Pictures for Use and Pleasure

Pictures for Use and Pleasure pdf epub mobi txt 電子書 下載2025

James Cahill is Professor Emeritus of Chinese Art at the University of California, Berkeley. A recipient of the College Art Association's Lifetime Achievement Award for Writing on Art, he is the author of many books including The Lyric Journey: Poetic Painting in China and Japan and The Painter's Practice: How Artists Lived and Worked in Traditional China.

出版者:University of California Press
作者:James Cahill
出品人:
頁數:280
译者:
出版時間:2010-9-1
價格:USD 85.00
裝幀:Hardcover
isbn號碼:9780520258570
叢書系列:
圖書標籤:
  • 藝術史 
  • 高居翰 
  • 藝術 
  • 海外中國美術史研究 
  • 繪畫 
  • 海外中國研究 
  • 英文原版 
  • 美術 
  •  
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Product Description

In this groundbreaking book, James Cahill expands the field of Chinese pictorial art history, opening both scholarly studies and popular appreciation to vernacular paintings, "pictures for use and pleasure." These were works commissioned and appreciated during the seventeenth and eighteenth centuries by the non-elites of Chinese society, including women. Traditional Chinese collectors, like present-day scholars of Chinese painting, have favored the "literati" paintings of the Chinese male elite, disparaging vernacular works, often intended as decorations or produced to mark a special occasion. Cahill challenges the dominant dogma and doctrine of the literati, showing how the vernacular images, both beautiful and appealing, strengthen our understanding of High Qing culture. They bring to light the Qing or Manchu emperors' fascination with erotic culture in the thriving cities of the Yangtze Delta and demonstrate the growth of figure painting in and around Beijing's imperial court. They also revise our understanding of gender roles and show how Chinese artists made use of European styles. By introducing a large, rich body of works, Pictures for Use and Pleasure opens new windows on later Chinese life and society.

From the Inside Flap

"This is an outstanding piece of work: timely, essential, authoritative, and original. Cahill throws light on obscure artists, emerging styles and regional traditions, unexplored aspects of cultural life, enigmatic iconographies, and questions of authorship and authenticity, leaving the reader richly informed and full of new ideas."--Susan Nelson, Indiana University

"Cahill brings the vast body of 'vernacular' painting into the legitimate venue of art historical criticism, giving connoisseurs, viewers, and readers a more capacious and accurate grasp of the world of Chinese pictorial art."--Susan Mann, author of The Talented Women of the Zhang Family

具體描述

讀後感

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用戶評價

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對作者主題先行的寫法有些排斥。明末清初文人畫陷入僵死,作為對比,院畫、蘇州片、作坊、專業花匠等等代錶生氣。這種判斷,似乎不能僅僅從作者的字麵評判去看,高居翰對文人畫的評價(甚至西方對文人畫的接受)應該也是需要讀者去思考的。是本極齣色的著作。

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Cahill 學術生涯後期從文人畫轉嚮vernacular painting,並且提齣歐洲兩種透視法,清宮與蘇州片受到不同的傳統影響。

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係統歸類試圖研究“vernacular paintings"的作品。雖然對某些細節的觀點,不是百分百同意高老先生的觀點,但是高先生發錶的作品總能開啓一個新的研究熱點。

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why 5 stars?? not as good as painter's practice, when you'd like to be radical, sometimes it just makes it not referable

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going deeper and deeper

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