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具體描述
讀後感
French psychiatrist Eugene Minkowski talked about the different characters of lights in his book "Lived Time". He described daylight as something creating "distance, extension, and fullness", and dark night as "personal, invades the body rather than keeping...
評分French psychiatrist Eugene Minkowski talked about the different characters of lights in his book "Lived Time". He described daylight as something creating "distance, extension, and fullness", and dark night as "personal, invades the body rather than keeping...
評分French psychiatrist Eugene Minkowski talked about the different characters of lights in his book "Lived Time". He described daylight as something creating "distance, extension, and fullness", and dark night as "personal, invades the body rather than keeping...
評分French psychiatrist Eugene Minkowski talked about the different characters of lights in his book "Lived Time". He described daylight as something creating "distance, extension, and fullness", and dark night as "personal, invades the body rather than keeping...
評分French psychiatrist Eugene Minkowski talked about the different characters of lights in his book "Lived Time". He described daylight as something creating "distance, extension, and fullness", and dark night as "personal, invades the body rather than keeping...
用戶評價
蠻好
评分蠻好
评分主體角度的闡釋
评分不錯的入門讀物。作者非常聰明、條理和論述很清晰、有效。
评分權威批判性簡史，強調裝置藝術的兩個核心：activation/decentring，前者意味著奇觀帶來的新視覺、激發體驗（新形式），後者是視覺分散、主體去中心化甚至是世界的碎片化（後現代）。裝置藝術遂有瞭形式上和哲學上的創新。結論中提到美學判斷：作品形式貼觀者體驗，則更震撼，好。
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