James Cahill is Professor Emeritus of Chinese Art at the University of California, Berkeley. A recipient of the College Art Association's Lifetime Achievement Award for Writing on Art, he is the author of many books including The Lyric Journey: Poetic Painting in China and Japan and The Painter's Practice: How Artists Lived and Worked in Traditional China.
Product Description
In this groundbreaking book, James Cahill expands the field of Chinese pictorial art history, opening both scholarly studies and popular appreciation to vernacular paintings, "pictures for use and pleasure." These were works commissioned and appreciated during the seventeenth and eighteenth centuries by the non-elites of Chinese society, including women. Traditional Chinese collectors, like present-day scholars of Chinese painting, have favored the "literati" paintings of the Chinese male elite, disparaging vernacular works, often intended as decorations or produced to mark a special occasion. Cahill challenges the dominant dogma and doctrine of the literati, showing how the vernacular images, both beautiful and appealing, strengthen our understanding of High Qing culture. They bring to light the Qing or Manchu emperors' fascination with erotic culture in the thriving cities of the Yangtze Delta and demonstrate the growth of figure painting in and around Beijing's imperial court. They also revise our understanding of gender roles and show how Chinese artists made use of European styles. By introducing a large, rich body of works, Pictures for Use and Pleasure opens new windows on later Chinese life and society.
From the Inside Flap
"This is an outstanding piece of work: timely, essential, authoritative, and original. Cahill throws light on obscure artists, emerging styles and regional traditions, unexplored aspects of cultural life, enigmatic iconographies, and questions of authorship and authenticity, leaving the reader richly informed and full of new ideas."--Susan Nelson, Indiana University
"Cahill brings the vast body of 'vernacular' painting into the legitimate venue of art historical criticism, giving connoisseurs, viewers, and readers a more capacious and accurate grasp of the world of Chinese pictorial art."--Susan Mann, author of The Talented Women of the Zhang Family
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图像精致
评分介紹康雍乾三朝的宮廷生活畫,以及東西畫風的雜糅。作者說這樣的雜糅多見於形式少見於內容,也就是說,宮廷畫家(特別是西洋傳教士畫家)的自主性並不高,在皇宮這個巨大無比的studio裡得到的自由少得可憐。當然,專制統治下,一切為皇權服務從來都是天經地義的事情。
评分这个长度...有点上当的感觉 虽然内容和图片都很好
评分很受啟發
评分很受啟發
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