A Moveable Feast 在线电子书 pdf 下载 txt下载 epub 下载 mobi 下载 2024


A Moveable Feast

简体网页||繁体网页
Ernest Hemingway 作者
Arrow Books Ltd
译者
1994-11-3 出版日期
144 页数
USD 12.40 价格
Paperback
Ernest Hemingway (Arrow Classic) 丛书系列
9780099909408 图书编码

A Moveable Feast 在线电子书 图书标签: 海明威  ErnestHemingway  巴黎  Hemingway  回忆录  文学  散文  巴黎,咖啡,酒吧,记忆   


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发表于2024-12-26


A Moveable Feast 在线电子书 epub 下载 mobi 下载 pdf 下载 txt 下载 2024

A Moveable Feast 在线电子书 epub 下载 mobi 下载 pdf 下载 txt 下载 2024

A Moveable Feast 在线电子书 pdf 下载 txt下载 epub 下载 mobi 下载 2024



A Moveable Feast 在线电子书 用户评价

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巴黎

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There is never any ending to Paris⋯⋯but this is how Paris was in the early days when we were very poor and very happy.

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对一个城市的回忆和爱大抵就是这些生活琐事和人际交往构成的了。

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第一本海明威的书

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" gorgeous prose!"

A Moveable Feast 在线电子书 著者简介

Ernest Miller Hemingway (July 21, 1899 – July 2, 1961) was an American novelist, short-story writer, and journalist. Nicknaming himself "Papa" while still in his 20s, he was part of the 1920s expatriate community in Paris known as "the Lost Generation", as described in his memoir A Moveable Feast. He led a turbulent social life, was married four times and allegedly had multiple extra-marital relationships over many years' time. For a serious writer, he achieved a rare cult-like popularity during his lifetime. Hemingway received the Pulitzer Prize in 1953 for The Old Man and the Sea. He received the Nobel Prize in Literature in 1954. Throughout his life he had four wives. During his later life, Hemingway suffered from increasing physical and mental problems. In July 1961, following an ill-advised premature release from a mental hospital where he'd been treated for severe depression, he committed suicide at his home in Ketchum, Idaho with a shotgun.


A Moveable Feast 在线电子书 图书目录


A Moveable Feast 在线电子书 pdf 下载 txt下载 epub 下载 mobi 在线电子书下载

A Moveable Feast 在线电子书 图书描述

"You belong to me and all Paris belongs to me and I belong to this notebook and this pencil."

Begun in the autumn of 1957 and published posthumously in 1964, Ernest Hemingway's A Moveable Feast captures what it meant to be young and poor and writing in Paris during the 1920s. A correspondent for the Toronto Star, Hemingway arrived in Paris in 1921, three years after the trauma of the Great War and at the beginning of the transformation of Europe's cultural landscape: Braque and Picasso were experimenting with cubist forms; James Joyce, long living in self-imposed exile from his native Dublin, had just completed Ulysses; Gertude Stein held court at 27 rue de Fleurus, and deemed young Ernest a member of rue génération perdue; and T. S. Eliot was a bank clerk in London. It was during these years that the as-of-yet unpublished young writer gathered the material for his first novel, The Sun Also Rises, and the subsequent masterpieces that followed.

Among these small, reflective sketches are unforgettable encounters with the members of Hemingway's slightly rag-tag circle of artists and writers, some also fated to achieve fame and glory, others to fall into obscurity. Here, too, is an evocation of the Paris that Hemingway knew as a young man -- a map drawn in his distinct prose of the streets and cafés and bookshops that comprised the city in which he, as a young writer, sometimes struggling against the cold and hunger of near poverty, honed the skills of his craft.

A Moveable Feast is at once an elegy to the remarkable group of expatriates that gathered in Paris during the twenties and a testament to the risks and rewards of the writerly life.

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A Moveable Feast 在线电子书 读后感

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第一次读英文原文的海明威,再次确信内在意识和外在表达的奇妙张力。没有冒犯各位译者的意思,语言不止是人类突破巴别塔之障表达内心的工具,更是在长年累月的文化、历史及传统中一而再再而三地孵化、酝酿最终破茧而出的蝴蝶。每一门语言都是形色各异的生命,用每一次振翅触动...  

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1      海明威或许是被误解最多的小说家了。比如说吧,讽刺的1954年,奥斯特林对《老人与海》的评价:“勇气是海明威的中心主题……勇气能使人坚强起来……敢于喝退大难临头的死神……”这段评语,以及那著名的“你可以消灭他,但打不垮他”,为海明威贴上了“讴歌道义胜...  

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现在我每天都睡的很早,又起的很早。生活里一下凭空多出好多早晨来。薄云天,晨光照的一切都是灰亮的,屋瓦上居然有鸽子在走。薄薄的光线,薄薄的云层,薄薄的车流,薄薄的悲喜莫辩的心思,薄薄的早晨。法语里,与薄薄相对的是厚厚的,肥肥的,肥话就是荤话,黄色笑话,肥汤就...  

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老头战斗着,与大海的广阔平起平坐…… 我对海明威的印象是精壮,不讲究,没公式,用硬力气写……so male,一锤子撕掉花哨的文学的形容词的乱毛儿 可我写这个不是为了夸他的,呃,我没有想到,老头,话还挺多 在此之前,我的画面是:老头手拿斧头,,哑巴公牛的语言(及那种嘴...  

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第一次读英文原文的海明威,再次确信内在意识和外在表达的奇妙张力。没有冒犯各位译者的意思,语言不止是人类突破巴别塔之障表达内心的工具,更是在长年累月的文化、历史及传统中一而再再而三地孵化、酝酿最终破茧而出的蝴蝶。每一门语言都是形色各异的生命,用每一次振翅触动...  

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