Ernest Miller Hemingway was an American author and journalist. His economical and understated style had a strong influence on 20th-century fiction, while his life of adventure and his public image influenced later generations. Hemingway produced most of his work between the mid-1920s and the mid-1950s, and won the Nobel Prize in Literature in 1954. He published seven novels, six short story collections and two non-fiction works. Three novels, four collections of short stories and three non-fiction works were published posthumously. Many of these are considered classics of American literature.
Hemingway was raised in Oak Park, Illinois, and after high school he reported for a few months for The Kansas City Star, before leaving for the Italian front to enlist with the World War I ambulance drivers. In 1918, he was seriously wounded and returned home. His wartime experiences formed the basis for his novel A Farewell to Arms. In 1922, he married Hadley Richardson, the first of his four wives. The couple moved to Paris, where he worked as a foreign correspondent, and fell under the influence of the modernist writers and artists of the 1920s "Lost Generation" expatriate community. The Sun Also Rises, Hemingway's first novel, was published in 1926.
After his 1927 divorce from Hadley Richardson, Hemingway married Pauline Pfeiffer. They divorced after he returned from Spanish Civil War where he had acted as a journalist, and after which he wrote For Whom the Bell Tolls. Martha Gellhorn became his third wife in 1940. They separated when he met Mary Welsh in London during World War II; during which he was present at the Normandy Landings and liberation of Paris.
Shortly after the publication of The Old Man and the Sea in 1952, Hemingway went on safari to Africa, where he was almost killed in two plane crashes that left him in pain and ill-health for much of the rest of his life. Hemingway had permanent residences in Key West, Florida, and Cuba during the 1930s and 1940s, but in 1959 he moved from Cuba to Ketchum, Idaho, where he committed suicide in the summer of 1961.
The Sun Also Rises was Ernest Hemingway's first big novel, and immediately established Hemingway as one of the great prose stylists, and one of the preeminent writers of his time. It is also the book that encapsulates the angst of the post-World War I generation, known as the Lost Generation. This poignantly beautiful story of a group of American and English expatriates in Paris on an excursion to Pamplona represents a dramatic step forward for Hemingway's evolving style. Featuring Left Bank Paris in the 1920s and brutally realistic descriptions of bullfighting in Spain, the story is about the flamboyant Lady Brett Ashley and the hapless Jake Barnes. In an age of moral bankruptcy, spiritual dissolution, unrealized love, and vanishing illusions, this is the Lost Generation.
海明威那一類“冰山派”我心裏怕怕,談不上喜歡,但是也挺有意思,特別是閱讀大量經典類之後,看他的作品,會覺得眼前一亮。語言簡潔平白,cut off描寫性語言和大量形容詞。形容一個人,不是描寫他的外面衣著,而是看似無意義的日常談話,用人與人之間的關係去表現。例如對Cohn...
评分我的毕业论文写的是这本小说,当时为了写够字数,查了很多资料,以至于我不记得自己对这本书的最初的感觉。几年以后,唯一能记起主人公早上一觉醒来,从窗子看见,外面街道上狂欢节已经开始那段给我带来的强烈的自由和欣喜。
评分1926年,还藉藉无名的海明威推出了首部长篇《太阳照常升起》,个人以为是他最好的长篇之一,虽然在当时算不上石破天惊。之前,他也有过一系列短篇投石问路,纵然水波不兴,也成为长篇准备中的练笔,使长篇处女作丝毫没有生涩的痕迹。当然这也有巴黎的良好催化作用在其中——饥...
评分我要说的可不是姜文那部电影,电影还没上呢,昨天晚上我路过电影院的时候看了一下宣传,14号才会上。我要说的是海明威的那本书——《太阳照常升起》。 大概十几年前吧,我非常迷恋海明威,他身上那股自毁的因子对那时的我是无限的冲击,而这种自毁不仅体现在他的生...
评分失落,是种怎样的气质? 《太阳照常升起》,海明威的成名之作。读它是一个偶然的机会,我问师父这是一本什么气质的书,师父说它的阅读体验会很奇怪,通篇热闹,可读完后有种莫名的失落感。失落,是一种怎样的气质呢? ——1—— 引页写道“你们都是迷惘的一代”。这是来自一九...
人生首部海明威,太好看。真没接触过这种人物形象全靠自己摸索的书,一句上帝视角也不给你。收敛的字词与奔放的力量,写景疏离感,写对话暗藏玄机,极寥寥的情感心理描写全映着涌动的巨流。前几章逃不出LG的手掌心,夜里黑水上的巴黎圣母院,客人离去后把酒倒进水槽,懦弱的犹太情郎,敏感的性无能者,满口胡言的和耿直粗鲁的男人,悲哀绝望而风情万种的女人。如果她找我,你会把钱给她吗?如果她和别的男人离开,你会替我存着吗?迷惘至深。故事进到西班牙瞬间燃烧,斗牛士、醉汉与牛,生命力、年轻、杀死朋友、倔强意志,打不垮的精神与永恒的美丽真实。有这一段,他就永远不是菲茨杰拉德。最终还是写了个狂欢散去,Jake送Brett离开又接她回来、还在信上签Love的迷途爱情故事,但硬汉就快把茧子撞破了。
评分醉生梦死后的无尽空虚,很难想象这样的生活,感觉都是年轻人的故事,虽然这些旅居海外的主角跟我们也没什么本质区别。喜欢斗牛的节日,以后一定要去看看。
评分我也真是够迷茫的,和Jack一样,每天喝的醉醺醺来逃避现实。海明威的小说是第一次看,看了一些评论才知道他的小说是隐匿于文字之中的。整个故事以大片大片的对白为主,呈现出糜烂世界的景象,让我很难集中精神。小说的结尾确实是太好了!! 现在头好疼。我得吹吹寒风,再看一遍。
评分人生首部海明威,太好看。真没接触过这种人物形象全靠自己摸索的书,一句上帝视角也不给你。收敛的字词与奔放的力量,写景疏离感,写对话暗藏玄机,极寥寥的情感心理描写全映着涌动的巨流。前几章逃不出LG的手掌心,夜里黑水上的巴黎圣母院,客人离去后把酒倒进水槽,懦弱的犹太情郎,敏感的性无能者,满口胡言的和耿直粗鲁的男人,悲哀绝望而风情万种的女人。如果她找我,你会把钱给她吗?如果她和别的男人离开,你会替我存着吗?迷惘至深。故事进到西班牙瞬间燃烧,斗牛士、醉汉与牛,生命力、年轻、杀死朋友、倔强意志,打不垮的精神与永恒的美丽真实。有这一段,他就永远不是菲茨杰拉德。最终还是写了个狂欢散去,Jake送Brett离开又接她回来、还在信上签Love的迷途爱情故事,但硬汉就快把茧子撞破了。
评分还真是一本忧郁的流水账
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