In this book Lev Manovich offers the first systematic and rigorous theory of new media. He places new media within the histories of visual and media cultures of the last few centuries. He discusses new media's reliance on conventions of old media, such as the rectangular frame and mobile camera, and shows how new media works create the illusion of reality, address the viewer, and represent space. He also analyzes categories and forms unique to new media, such as interface and database.Manovich uses concepts from film theory, art history, literary theory, and computer science and also develops new theoretical constructs, such as cultural interface, spatial montage, and cinegratography. The theory and history of cinema play a particularly important role in the book. Among other topics, Manovich discusses parallels between the histories of cinema and of new media, digital cinema, screen and montage in cinema and in new media, and historical ties between avant-garde film and new media.
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Out of date. As Lisa Gitelman said, Lev Manovich's analogy between cinema and Internet as new media doesn't make much sense in a big part. He missed the most important aspect of Internet as a new medium: interaction.
评分state 5 principles of new media to take place of giving it a definition, while some conceptions are also brilliant, such as transcoding and selection.
评分A mathematician/technician writing on cinema.
评分比上一本new media的书论述更严密。Galloway后来的interface理论也有从这里发展而来。
评分in 2 weeks during summer in Vancouver!
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