Perfume

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Patrick Süskind (born March 26, 1949) is a German writer and screenwriter.

He was born in Ambach am Starnberger See, near Munich in Germany. His father was Wilhelm Emanuel Süskind. He studied Medieval and Modern History at the University of Munich and in Aix-en-Provence from 1968-1974. In the 1980s he worked as a screenwriter, for "Kir Royal" and "Monaco Franze" among others. His best known work is the internationally acclaimed bestseller Perfume: The Story of a Murderer (1985). He is also the author of a play, The Double Bass (1980), a novella, The Pigeon (1988), The Story of Mr. Sommer (1991), Three Stories and a Reflection (1996), and a collection of essays, On Love and Death (2006). For a number of seasons, The Double Bass was a leading piece on German stages.

Süskind lives in Munich, and rarely grants interviews.

出版者:Vintage
作者:Patrick Suskind
出品人:
頁數:255
译者:John E. Woods
出版時間:2001-02-13
價格:USD 13.95
裝幀:Paperback
isbn號碼:9780375725845
叢書系列:
圖書標籤:
  • perfume 
  • 外國文學 
  • 小說 
  • 英文 
  • 感官 
  • 英文原版 
  • 謀殺 
  • 極端小說 
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An acclaimed bestseller and international sensation, Patrick Suskind's classic novel provokes a terrifying examination of what happens when one man's indulgence in his greatest passion—his sense of smell—leads to murder.

In the slums of eighteenth-century France, the infant Jean-Baptiste Grenouille is born with one sublime gift-an absolute sense of smell. As a boy, he lives to decipher the odors of Paris, and apprentices himself to a prominent perfumer who teaches him the ancient art of mixing precious oils and herbs. But Grenouille's genius is such that he is not satisfied to stop there, and he becomes obsessed with capturing the smells of objects such as brass doorknobs and frest-cut wood. Then one day he catches a hint of a scent that will drive him on an ever-more-terrifying quest to create the "ultimate perfume"—the scent of a beautiful young virgin. Told with dazzling narrative brillance, Perfume is a hauntingly powerful tale of murder and sensual depravity.

Translated from the German by John E. Woods.

具體描述

讀後感

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好的小说应该能够置读者于道德判断的两难上,无疑,《香水》做到了。 对于主人公,一个可以辨别、收集世界上最遥远最轻微的气味的人,自身却没有任何气味,这一特征让整个谋杀案从一个开始就充满了悲剧的色彩。归根到底,这是一个狂想者、执迷者追寻自我的徒劳之旅,他在巴黎...  

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一 格雷诺耶嗅觉中的爱与被爱 “人可以在伟大之前、恐惧之前、在美之前闭上眼睛,可以不倾听美妙的旋律或诱骗的言词,却不能逃避味道,因为味道和呼吸同在,人呼吸的时候,味道就同时渗透进去了,人若是要活下去就无法拒绝味道,味道直接渗进人心,鲜明地决定人的癖好,藐...  

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昨天写到《面纱》,说起电影与原著的不同,最近还读了另外一本书的原著,也就是《香水》。 不是刻意要对电影和文字进行比较,但是,很显然,大部分的电影改编,由于缺失大量文字中所独有的细节性的描绘,都会显得比较乏味和失败。能够超越原著的电影改编作品屈指可数,像《肖申...  

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第一章看完了,写个简单的评论,有不关键情节透露: 没看过电影和书的朋友,为了保持更多样化的观感可能性,请慎重考虑是否阅读以下文字。 “犹如植物的选择,一颗豆子要么发芽要么还是颗豆子” 他一出生便面临着爱与生存的选择,这个选择后来贯穿了他一生的斗争与轮回。 他,只...  

用戶評價

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very different from the movie.

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德國人寫的法國故事的英文譯本(。譯文非常齣色。精細,陳舊,詭譎,美妙。It creates a figure grew from stank pit yet chased the most heavenly odor to decorate himself. Beneath the core of the fleeting kingdom, the kingdom of scent, one who desperately tried to understand his own essence. Such desire is so urgent, so strong and overwhelming, that it surpassed the desire of being loved.

评分

奇書!重氣味的傑作。讀過的最好的開篇之一。文思曼妙,文字無礙。藏之深山亦可傳世無疑。另,單看前半,還以為電影隻藉取瞭一個概念。

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For scent was a brother of breath.

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德國人寫的法國故事的英文譯本(。譯文非常齣色。精細,陳舊,詭譎,美妙。It creates a figure grew from stank pit yet chased the most heavenly odor to decorate himself. Beneath the core of the fleeting kingdom, the kingdom of scent, one who desperately tried to understand his own essence. Such desire is so urgent, so strong and overwhelming, that it surpassed the desire of being loved.

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