Karamazov

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Fyodor Mikhailovich Dostoevsky (November 11 [O.S. October 30] 1821–February 9 [O.S. January 28] 1881) was a Russian novelist and writer of fiction whose works, including Crime and Punishment and The Brothers Karamazov, have had a profound and lasting effect on intellectual thought and world literature.

Dostoevsky's literary output explores human psychology in the troubled political, social and spiritual context of 19th-century Russian society. Considered by many as a founder or precursor of 20th century existentialism, his Notes from Underground (1864), written in the embittered voice of the anonymous "underground man", was named by Walter Kaufmann as the "best overture for existentialism ever written."[2]

出版者:Penguin Classics
作者:Fyodor Dostoyevsky
出品人:
頁數:1056
译者:David McDuff
出版時間:2003-02-27
價格:GBP 9.99
裝幀:Paperback
isbn號碼:9780140449242
叢書系列:
圖書標籤:
  • 陀思妥耶夫斯基 
  • 小說 
  • 文學 
  • 外國文學 
  • 俄國文學 
  • 俄羅斯 
  • 心理學 
  • 俄國 
  •  
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The Brothers Karamazov (Братья Карамазовы in Russian, /'bratʲjə karə'mazəvɨ/) is the last novel by the Russian author Fyodor Dostoevsky, generally considered the culmination of his life's work. Dostoevsky spent nearly two years writing The Brothers Karamazov, which was published as a serial in The Russian Messenger and completed in November of 1880. Dostoevsky intended it to be the first part in an epic story titled The Life of a Great Sinner,[1] but he died less than four months after publication.

The book is written on two levels: on the surface it is the story of a parricide in which all of a murdered man's sons share varying degrees of complicity but, on a deeper level, it is a spiritual drama of the moral struggles between faith, doubt, reason, and free will. The novel was composed mostly in Staraya Russa, which is also the main setting of the book.

Since its publication, it has been acclaimed all over the world by thinkers as diverse as Sigmund Freud[2] and Albert Einstein[3] as one of the supreme achievements in world literature.

具體描述

讀後感

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今年我二十五岁,才第一次拜读了陀思妥耶夫斯基的佳作,从最初一提陀氏这个名字都诚惶诚恐到看序篇时因人名太长几次想放弃(中间抽空看完了《山楂树之恋》、《大师与玛格丽特》)再到深陷其中想一探究竟的欲罢不能,连上下班途中的公车上都不肯放弃那段阅读时光,倒也是一番享...  

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《卡拉马佐夫兄弟》——陀思妥耶夫斯基最后一部作品,也是他内容最丰富最深刻的一部作品。在这部作品中有各种极点存在——恶的极点,贪欲的极点,痛苦的极点以及爱的极点。在动荡变化的情节中,这些极点可以被统一在一个中心之中,这是这部作品的一个伟大之处。 我从...  

評分

《卡拉马佐夫兄弟》——陀思妥耶夫斯基最后一部作品,也是他内容最丰富最深刻的一部作品。在这部作品中有各种极点存在——恶的极点,贪欲的极点,痛苦的极点以及爱的极点。在动荡变化的情节中,这些极点可以被统一在一个中心之中,这是这部作品的一个伟大之处。 我从...  

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读过《卡拉马佐夫兄弟》【注】 的人都知道,小说在结尾部分对凶案的真相给出了这样的解释:德米特里·费尧多罗维奇认为,父亲费尧多尔·巴甫洛维奇骗走了自己很大一部分应得的遗产,而他与父亲围绕交际花格露莘卡展开的争风吃醋又加剧了德米特里的憎恨,但他从未有过一...  

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用戶評價

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看過陀氏最矛盾外化的作品,情節豐富,讀來不壓抑,晦澀的本意深埋在感動和譏諷的矛盾統一之下:Crush with mercy, or redeem with cruelty, take your pick.

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one of the best in all times

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非常多東西可以探討:p

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對不起,我知道陀很“偉大”,但人總得有點主見,我就是巨討厭陀,沒辦法,不是個藝術傢,而是個道德傢。

评分

看過陀氏最矛盾外化的作品,情節豐富,讀來不壓抑,晦澀的本意深埋在感動和譏諷的矛盾統一之下:Crush with mercy, or redeem with cruelty, take your pick.

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